Taking Children From Their Homes: Russia Introduces Bill To Remove Gay Parenting Rights

“Waves of protests surrounded Vladimir Putin’s return to power as Russia’s President in March 2012. Since then, parliament has passed so many new laws restricting civil liberties that some people now call it the ‘mad printer.'”

– Amnesty International Wire (Amnesty.org)

Russia’s Civil Liberties Record: Getting Worse and Worse In Word & Deed

“Everything you add to the truth subtracts from the truth.”

                                                                          – Aleksandr Solzhenitsyn

According to the Associated Press, Russian State Duma Deputy Zhuravlev (Putin’s United Russia Party/parliamentary caucus) is introducing a law making “nontraditional sexual orientation” viable grounds to remove child custody for LGBTQ parents.

In the draft bill for this proposed new law, Zhuravlev wrote:

“Following the letter of the law that forbids propaganda of non-traditional sex to minors we must restrict such propaganda not only in mass media but also the family… if one of the child’s parents indulges in sexual contact with persons of the same sex, the damage to the child’s psyche is immense as a mother or father serves as an example for their offspring.”

Additional grounds for denial or revocation of parental custody include alcoholism, drug abuse or any amount or type of drug use deemed inappropriate, which has nothing at all to do with gender, sexual orientation or law-abiding families established in-place, having committed none of these substance-related offenses.

Here we see yet another instance of punishing allies in addition to homosexual persons, as once passed, this bill would affect families and children who aren’t even LGBTQ-identified. Custodial rights could then be revoked if both or either parent were gay (out or not), so if two parents happen to have an understanding in their relationship, share post-divorce custody, etcetera, the parent who happens to be gay can be penalized, or a child can be taken away from one or both parents for any so-called ‘homosexual-affiliated’ reason(s).

As it is already illegal to mention homosexuality around children or to advise or counsel LGBTQ or questioning youth. This recent unfortunate move is thought to be the next step in Russia’s plans to eradicate gay tolerance, inclusiveness or protections altogether for LGBTQ persons, friends, allies or families.

At this point, though the bill is to be debated before it is formally passed, it seems such motions are little more than a formality. Russian lawmakers keep clinging to the through line that their anti-gay motions and laws are being instituted to protect the children, rather than being anti-gay.

Putin has already banned LGBTQ people residing in other countries from adopting Russian children, and as of this writing, the Russian government is also considering reinstating a gay blood donor ban.

Though boycotts and protests are occurring worldwide, even Olympic Committee President Jacques Rogge is throwing his hands up in the air, saying Russia will not change their minds or policies in terms of its anti-gay legislation, and Rogge’s sharing little more on the matter.

Rogge told the press, “…one should not forget that we are staging the games in a sovereign state, and the IOC cannot be expected to have an influence on the sovereign affairs of a country.”

Activists, lawmakers, PR representatives, athletes, spokespeople and officials can make all the claims they want leading up to the Sochi 2014 Winter Olympics, but we won’t know who’ll be arrested or how LGBT people or allies will be treated (both on arrival, during the events and while attempting to leave Russia) until it’s too late.

Many LGBTQ folks (like Johnny Weir) are Russophiles and/or have Russian spouses or partners. Have you been to Russia? Did you love it? If so, how do you feel now that Russian policymakers are passing all of these awful anti-LGBT laws?


#TaylorSwiftProblems: Billy Eichner’s “Glitter and Ribs” Parody Video Sings Angsty Summer Goodbyes


“You’ll never know my heart/like my heart/knows my heart…”

From Billy Eichner’s Taylor Swift Parody, “Glitter and Ribs


Art Imitating The Art of Emo Country-Pop

First Taylor Swift is the MTV VMAs victim (“I’ma let you finish”) , and now she’s the Mean Girl VMA vamp (just for mouthing the words “shut the eff up?). It’s kinda hard to keep up with all these pop star reality TV tragicomedies, isn’t it?

In the wake of Real Taylor Swift’s (ahem. Choreographed.) STFU incident and her recovery from it, Faux Taylor Swift just wants to muse aloud and brood.


So y’all, can we just take a second to wax nostalgic about the end of another bummer summer? Puh-lease?

Plucked right out of one of the lost episodes of Glee, here comes Billy on the Street with a little comic relief. Leave it to sassy-pants Billy Eichner to add his aggro two cents to the whole thing.

‘Cause really: which Taylor Swift are we supposed to believe in? Good Girl Taylor Swift or Bad Girl Taylor Swift? ‘You know we’re all either one thing or the other, don’t you?

Well, don’t you?!!!


In the new music video “Glitter and Ribs,” Funny or Die and Fuse TV’s resident smart-aleck sets the record straight. In the video, Faux Taylor Swift is every girl not yet a woman. She’s sassy, cute, happy, frustrated, sad, apologetic. She cries ugly, feels heartbroken, is independent. Yes. She’s strong, young, um…no. She’s old, totally weak and totally dependent. Yeah. Well…?

Celebrities are just like us—totally ambivalent and utterly complex.


Hook Up, Heartbreak, Cash In, Repeat

The real target of this video is the crazy, silly entertainment industry. “Glitter and Ribs” breaks down the “summer fling to summer heartbreak” song formula, the lie that is the ingenue/Lolita aesthetic, and the naughty habit pop stars and producers have of recycling the same song and video over and over to communicate the same ideas—and how that theater of the absurd spills into offstage antics, which then strangely become “real-life” antics.

And then the whole (press) cycle begins again.

As with everything in life, there is of course a grain of truth to what’s going on (private details we’ll surely never know) and how that contributes to Swift’s own creative process. Many artists believe that suffering is a key ingredient necessary for creative inspiration, and Swift just rocks that trope in her own Taylor-ish ways.

And why wouldn’t she? Doing so is a lucrative business, and these recurring themes work for her. The music business is indeed a business. Broken-hearted music sells, and “if it ain’t broke don’t fix it” doesn’t apply to this particular case study and music biz model.

Swift’s sales figures and chart positions are telling: there’s catharsis to be had from hearing and singing along with this narrative that’s ever on repeat.

Still, when you think about the artistic choices Taylor Swift and her press team make compared to…say, India Arie’s, the repeated messaging, saga and drama that “Real Taylor Swift” is broadcasting do seem to be more than a little bit laughable.

And sometimes, ya gotta laugh to keep from crying.

Unless of course, you’re Faux Taylor Swift, because “life won’t always be glitter and ribs.”

So ciao for now…see you next summer never-ever-ever!

xo (sniffle, sniffle) xox,

– Faux Taylor Swift 

P.S. Ms. Faux Taylor, wash your face full of runny mascara away, come back to your viewing device of choice, and watch Billy on the Street. That’ll solve everything. For now.



Mighty Real: The New Gay Workout Anthems Playlist


[Please note that some of the visuals in the videos are NSFW – Not Safe for Work. YouTube usually requires a login before those who are over 18 can view them, but we can’t promise this will be the case. Some of the selections are Rated PG-13 due to language and imagery.]

Maybe it’s just me, but there’s something about working out to LGBTQ-inclusive anthems that puts a lil’ extra pep in my elliptical hyper-step.

Living by a gay-owned gym staffed by fab music lovers who know their stuff doesn’t hurt—but when you have your own playlist, you can take all your fab on the road, or stick it in your headphones and jog it out.

Need some suggestions? Thought you’d never ask.

The tracks below have either been co-opted by gay folks or penned and performed by them (mostly the latter). You’ll find some classics and discover some newbies.

Big Freedia – Azz Everywhere http://www.youtube.com/watch?v=kbR5wPpoOiw

In the words of George Clinton, “Free your mind and your ass will follow.” This track’s less about your bootie and more about your free spirited shaking of said behind. And that’s right Ladies and Gentlemen, it’s the TwerkMaster General, Big Freedia. Girlfriend brings the party on “Overdrive. Overdrive! Overdrive! When you take a ride!” Everything Big Freedia touches is dope. As the Queen Diva of New Orleans Sissy Bounce, she’s spent many years crafting her tracks and performance/recording skills to be at the top of the “bands that make you dance.” You don’t listen to this song—you DO THIS song. Don’t worry, she rocks it like a drill instructor all along the way—you won’t get lost, Boo.

September – Cry for You (Remix) – http://www.youtube.com/watch?v=Pf1kcbFzWyI

A regular club and Pride performer, September works that Swedish pop thing in a sweet, coy little way. Interesting tidbit—the riff’s from Bronski Beat’s track “Smalltown Boy” (different playlist for a different day, but an absolutely riveting track about the struggles of coming out. September seems all coquettish, but the song’s saying in essence, “Eff off, Dear.” It’s not like she didn’t try. Mm-hm. She really tried. It’s just time to go. And you can shout that along with her at the top of your lungs in 3…2…

Sylvester: You Make Me Feel (Mighty Real) http://www.youtube.com/watch?v=oG2ixYJ79iE

You’d be surprised how many college kids aren’t aware of this track. The song used to be utilized as a joke in TV movies or films to wink-nudge at the audience that so and so character, vibe or environment is queer. (No.) Sandra Bernhard reclaimed the beauty of this track in-community by recording her rendition of it, as well as performing a shelarious routine declaring her love for Sylvester and coming up in his era. This is a song about freedom and authenticity—and the bass line, riff, and chorus just won’t quit.

Manila Luzon — “Hot Couture” official music video http://www.youtube.com/watch?v=_gdbbHr1d2A

Consider this to be your water break or cool-down song, as it’s a bit more mellow. Sickenly scrumptious hook and lyrics about dressing yourself up in your own love. It’s a delight to watch Manila Luzon (and Mini-Manila Luzon) pay tribute to fashion *as* function and looking fierce doing it. The little storyline involving baby Luzon in the video is a bit of a misty-eyed sitch, and it’s something they didn’t have to add to a song that’s focused on fashion. Love. It.

Madonna – Don’t Stop (Smegster Remix) http://www.youtube.com/watch?v=1VSZIVCJ5ow

From all reports and regardless of past bisexual dalliances, Madonna is “Madonna-Sexual” and Super-Ego-centric–she’s been both loving and loathsome to queer folks including for whatever reasons, her out gay brother (sigh). Still, she’s family and her work keeps the emphasis on the “fun” part of dysfunctional (maybe not so much lately?). Anyway—in itself, “Don’t Stop” from “Bedtime Stories” is anthemic, but needs a little HI-NRG to keep your BPMs and heart rate up and healthy. We aim to please, so here you go. Can’t call this track a “refix,” as the original’s pretty damn delicious.

Hilary Duff – With Love (Rhv Vs. Dave Aude Club Mix) http://www.youtube.com/watch?v=XZJE_xSC9pc

Hillary Duff’s kept a pretty even keel and steered clear of cray cray ex-child star drama. (No drag queen harassment or trolling tweets in sight). In fact, Ms. Duff’s set aside some “sweet time” to create some Think Before You Speak gay-ally PSAs (thanks guuurl).  As for this particular remix, the positive affirmations in the lyrics are undeniable. “Tell me I’m wrong, that I’m coming on way too strong. Don’t think I’ll be crushed. Just do it with love. Love, love, love!” We are divas—do we not bleed? Proceed with caution. Just do it with love.

George Michael – Outside http://www.youtube.com/watch?v=gwZAYdHcDtU Because George made the absolute best out of a terrible arrest, “Outside” makes today’s list. Never one to shy away from social commentary, this song’s about adventure and its subtext flirts with how Michael himself got popped for it. Albeit risky, he certainly went on an “adventure.” This track’s about play in its every connotation, finding the strength to collect yourself and sally forth again and again, and moving your body-body at the party-party.

The Bird and the Bee – Fcking Boyfriend (Peaches remix) http://www.youtube.com/watch?v=tpAcqkX7O0Q

Are you asking him or telling him? Eh, same thing. “When you laid down with me, you never slept that night?” Come on. Poetry. Sheer electro-poetry bliss. Work it out.

Flawless (Go to the City) George Michael & The Ones (Mike’s Ultra Clean Extended Remix) http://www.youtube.com/watch?v=PYcTlot5evY

Shout it with me: “You’ve got to go to the city!”

Call it what you will—a coming out anthem, a runway ready hit for the children, or absolutely flawless. Here’s yet another track with, like, triply-lovely significance. The track was inspired by  a fantastic movie of the same name and it is indeed “Flawless.” The Ones are at the very least exceedingly queer-friendly (what? Like everyone has to present a card at the border? I’m not walkin’ around with a queer-counting clipboard), and George Michael’s “Flawless” is encouraging a dear friend (or perhaps his younger self) to leave a drab humdrum town and get out…for good. “Well you’ve got to think of somethin’, ’cause your job pays you nothing. But you’ve got the things God gave ya, so the music may yet be your savior…you’ve got to go to the city.” The Ones chime in “Like perfection. Like no other. Flawless. Absolutely flawless.” Mmm. Quelle motivational!

If I find out this song’s about Andrew Ridgely I will start crying tears of joy, right there on the elliptical stair-stepper. I swear before Yeezus I will.

Cazwell – Ice Cream Truck (Dee Jay Tatto Club Mix) http://www.youtube.com/watch?v=3Jr3okGlL4A

Brazilian-born and NYC bred, Cazwell is a prolific, hella-experienced rapper-producer, and his label’s got this naughty habit of populating his videos with eyefuls of scantily-clad models. Unheard of! Sure…anyway, the original video is cute, camp and somewhat ironic contraposed with the visual hotness you see here, but his remix amps things up just a notch or two. Qué sabor….

Extra Fun, Funny Goodies, & More Diva Tributes:

RuPaul – Jealous Of My Boogie (Remix) http://www.youtube.com/watch?v=kLemKdmoris

Looking So F*kin’ Good – RuPaul & DJ ShyBoy http://www.youtube.com/watch?v=oBG5R_EJ0SM

Depeche Mode – People are People Remix – http://www.youtube.com/watch?v=Yi5uWsI9G6g

Lady GaGa – Bad Romance (David Guetta Remix) http://www.youtube.com/watch?v=g_OkDzkSuvQ

Latrice Royale & Manila Luzon — The Chop (Official Music Video) http://www.youtube.com/watch?v=UlHzdXFCJ-c

Willam & Rhea Litré in “Let’s Have a KaiKai” http://www.youtube.com/watch?v=rfWeBYd7rkQ

Whitney Houston – It’s Not Right But It’s Okay (Thunderpuss Remix) http://www.youtube.com/watch?v=MSOWUwRFwi0

Scissor Sisters – Filthy / Gorgeous http://www.youtube.com/watch?v=b4RcBZy2jZA

Ru Paul – Workout http://www.youtube.com/watch?v=gUjUF0mFJ9A

XELLE featuring Mimi Imfurst “Queen” Official Music Video http://www.youtube.com/watch?v=PLqW6n29TYE

WERQIN’ GIRL” Music Video by Shangela Laquifa http://www.youtube.com/watch?v=hArTHxRpKmM

Alyssa Edwards : Drop Dead Gorgeous (B. Ames Mix) http://www.youtube.com/watch?v=oOC_VGuc6Sc

Donna Summer – Last Dance (long version) http://www.youtube.com/watch?v=uW-3Hp1EVdQ [Tempo changes at 1:30]

Willow Smith – Whip My Hair http://www.youtube.com/watch?v=ymKLymvwD2U

Stardust Vs Madonna – Dance & Sing / Music Sounds Better With You Mashup (White Label Mix) http://www.youtube.com/watch?v=xVZrCWNT-yA

Sahara Davenport (with Gomi)– Go Off (Official Video) http://www.youtube.com/watch?v=KziZUnSYRRA

The Ones – Flawless Video http://www.youtube.com/watch?v=O_e5oYqNRSM


George Michael – (Funny and funky) Go to the City Video http://www.youtube.com/watch?v=QgGDcn46aW8

“’Cause you’re beautiful. Like no other.”


Listen / work out to all these songs at once by clicking this playlist link.



Enough cardio for now, but we’ll bring you more. There will always be more.

Fave workout selections, anyone? (Heteronormative tracks, albums and playlists welcome.)

Randy, Oral Roberts’ Gay Grandson, Says: ‘#ItGetsBetter…and It’s Complicated.’


Close-Up – by A. R. Ammons

Are all these stones


I said

and the mountain



but reluctant to

admit my praise could move it much


shook a little

and rained a windrow ring of stones

to show

that it was so


Stone felled I got

up addled with dust


and shook


without much consequence


Obviously I said it doesn’t pay

to get too

close up to



and the mountain friendless wept

and said

it couldn’t help


Re-Imagining Religion: “Falling In Love Will Not Send You to Hell.”

                          – Randy Roberts Potts

“All students are required to sign a pledge stating they will live according to the university’s honor code. Prohibited activities include lying, cursing, smoking, drinking, and a range of sexual acts including homosexual behavior and sex outside marriage.”

                                                                   – Excerpt, ORU Student Codes , Oral Roberts University

Wouldn’t you know it: every time the “gay agenda” is reexamined, the “master plan” appears to become more and more normal on the face of it. Because it is.

“The gay agenda” is “the human agenda:” we all want love. Hope. Home. Family. We all desire the same things.

Back in 2010, Oral Roberts’ out, gay grandson Randy Roberts Potts read a letter to his closeted gay Uncle Ronnie (Oral Roberts’ eldest son) and recorded a viral video (http://www.youtube.com/watch?v=KYa0wi4XzeI) to honor Ronnie’s life, as unfortunately, his uncle had already passed away when Randy was just a kid (in June of 1982).

Randy’s irrepressible spirit remains to alchemize life’s tests and turn them into life’s testimonies.

In the video, after 2:38 minutes of silence (during which time we see the handwritten letter for his uncle), Potts reads a revelatory poem entitled “Close-Up” written by A. R. Ammons. Then, Randy moves into his own compelling testimony about the strange magic behind growing up with a gay uncle (around whom Randy’s mom was most captivated), and how it affected Potts himself.

We witness Potts as he entreats Ronnie’s spirit (for healing? For explanations?), “When my mother spoke of you, a look of awe lit up her face. You were the one voice in her life that could inhabit multiple worlds at once…. You stood for everything she was afraid I would become: gay, intellectual, and godless. And yet nothing caused my mother’s face to light up like your memory. I was jealous, and I always hoped to be you.”

Randy recounts following in his uncle’s footsteps simply by following his heart, and reminisces about the tragedy of losing a loved one who took his own life because he felt he had no options. No hope. Because he felt that life would not and could not get better.

“I’ve seen pain and loss and sorrow,” Potts continues. “I would have held you in my arms had I been a man at the time…. but there’s no one holding you, because you’re holding on to no one. And now I’m here sharing the same destiny…. your path and mine are crossed. They intersect…in some ridiculous dance.”

With a tonality not unlike Dylan Thomas’ “Do Not Go Gentle Into That Goodnight,” Potts brings us into present day. Yes, he is angry, but we can somehow see the light at the end of the tunnel, the burning hot flames of passion for living forever aglow in Randy’s heart. We somehow feel his uncle lives in some kind of virtual second life, through Randy.

Another “Gay Agenda,” Another Pleasant Valley Sunday.

Oral Roberts was the first and one of the biggest of the televangelists. He brought the Pentecostal faith to mainstream America, he started a self-named university, and of course lived a rich life through his relentless please for money from his followers. His grandson Randy Roberts Potts grew up with him…steeped in that really sheltered, Far Right Christian world. Now he’s following a calling like his grandfather, but with an unexpected message.”

Reporter Page Hopkins for MSNBC

In sharing his story with MSNBC, Potts did indeed reveal he’d felt suicidal too—coming out was unthinkable to him. Having married a woman and raising three children with her, Potts’ coming out narrative is a common one that always feels mysterious and new during the discovery process. He told Hopkins, “Honestly, I thought I was just a really good christian that I just didn’t sexualize women.”

Though Potts’ closeted gay uncle passed away when Randy was just a boy, as he unfolded the discoveries about Ronnie’s life, they paralleled discoveries of his own.

It is now Randy’s life mission to reach back across the table and minister tolerance and inclusiveness to evangelicals themselves. Potts informed Page Hopkins that he’s doing so non-publicly, holding confidential meetings with religious leaders and consulting with them regarding family cohesion, suicide prevention and myriad other positive effects of practicing religious tolerance.

In one of the most romantic and courageous activism campaigns out there, Potts and his partner are now conducting what they call an ongoing “performance project designed for conservative towns with visuals of domestic gay life.” Potts is setting up storefronts from town to town , choosing to put his normal day-in day-out familial relationships on display, in a performance art piece called—what else…

“…The Gay Agenda.



Reach out to Randy @randyrpotts and connect with ORU Out, ORU LGBTQ alumni and ombudsmen) at http://oru-out.tumblr.com.

To watch Potts’ It Gets Better video in its entirety, please click here: http://www.youtube.com/watch?v=KYa0wi4XzeI

Have you got time to sit and pray a while? Check out Randy Roberts Potts – Re-Imagining Religion Series at: http://www.youtube.com/watch?v=9uYWf2WfPH8. During his ministerial speech in this video, Potts reveals that his brother is also gay and his family still ostracizes them both.


And for more information about suicide prevention and LGBTQIA resources and support, please visit the It Gets Better Project at http://www.itgetsbetter.org.






Men At Twerk Are NSFW: Big Freedia, Drag DJs and Men In Queer Culture — Are they Putting Miley Cyrus to Shame?

“Miley Cyrus’ twerk-filled performance at this year’s MTV Video Music Awards has become the most discussed, polarizing few minutes in a show that saw an ‘N Sync reunion and silhouetted Kanye West singing “Blood on the Leaves”. More than one think piece has accused Cyrus of appropriating and exploiting black culture for her own benefit at the detriment of its pioneers [like Big Freedia].”

                                                                                          – Jason Newman for Fuse.TV

On The #MileyTwerk Controversy and Queer Black Culture

“I’m a singer. I’m not a twerker, I’m not a rapper. I’m a singer…. I really can sing. And you know I can twerk—watch my videos. So there.” – Singer/Pop Artist Miley Cyrus 

[Note: In principle and practice, many of the clips and links below are NSFW. Not. Safe. For. Work. Surf with caution. Some of the content doesn’t prepare you for this fact pre-launch.]

Feminists are not having it.

Kids in San Diego are getting in trouble—like “suspended” in trouble.

Hannity and Limbaugh are hornswoggled, all about this “shocking new twerking thing.” The word “twerk” has made it into the dictionary. Women are even twerking in church…on camera.

But y’all know twerking is nothing new. By now, you’ve likely traced its roots back to Africa’s diaspora, strip club feasts of fancy or your garden variety YouTube/Vine video. Let’s just say it’s familiar.

Twerking’s “a new thing” for Miley Cyrus to do in public (not counting press campaigns planned far in advance of any twerk attempts), so therefore it is “news.” Girlfriend is owning it as-is—so by now ya gotta know, it is Miley’s full intention is to twerk poorly and call attention to the fact that there’s not all too much junk in her trunk.

Ms. Miley ain’t out to win twerk-a-thon championships, and nothing that a Disney grad does—one who’s still on top—is accidental.

Now that that’s out of the way: folks can’t tell what they find most offensive about Miley’s runaway bootie: her lack of hip gyrations, her cultural appropriation, using African American folks as props alongside teddy bears, or her choice to milk every last drop of so-called shock value from ratchet living ’til it’s dry.

MC’s camp is well aware that the so-called American TV demographic isn’t ready for a real-deal twerk. Why would she practice twerking aiming to make that look authentic when it wouldn’t get on the air for the world to see? (Let the “people props” get closer to that.)

As for cultural appropriation, using people as props et al—this is nothing men (and/or Madonna!) haven’t done for decades in the entertainment industry—does that make it okay?

While ratchet/twerking music and culture’s aimed at dancing and partying all night (among, ahem, other ideas), twerking draws upon elements of queer culture. We are everywhere, so why would this not be the case?

LGBTQ folks find Miley’s new-found popularity scenario to be familiar: she’s shining in the spotlight, riding the wave of a cultural trend that’s been around in this form for at least 20 years. When such a trend makes its way to heteronormative culture and is performed by (at least more) heteronormative superstars, it’s salacious, sexy and provocative. “Controversial.” When it’s performed by LGBTQ folks in-community, people are confounded and disgusted. Granted, “disgust” is a subtextual form of interest and arousal, but most folks don’t take much time to process through that appropriately.

Too, to hear Huffpost/AOL tell it, their #MenAtTwerk compilation is one of America’s funniest home videos. As it’s taken out of context, that’s one viewpoint—but because of the platform and audience Huffpost has, such a viewpoint leaves room for much misinterpretation. In-culture, the #MenAtTwerk bootie-clap collage could be considered to be hot, fierce, authentic, queer-inclusive and/or funny at the very least. Not just “funny.”

Back in February, RuPaul and Big Freedia released the hypnotic video and single “Peanut Butter” (http://www.youtube.com/watch?v=LFoRH-VtFO4) flanked by raw, hot models and dancers (courtesy of Chi Chi LaRue and Big Freedia), and a whole…lotta…arse. (The title of the track is “Peanut Butter,” so no surprises there). This underground club banger’s selling well and re-popularized twerking in-culture in a way that Miley still has yet to understand. Ru and Freedia are internationally famous pop stars too—you just don’t hear about them in the press every…other…second on every other channel.

‘Bout That Actual Life: On Actually Fierce Twerk Game

“I haven’t really seen one bad comment about my twerk video,” she said, then added jokingly, “This is the first thing! All right, I can’t sing, I can’t act, I’m dumb, I’m a hillbilly, but I can twerk, so whatever!” – Miley Cyrus

What did not get as much mainstream press time in this latest cultural case study? Rap Artist-Musician Big Freedia, killin’ it with a jaw dropping set at the Afro-Punk Festival, which took place on the same day as the VMAs did, in the same city and cultural mecca (Brooklyn).

Still, Rap Artist-Musician Big Freedia’s mic is on. People are watching, listening and learning. Big Freedia isn’t any fly-by-night dilettante or hobbyist. This artist is the real, live deal—she’s been all up in Bounce culture and then some since 1999. While promoting her new FUSE show Big Freedia: Queen of Bounce (http://www.fuse.tv/shows/big-freedia), she’s making her voice heard, sharing her reflections about the repeated #MileyTwerk spectacle.

While she’s honest about leveraging this strange, emerging opportunity, Big Freedia minces no words: twerking has been screwed and chopped by mainstream culture, and someone from within the culture itself needs to set the record straight.

Sissy Bounce is here, it’s queer, and it’s always been with us.

Reigning Sissy Bounce Queen Diva: Big Freedia Takes New Orleans Bounce to the World Stage

In Her Own Words

“… It’s offensive to black culture and black women who’ve been twerking for years. Every time we do something, people want to snatch it and run with it and put their name on it. And they still don’t even have the moves down yet. Just get me and Miley together so I could give her ass some lessons.” – Big Freedia, on Miley Twerk-A-Mania

Big Freedia doesn’t just make Bounce music—she makes Sissy Bounce music.

She had plenty to share regarding Miley’s twerk-storm. From a recent interview with Fuse TV (http://www.fuse.tv/2013/08/big-freedia-miley-cyrus-twerk), here are a few thoughts Big Freedia shared with her audience:

…. she was trying to twerk. For one thing, we have a dance in bounce music called ‘exercising’ where you just open your legs and shake your butt a little bit from side to side… but she still didn’t even get that right because she didn’t have any butt control. She needs more practice.”

When you have my dancers, they’re professionals. They’re from New Orleans and know what they’re doing . When they started dancing, it was original twerking. Miley’s dancers were prop dancers. None of them were professional dancers.”

They could’ve used girls from New Orleans, even if they were not black, who knew what they’re doing. They’re just using anybody possible just to get that buzz since twerking is hot now. I’m still trying to wrap my head around this, though. I knew the twerking thing was really taking off, but I didn’t know it would blow up like this.”

FUSE asked,Going back to Miley, let’s say you were the choreographer and saw her performance as a dress rehearsal. What specific tips would you have given her?”

Big Freedia responded, “Don’t do it.”

Big Freedia also told Colorlines.com she plans to release a response track called “Twerk It,” which “explores the roots of twerk vocabulary.”

Twerk Couture: Bad Girls Twerking Badly Still Puts Twerking On the Map

You can’t really explain [twerking],” Miley said. “It’s something that comes naturally…It’s a lot of booty action…. I’ve been practicing probably for the past two years, in my own time in my living room.” – Miley Cyrus, to E Online

This is an achy-breaky trend that will not die, and Miley isn’t even attempting to backpedal her way out of it. She is riding it for all it is worth to her—and she’s not in this twerk game alone. She of course has handlers and press people. In her mind (from all press interview accounts), Miley really is just chilling with her friends and doing what she loves.

It’s A Feminist/Black/Queer Thing: Miley Isn’t Here to Make It Rain.

On Channeling Nothing

RT @MileyCyrus “Mile, if twerkintwerkin woulda been invented…. And I had a foam finger…. I woulda done the same thang you did.” – DAD

If you watch Miley Cyrus’ “We Can’t Stop” video or even Robin Thicke’s “Blurred Lines,” the point of the shimmery video spectacle is not about making sure celebs and models are “dancing well.”It’s all about the performative pantomime. Again, we already know this yummy aesthetic quite well: Andrew Christian and Chi Chi LaRue’s underwear ad campaigns alone take bootie-shaking to beatific heights, masterfully conjoining commerce, spectacle and eroticism. – http://www.youtube.com/watch?v=I8S94OlPt7o.

Don’t let Miley’s twerk game fool you: titillation sells, and you can always take that to the bank. Twerk is another set of clothes for Ms. Cyrus. Miley’s still got time for high fashion photo shoots with Terry Richardson and has covered V, Cosmo, Harper’s, Elle UK and counting in recent memory. Those magazines don’t (yet) encourage ratchet couture spreads, and this twerking thing is but another momentary fashion prop for some.

Too, engaged to a man or not, Miley is gay-friendly and (many say) a queer lass indeed. Playing at queering culture isn’t something that can be shut on and off. Cyrus makes a proactive point to remind her fans about this, and the We Can’t Stop video is all about playing at bi-chic tropes and omnisexual aesthetics that may or may not keep happening when cameras stop rolling.

In terms of controversy and criticism goes, Miley takes it all in stride. Trained to deal with the public from a very early age (at least years old), she and her handlers know how to keep people talking and to take “faux rebellion” nowhere near the bleeding edge of real rebelliousness.

As for the pop star’s heiney? Here we have the good ol’ “Goodie I still get to look trick:” you criticize a woman for shakin’ what her momma gave her, telling your partner, the press, your friends, “Oooh! This is just scandalous!” All the while, you’re never taking your eyes off her bum and assorted hijinx. Scandalous attention is still attention.

We Can’t Stop Miley Cyrus. We Won’t Stop Miley Cyrus.

Cyrus’ only responses to criticism have moved along two main streams of thought.

Here’s one: when criticized for her unicorn onesie twerk video, Cyrus essentially said [paraphrased] “J. Dash is happy…no one heard of his song “Wop” before I did that.” And two: when hip hop legends such as Jay Z shout her out in their rhymes and in the press, people tell Miley he’s dissing her. Her responses?

RT @MileyCyrus Somewhere in America a Jay Z song is onnnnnn

RT @MileyCyrus That’s a win win forrrrrr me.

RT @MileyCyrus Call it what you want. But I don’t see Mr. Carter shoutin any of you bitches out. #twerkmileytwerk

And Jay Z agrees.

Miley is still working with (and yes, twerking with) Snoop Lion (aka Snoop Dogg), Odd Future, Ludacris, Big Sean, Pharrell, Juicy J, Nelly and many other rap artists du jour. The Yin Yang Twins wrote a stripper pole-ready song about her tush and twerking it. (http://www.youtube.com/watch?v=Q-UXJO-iydM)

The verdict is in: Miley is “right” on all accounts.

Shameless Plugs

Speaking of accounts, Miley’s still posting pictures of her bootie @MileyCyrus, and you can keep up with Big Freedia’s latest pics and posts @Bigfreedia.

So let’s get a move-on #MCTWERKTEAM…. Assume the #MileyTwerk position and represent.

“Big Freedia: Queen of Bounce” debuts Wednesday, October 2 at 11/10C on Fuse TV and you can buy her album “Queen of Bounce” on iTunes by clicking here (http://www.bigfreedia.com).

You can learn (and dance!) more by watching the documentary “Big Freedia The Queen Diva” here: http://www.youtube.com/watch?v=O0yrp3nsvAs

You know Miley’s on top of the promo gig too: according to Miley’s Twitter TL, you can of course pre-order #Bangers / Wrecking Ball on iTunes here: (https://itunes.apple.com/us/album/wrecking-ball/id691238659?i=691239109).

Now Playing – Big Freedia – Y’all Get Back Now

Because she is royalty, let’s give the Diva the last word. Big Freedia recently told the Daily News:

Twerking—and it’s a lot more than twerking—comes from a long history of music and dance in New Orleans. Twerkin’ happen around the world for a long time now, so I’m very excited that it’s coming into the public eye, as long as it’s respected.”

We could say more on the matter and likely will.

But wouldn’t you rather be dancin’ and watchin’ all up on this anyway? Let’s free you up to do that. And let’s keep it real: how many times have you had to switch to your “kitty pics” screen-saver so you wouldn’t get caught watching “Peanut Butter” on loop? Oh—that was just us? Oh, okay. Right.


Grok These, Please: Queer Slam Poems and Creative Poetry Videos


Praising and Raising our Work: On Mindshare and Memory

Riveting. Emo. Uplifting. Heartbreaking. Heart-opening. Poetry heals, helps and heartens all who encounter its majesty, power, artistry.

When a poem is passed from hand to hand, eye to eye, heart to heart, soul to soul, the bearer and the receiver are forever changed.

Writer Neil Hilborn’s touching performance in his slam poem “OCD” has recently gone viral, bringing to mind the many LGBTQIA poets and creatives in our midst with their own stories of love and life.

Slam poems and artistic poetry performance videos dovetail so nicely into the framework of social media, aka “Short Attention Span Theater.” All the while, the popularity of such creatives and their efforts debunk the myth that we’re all becoming bots, drones and distracted Internet denizens who can do nothing but lower the bar when it comes to being entertained. As we praise the art, we raise the art.

Queerly Speaking: Queerious Poems & Artistic Feats

There are many queer artists of late who’ve come to shine brightly, find their audiences and clock hundreds of thousands of views for sharing their feelings, style, art, writing and messages in video form—and thank goodness for them. With each new word experienced, we’re reminded to walk through this life: chin up, spirits high, feet facing forward.

Women of the World Poetry Slam winner Denice Frohman’s “Dear Straight People” video is one of the many gorgeous works capturing our imaginations. Garnering clicks, attention, ongoing #lolz and serious praise, Frohman’s hard-hitting truths hammer out insightful words of witticism and encourage laughs of recognition. Here are but a few gems encapsulated in a handful of minutes:

“Sexuality and gender…? Two different things. Combined in many different ways. If you mismatch your socks, you understand.”

“Dear Hip Hop: why are you fascinated with discovering gay rappers? Gay people rap. Just like gay people ride bikes and eat tofu.”

“Dear straight bullies, you’re right: we don’t have the same values. You kill everything that’s different. I preserve it.”

Words cascade like waterfalls. Prosaic glitter and poetic license, new beats and audio treats make their way towards all who have ears to hear, fingers to snap, hands to clap, and believing hearts to respond.

Visit the links below to watch these and so much more: it’s compelling, queer-powered poetry in motion.

Denice Frohman

“Dear Straight People” (WOWPS 2013)





Tanya Davis

“How to Be Alone”




Shane Koyczan

“Pork Chop” from the To This Day Project


Shanita Jackson and Dakota Oder 

“Civil Rights”


Noah St. John 

“Noah St. John Performs at Queeriosity 2010”


Stayceyann Chin

“Feminist or a Womanist”


Andrea Gibson

The Jewelry Store



To watch all of these videos as a playlist, please click the link below.


Mindshare & Memory: Slam Poems & Creative Poetry Videos


“One of Us?” Not As Much…On Fatboy Slim’s Queer Behavior

“The most ironic thing is that most of what we do was invented by black, gay Americans in the first place.”

– Fatboy Slim, on EDM / House Music

Fatboy Slim: Queer…or Just European?

Norman Cook (aka Fatboy Slim) is not one to dither around or dilly-dally when it comes to sonic expansiveness and creative perception. While serving as producer, writer or DJ, Fatboy “Jack-of-All-Genres” Slim happily bounces from genre to genre to suit each new mood, project or opportunity. His range of landscapes at-play include Independent Pop, British Hip Hop and House, Big Beat and Dance music, naturally.

Born Quentin Cook, this UK underground boy gone massive came from punk rock beginnings and scruffy indie aesthetics before heading away to college in Brighton, then segueing into club and DJ culture.

Cook enjoyed a brief stint as the bassist for UK alt-pop outfit The Housemartins and experienced his first dash of fame during the band’s “Happy Hour” phase. Soon enough, Cook worked his way back to clubbing and DJ’ing, finally gaining a critical mass of attention and fans with his production and mashup skills, and eventually coming into his own with the fame and success of the hypnotic tracks “Praise You” and “The Rockafeller Skank.”

Some lads hear it more than others, but the “Is He Gay or Just European?” trope prevails in a culture where a metrosexual is a term the British media coined to describe a distinctly European look, sensibility and sexual fluidity (often but not always attached to disposable income and class). Such themes include but are not limited to: effeminate fashion, unisex/asexual presentation and (ahem) sexual experimentation or fluidity. The fact that all metrosexual men are “straight” is of course hogwash. Too–more and more, youth culture refuses to “pick a team” or define themselves by any label whatsoever.

So now, we have the news that Fatboy Slim is a regular Pride entertainer, a staunch LGBTQ advocate, and has ‘experimented with’ men sexually.

If you’d hear it from Cook himself, it’s N.B.D., but perhaps of some interest: back in 2004, Fatboy Slim told the press, “Well, everyone’s had one try-out experience, haven’t they?”

On his relationship with wife Zoe Bell, Fatboy Slim went on, “Me and Zoe have always been convinced [our son is] gay anyway.”

The fact that such goings on were mostly laughed off and minimized typifies the sexual fluidity that is our shared human experience. In less of a “bi-chic” moment and more of a “yeah, that happened” moment, Cook’s language wasn’t quite politically correct but his sentiment speaks to a nonchalance that reveals how natural and fluid sexuality is.

Is this something we can or should ignore?

Being that Fatboy Slim’s son’s still of a tender age, Cook may be keeping laser-point specifics of his son’s life private and deflecting the concept of queering personal life or relationships. However last year, Cook told Pink News UK his that supporting equal marriage is a ‘no brainer’ and revealed, “I talk about the issue with my son.”

Cook, who’s done much education and advocacy work for local young artists in his hometown, once performed at the Terrace Bar of the House of Commons to support even more community-based music initiatives for youth. By having done so, could he be, however subconsciously, helping to open the minds of UK lawmakers to queer culture, sexually fluid living and LGBTQ art and iconography?

Time will tell.

Meanwhile, are Fatboy Slim’s remarks about his own ‘sexual experimentation’ dismissive…or “normal?”

In essence, you cannot un-queer yourself, culturally or sexually. What’s definitive here is that Cook is decidedly an ally. And for the time being, the rest is none of our “B.I.-IZ-NESS.”

Have a nosh on the concept while you nod your head to Fatboy Slim’s video, “Weapon of Choice” feat. Christopher Walken.  (Yes, Hunty’s: come back and share your thoughts with us after the jump-off.)



“Moscow Is Not Sodom:” Valeriya, Russia’s Madonna, Worries About Gay Propaganda

| “ RT @BBCNewsnight: Russian Singer Valeriya Perfilova says she worries about..influence of ‘gay propaganda’ on her children #newsnight ” |

Don’t Tell Me.” I Won’t Ask You.

Gay? Out? Don’t tell Valeriya about it. The living, thriving spirit of Pussy Riot continues to push the dialogue forward and keep LGBTQIA rights, allies’ rights and progressive activism in the planet’s consciousness.

In what’s being called a new gay holocaust, Russia’s resurgence of anti-gay sentiment (including myriad anti-gay/anti-ally/anti-activism laws) continues to change hands and to be bandied about by various talking heads. The revolving door of anti-gay rhetoric moves from the streets to the legislature to celebrity mouthpieces and back again.

One of the more prominent voices fearful of “gay propaganda” is Valeriya Perfilova, considered by many to be Russia’s version of Madonna. The singer directly benefits from (but does not publicly acknowledge) the love of her LGBTQ fans.


Using the Word “Propaganda” As Propaganda

Having sold over 100 million records worldwide, Perfilova is mainly known by her one-name moniker (see: Cher, Madonna) Valeriya. In her press materials, she appropriates much of Madonna’s heat, style and vibe—but somehow, she manages to kick the gay-friendly part of Madonnaisms to the curb. This is particularly unfortunate, as the singer’s a domestic abuse survivor and her body of work does much to buoy the spirits of female abuse survivors (all the while redirecting abusive behaviors toward another culture).

In a June 2013 broadcast with BBC Newsnight’s Jeremy Paxman and Russian gay activist Anton Krasovsky, Valeriya championed a “Don’t Ask, Don’t Tell-esque” viewpoint, towing the party line that LGBTQ persons should not be seen or heard as such.

Regarding Russia’s anti-gay legislation, Valeriya began:

“It was funny to me, because it’s nothing to do with politics. Being the mother of three children, I approve this [anti-gay] bill… I don’t want to meddle with other people’s lives. I don’t care what they do behind their doors. But I do care about my children’s bringing up [i.e. upbringing]…. The vast majority of people in Russia, 88 percent of people, support the ban of homosexuality propaganda. That’s a fact. And this bill responds to people’s demand. That’s all.”


L.W.Q: Living While Queer & Beingness As Illegal

Here’s a bit of a backgrounder: in January of this year, former Russian TV journalist and presenter Anton Krasovsky came out on Russian television and was fired immediately thereafter.

Now, back to Newsnight—during the BBC television broadcast, Krasovsky brought forth the idea—and his lived experience—that essentially now in Russia, it’s illegal to be gay.

Holding back uncomfortable laughter, Krasovsky couldn’t hold back the irony of the situation:

“I’m glad that that situation is funny for Valeriya,” he responded. “But it’s not fun for me. I think it’s against me. Against my family. Against all gay people in Russia…. From today, I cannot say that I’m gay and I’m the same human being…like all of you. From today, I’ll have to pay for this. From a hundred to two-thousand pounds. Because these words could be taken as propaganda.”

The beingness of gay life, being LGBTQ, being a questioning soul, being LGBTQ and out, or even advocating for those who are—in Krasovsky’s experience and in his own words, now this is a crime in and of itself, no matter what one does or does not do. It’s about the beingness now. Beyond being a thought-crime, this is L.W.Q. “living while queer.”



Some of My Best Friends Are Gay…

Ironies continue to prevail. In 2008, Valeriya became a goodwill envoy for the Russian Federation on behalf of the International Organization for Migration (IOM), an agency to combat human trafficking. She’s been bequeathed with honors and endorsement deals from Avon, from a custom perfumier, from MuzTV and MTV Russia. She was awarded the title of “Honoured Artiste of Russia” by Putin, and has been cited by Forbes magazine as one of the 50 most highly-paid people in movie, sport, literature and music.

All this to say her platform and audience is immense, and the Russian government is using her star power to their full advantage.

During Newsnight Valeriya continued, “I have a lot of friends who belong to gay society, and they do not support their unisexual marriages. They would never take part in gay parades. They’re just normal people. They do their business…. are still working on TV, the media. I don’t know why it happened to you [Anton].”

But of course, the “friends” are not out—or as Anton Krasovsky put it, they are not “open gays.”

To watch the full video, visit the YouTube link below.

BBC News – What gay ‘propaganda’ vote tells us about Russia Today:


Connect with Anton Krasovsky at @krasovkin and share your thoughts with BBC Newsnight @BBCNewsnight.


LZ Granderson: The Myth of The Gay Agenda

“…I have taught myself to sew, cook, fix plumbing, build furniture – I can even pat myself on the back when necessary…. There’s nothing I need from anyone except for love and respect. And anyone who can’t give me those two things has no place in my life.”

– Arnold from “Torch Song Trilogy.”

Visit Bing or Yahoo. Google or Duck Duck Go.

(Don’t worry, we’ll wait.)

Now: search for the words “Gay Agenda.”

(We’ll be right here, so be sure to come back. Better yet, open up another window or tab. There you go.)

Here’s what you’ll find: you’ll discover and learn more about us here at GayAgenda.com (please do that!).

You’ll also see many, many other “interesting” finds. Most notably, you’ll encounter a lot of people who have coined the hateful term and idea of the “gay agenda,” words we happily reclaim.

Among the search results you’ll find will be CNN reporter-journalist LZ Granderson’s world renowned, fact-filled, heartwarming and humorous TED Talk, “The Myth of the Gay Agenda.”

Remember that “Gay Agenda” search engine quest from before? LZ really, really went there too—in fact, he went into some extended search action…!

The results he found included a wealth of hate-monger speech and ignorance-laden articles and updates about the “dangerous gay lifestyle,” and the “dangerous gay agenda.”

On thumbing through result after result of anti-gay propaganda, Granderson reflects: “If I’m gay and I’m doing something that’s going to destroy civilization, I need to figure out what this stuff is. And, I need to stop doing it right now!” [The audience laughs.]

“I took a look at my life—a hard look at my life,” he goes on, “And I saw some things very disturbing. And I want to begin sharing these ‘evil’ things that I’ve been doing with you, starting with my mornings.

[The audience continues laughing along with LZ.] He continues the in-joke: “I drink coffee. Not only do I drink coffee. I know other people who drink coffee.”

Granderson directs us to the first slide of a PowerPoint presentation with the laughable title, “The Super Duper Evil Gay Lifestyle,” emblazoned with the rainbow flag.

He walks us through his happily partnered life and the daily goings on of being a busy parent. He then goes on to masterfully, ironically illustrate his points. “Run for your heterosexual lives, people!” Granderson humorously “threatens” during the conference, dismantling the hateful rhetoric that anti-gay bigots just so happen to throw around.

At the end of the day, LZ Granderson’s presentation fights for, in his own words, “Love and respect….trying to find your place in the world.” It seems so simple—the real “agenda” has to do with those who seek to complicate it. To destroy rights that have already been granted, and to prevent acquisition of others.

Finding and enjoying “love and respect:” in essence, this is everyone’s “agenda.” Granderson brilliantly brings these and other heartening ideas to the fore.

When he talks about love, his family, adoption and marriage equality, your eyes will get misty, your lips will quiver, you’ll be reminded of your own humanity. His talk is quite lovely and forever relevant.

LZ Granderson, who writes a weekly column for CNN.com, was named journalist of the year by the National Lesbian and Gay Journalists Association. He is a senior writer and columnist for ESPN the Magazine and ESPN.com. He spoke at TEDx Grand Rapids in May 2012. TED is a nonprofit organization dedicated to “Ideas worth spreading” which it makes available through talks posted on its website. (http://www.tedxhappyvalley.com/lz-granderson-the-myth-of-the-gay-agenda/)

You can tweet your reactions and support to LZ  @Locs_n_Laughs.

Click here to watch the video—with choreographed light saber moves and all the belly laughs you can stand included. (http://www.youtube.com/watch?v=CstD6O95L-o)

So what did you think of LZ Granderson’s TED Talk ?

Why LGBTQ or GLBT? Why Trans* or Trans? A Look at Queering the Acronym

We communicate, therefore we abbreviate.

Social media may be viral, but without the words we say and the language we speak, it would have no foundation from which to travel and spread ideas.

Culturally, words are important to LGBTQIA folks. Not only for communicating concepts, but for fighting for our rights, for inclusivity, for assisting in diversity training, and of course, for us to find and to connect with each other among many other helpful purposes.

For instance, writing the word trans* with an asterisk at the end has its own special meaning. In short, the addition of the asterisk is more inclusive. Please click here to learn more about that in a full context.

Also, there are many people who find the word “transman” or “transwoman” to be dehumanizing or offensive, and who feel you should insert a space between each word for that reason.

But then of course, language is complex and contradictory. For example, the organization Black Transmen articulates the experience of trans* men by writing “transmen” as one word in their official parlance.

This brings to mind similar linguistic differences reminiscent of calling oneself “gay” versus calling oneself “same gender loving” or SGL. (“SGL” was a term created in generally African American circles, initiated to take one’s focus away from sex and place it on relationships, but SGL automatically excludes many trans* persons).

Or, there’s articulating queer culture as being “gay” rather than the more inclusive “LGBT” “GLBT,” that’s another example. Too, people can be attached to the order of the letters, favoring starting with “G” or “L.”). Next, there is “LGBTQ.” However, writing or saying “queer” can be an issue to some, as if there is something so-called “wrong” with being gay or having another sexual or gender orientation, rather than the intended meaning of reclaiming the insult as a word of empowerment (“We’re here, we’re queer. Get used to it.”).

Also, many acronyms and terms exist to behoove inclusivity-focused communication (e.g. LGBTQIAU for “lesbian, gay, bisexual, trans*, queer, intersex persons, allies and undeclared), and the lists go on and on.

Here are a few others:

SOFFA – Significant Other, Friends, Families and Allies – Generally used in trans* culture.

GAY – (This word didn’t begin as an acronym, but it has become one. Aside from literally meaning “homosexual,” “happy” or as shorthand for “LGBTQ”) – Gifted and Young, Good As You, Gay. Are You?

IMRU – I’m Queer/Gay. Are You?

LGBTQ / TBLG / LGBTQQIAAS / GLB / LGBTQIAP Any combination or order of lesbian, gay, bisexual, transgendered, queer, questioning, intersex, asexual, ally, straight, pansexual and so forth. When letters are excluded, this might have to do with, for instance, trans* activists who are exploring ideas of inclusivity when it comes to trans* culture. They might say, “We deserve to have a voice at this convention where the majority of the speakers are LGB-only.”

LGBTIH Lesbian, gay, bisexual, transgender, intersexed and “hijira” (third gender).

TS Two-Spirit.

FABGLITTER Shorthand for Fetish and BDSM community, Allies or Polyamorous.

QUILTBAG Queer/Questioning, Undecided, Intersex, Lesbian, Transgender/Transsexual, Bisexual, Allied/Asexual, Gay/Genderqueer.

Social critics and in-community critics tend to think of all of these acronyms as “over-corrected political correctness,” too focused on sexuality, not separating sexual and gender expression properly, or too exclusive in nature.

Generally, living in queer culture involves many elements of culture, lifestyle, privilege, preference, sexual expression, race, class, gender identity, social and hierarchical challenges, religious and moral backgrounds, geographical diversity, preferences not to be labeled, and so much more that is exceedingly difficult to encapsulate or summarize.

If anything, the acronyms can become a code, a way of transacting in the world, a way to find and befriend allies, a way to encourage others to think differently or more broadly, or a way to regain respect and grounding among others in our environment who would seek to derail or exclude others.

As a communicator and mediator myself, this can make communication, sharing information and reportage seem somewhat challenging, but not impossibly so. Prosaically, I do tend to use many different terms interchangeably as well as alternating them—so it’s likely that will offend some or many without having an intention to do so.

Personally, I tend to go by the M.O. of: “I’ll address you respectfully and earnestly in the way you prefer to be addressed. I’ll do my best to honor y/our culture going on what I know, today, and using the breadth of terminology that’s available to us, so that we can all connect.”

Which acronym, term or shorthand do you prefer? (“None” counts, too.)