#TaylorSwiftProblems: Billy Eichner’s “Glitter and Ribs” Parody Video Sings Angsty Summer Goodbyes


“You’ll never know my heart/like my heart/knows my heart…”

From Billy Eichner’s Taylor Swift Parody, “Glitter and Ribs


Art Imitating The Art of Emo Country-Pop

First Taylor Swift is the MTV VMAs victim (“I’ma let you finish”) , and now she’s the Mean Girl VMA vamp (just for mouthing the words “shut the eff up?). It’s kinda hard to keep up with all these pop star reality TV tragicomedies, isn’t it?

In the wake of Real Taylor Swift’s (ahem. Choreographed.) STFU incident and her recovery from it, Faux Taylor Swift just wants to muse aloud and brood.


So y’all, can we just take a second to wax nostalgic about the end of another bummer summer? Puh-lease?

Plucked right out of one of the lost episodes of Glee, here comes Billy on the Street with a little comic relief. Leave it to sassy-pants Billy Eichner to add his aggro two cents to the whole thing.

‘Cause really: which Taylor Swift are we supposed to believe in? Good Girl Taylor Swift or Bad Girl Taylor Swift? ‘You know we’re all either one thing or the other, don’t you?

Well, don’t you?!!!


In the new music video “Glitter and Ribs,” Funny or Die and Fuse TV’s resident smart-aleck sets the record straight. In the video, Faux Taylor Swift is every girl not yet a woman. She’s sassy, cute, happy, frustrated, sad, apologetic. She cries ugly, feels heartbroken, is independent. Yes. She’s strong, young, um…no. She’s old, totally weak and totally dependent. Yeah. Well…?

Celebrities are just like us—totally ambivalent and utterly complex.


Hook Up, Heartbreak, Cash In, Repeat

The real target of this video is the crazy, silly entertainment industry. “Glitter and Ribs” breaks down the “summer fling to summer heartbreak” song formula, the lie that is the ingenue/Lolita aesthetic, and the naughty habit pop stars and producers have of recycling the same song and video over and over to communicate the same ideas—and how that theater of the absurd spills into offstage antics, which then strangely become “real-life” antics.

And then the whole (press) cycle begins again.

As with everything in life, there is of course a grain of truth to what’s going on (private details we’ll surely never know) and how that contributes to Swift’s own creative process. Many artists believe that suffering is a key ingredient necessary for creative inspiration, and Swift just rocks that trope in her own Taylor-ish ways.

And why wouldn’t she? Doing so is a lucrative business, and these recurring themes work for her. The music business is indeed a business. Broken-hearted music sells, and “if it ain’t broke don’t fix it” doesn’t apply to this particular case study and music biz model.

Swift’s sales figures and chart positions are telling: there’s catharsis to be had from hearing and singing along with this narrative that’s ever on repeat.

Still, when you think about the artistic choices Taylor Swift and her press team make compared to…say, India Arie’s, the repeated messaging, saga and drama that “Real Taylor Swift” is broadcasting do seem to be more than a little bit laughable.

And sometimes, ya gotta laugh to keep from crying.

Unless of course, you’re Faux Taylor Swift, because “life won’t always be glitter and ribs.”

So ciao for now…see you next summer never-ever-ever!

xo (sniffle, sniffle) xox,

– Faux Taylor Swift 

P.S. Ms. Faux Taylor, wash your face full of runny mascara away, come back to your viewing device of choice, and watch Billy on the Street. That’ll solve everything. For now.



Mighty Real: The New Gay Workout Anthems Playlist


[Please note that some of the visuals in the videos are NSFW – Not Safe for Work. YouTube usually requires a login before those who are over 18 can view them, but we can’t promise this will be the case. Some of the selections are Rated PG-13 due to language and imagery.]

Maybe it’s just me, but there’s something about working out to LGBTQ-inclusive anthems that puts a lil’ extra pep in my elliptical hyper-step.

Living by a gay-owned gym staffed by fab music lovers who know their stuff doesn’t hurt—but when you have your own playlist, you can take all your fab on the road, or stick it in your headphones and jog it out.

Need some suggestions? Thought you’d never ask.

The tracks below have either been co-opted by gay folks or penned and performed by them (mostly the latter). You’ll find some classics and discover some newbies.

Big Freedia – Azz Everywhere http://www.youtube.com/watch?v=kbR5wPpoOiw

In the words of George Clinton, “Free your mind and your ass will follow.” This track’s less about your bootie and more about your free spirited shaking of said behind. And that’s right Ladies and Gentlemen, it’s the TwerkMaster General, Big Freedia. Girlfriend brings the party on “Overdrive. Overdrive! Overdrive! When you take a ride!” Everything Big Freedia touches is dope. As the Queen Diva of New Orleans Sissy Bounce, she’s spent many years crafting her tracks and performance/recording skills to be at the top of the “bands that make you dance.” You don’t listen to this song—you DO THIS song. Don’t worry, she rocks it like a drill instructor all along the way—you won’t get lost, Boo.

September – Cry for You (Remix) – http://www.youtube.com/watch?v=Pf1kcbFzWyI

A regular club and Pride performer, September works that Swedish pop thing in a sweet, coy little way. Interesting tidbit—the riff’s from Bronski Beat’s track “Smalltown Boy” (different playlist for a different day, but an absolutely riveting track about the struggles of coming out. September seems all coquettish, but the song’s saying in essence, “Eff off, Dear.” It’s not like she didn’t try. Mm-hm. She really tried. It’s just time to go. And you can shout that along with her at the top of your lungs in 3…2…

Sylvester: You Make Me Feel (Mighty Real) http://www.youtube.com/watch?v=oG2ixYJ79iE

You’d be surprised how many college kids aren’t aware of this track. The song used to be utilized as a joke in TV movies or films to wink-nudge at the audience that so and so character, vibe or environment is queer. (No.) Sandra Bernhard reclaimed the beauty of this track in-community by recording her rendition of it, as well as performing a shelarious routine declaring her love for Sylvester and coming up in his era. This is a song about freedom and authenticity—and the bass line, riff, and chorus just won’t quit.

Manila Luzon — “Hot Couture” official music video http://www.youtube.com/watch?v=_gdbbHr1d2A

Consider this to be your water break or cool-down song, as it’s a bit more mellow. Sickenly scrumptious hook and lyrics about dressing yourself up in your own love. It’s a delight to watch Manila Luzon (and Mini-Manila Luzon) pay tribute to fashion *as* function and looking fierce doing it. The little storyline involving baby Luzon in the video is a bit of a misty-eyed sitch, and it’s something they didn’t have to add to a song that’s focused on fashion. Love. It.

Madonna – Don’t Stop (Smegster Remix) http://www.youtube.com/watch?v=1VSZIVCJ5ow

From all reports and regardless of past bisexual dalliances, Madonna is “Madonna-Sexual” and Super-Ego-centric–she’s been both loving and loathsome to queer folks including for whatever reasons, her out gay brother (sigh). Still, she’s family and her work keeps the emphasis on the “fun” part of dysfunctional (maybe not so much lately?). Anyway—in itself, “Don’t Stop” from “Bedtime Stories” is anthemic, but needs a little HI-NRG to keep your BPMs and heart rate up and healthy. We aim to please, so here you go. Can’t call this track a “refix,” as the original’s pretty damn delicious.

Hilary Duff – With Love (Rhv Vs. Dave Aude Club Mix) http://www.youtube.com/watch?v=XZJE_xSC9pc

Hillary Duff’s kept a pretty even keel and steered clear of cray cray ex-child star drama. (No drag queen harassment or trolling tweets in sight). In fact, Ms. Duff’s set aside some “sweet time” to create some Think Before You Speak gay-ally PSAs (thanks guuurl).  As for this particular remix, the positive affirmations in the lyrics are undeniable. “Tell me I’m wrong, that I’m coming on way too strong. Don’t think I’ll be crushed. Just do it with love. Love, love, love!” We are divas—do we not bleed? Proceed with caution. Just do it with love.

George Michael – Outside http://www.youtube.com/watch?v=gwZAYdHcDtU Because George made the absolute best out of a terrible arrest, “Outside” makes today’s list. Never one to shy away from social commentary, this song’s about adventure and its subtext flirts with how Michael himself got popped for it. Albeit risky, he certainly went on an “adventure.” This track’s about play in its every connotation, finding the strength to collect yourself and sally forth again and again, and moving your body-body at the party-party.

The Bird and the Bee – Fcking Boyfriend (Peaches remix) http://www.youtube.com/watch?v=tpAcqkX7O0Q

Are you asking him or telling him? Eh, same thing. “When you laid down with me, you never slept that night?” Come on. Poetry. Sheer electro-poetry bliss. Work it out.

Flawless (Go to the City) George Michael & The Ones (Mike’s Ultra Clean Extended Remix) http://www.youtube.com/watch?v=PYcTlot5evY

Shout it with me: “You’ve got to go to the city!”

Call it what you will—a coming out anthem, a runway ready hit for the children, or absolutely flawless. Here’s yet another track with, like, triply-lovely significance. The track was inspired by  a fantastic movie of the same name and it is indeed “Flawless.” The Ones are at the very least exceedingly queer-friendly (what? Like everyone has to present a card at the border? I’m not walkin’ around with a queer-counting clipboard), and George Michael’s “Flawless” is encouraging a dear friend (or perhaps his younger self) to leave a drab humdrum town and get out…for good. “Well you’ve got to think of somethin’, ’cause your job pays you nothing. But you’ve got the things God gave ya, so the music may yet be your savior…you’ve got to go to the city.” The Ones chime in “Like perfection. Like no other. Flawless. Absolutely flawless.” Mmm. Quelle motivational!

If I find out this song’s about Andrew Ridgely I will start crying tears of joy, right there on the elliptical stair-stepper. I swear before Yeezus I will.

Cazwell – Ice Cream Truck (Dee Jay Tatto Club Mix) http://www.youtube.com/watch?v=3Jr3okGlL4A

Brazilian-born and NYC bred, Cazwell is a prolific, hella-experienced rapper-producer, and his label’s got this naughty habit of populating his videos with eyefuls of scantily-clad models. Unheard of! Sure…anyway, the original video is cute, camp and somewhat ironic contraposed with the visual hotness you see here, but his remix amps things up just a notch or two. Qué sabor….

Extra Fun, Funny Goodies, & More Diva Tributes:

RuPaul – Jealous Of My Boogie (Remix) http://www.youtube.com/watch?v=kLemKdmoris

Looking So F*kin’ Good – RuPaul & DJ ShyBoy http://www.youtube.com/watch?v=oBG5R_EJ0SM

Depeche Mode – People are People Remix – http://www.youtube.com/watch?v=Yi5uWsI9G6g

Lady GaGa – Bad Romance (David Guetta Remix) http://www.youtube.com/watch?v=g_OkDzkSuvQ

Latrice Royale & Manila Luzon — The Chop (Official Music Video) http://www.youtube.com/watch?v=UlHzdXFCJ-c

Willam & Rhea Litré in “Let’s Have a KaiKai” http://www.youtube.com/watch?v=rfWeBYd7rkQ

Whitney Houston – It’s Not Right But It’s Okay (Thunderpuss Remix) http://www.youtube.com/watch?v=MSOWUwRFwi0

Scissor Sisters – Filthy / Gorgeous http://www.youtube.com/watch?v=b4RcBZy2jZA

Ru Paul – Workout http://www.youtube.com/watch?v=gUjUF0mFJ9A

XELLE featuring Mimi Imfurst “Queen” Official Music Video http://www.youtube.com/watch?v=PLqW6n29TYE

WERQIN’ GIRL” Music Video by Shangela Laquifa http://www.youtube.com/watch?v=hArTHxRpKmM

Alyssa Edwards : Drop Dead Gorgeous (B. Ames Mix) http://www.youtube.com/watch?v=oOC_VGuc6Sc

Donna Summer – Last Dance (long version) http://www.youtube.com/watch?v=uW-3Hp1EVdQ [Tempo changes at 1:30]

Willow Smith – Whip My Hair http://www.youtube.com/watch?v=ymKLymvwD2U

Stardust Vs Madonna – Dance & Sing / Music Sounds Better With You Mashup (White Label Mix) http://www.youtube.com/watch?v=xVZrCWNT-yA

Sahara Davenport (with Gomi)– Go Off (Official Video) http://www.youtube.com/watch?v=KziZUnSYRRA

The Ones – Flawless Video http://www.youtube.com/watch?v=O_e5oYqNRSM


George Michael – (Funny and funky) Go to the City Video http://www.youtube.com/watch?v=QgGDcn46aW8

“’Cause you’re beautiful. Like no other.”


Listen / work out to all these songs at once by clicking this playlist link.



Enough cardio for now, but we’ll bring you more. There will always be more.

Fave workout selections, anyone? (Heteronormative tracks, albums and playlists welcome.)

Men At Twerk Are NSFW: Big Freedia, Drag DJs and Men In Queer Culture — Are they Putting Miley Cyrus to Shame?

“Miley Cyrus’ twerk-filled performance at this year’s MTV Video Music Awards has become the most discussed, polarizing few minutes in a show that saw an ‘N Sync reunion and silhouetted Kanye West singing “Blood on the Leaves”. More than one think piece has accused Cyrus of appropriating and exploiting black culture for her own benefit at the detriment of its pioneers [like Big Freedia].”

                                                                                          – Jason Newman for Fuse.TV

On The #MileyTwerk Controversy and Queer Black Culture

“I’m a singer. I’m not a twerker, I’m not a rapper. I’m a singer…. I really can sing. And you know I can twerk—watch my videos. So there.” – Singer/Pop Artist Miley Cyrus 

[Note: In principle and practice, many of the clips and links below are NSFW. Not. Safe. For. Work. Surf with caution. Some of the content doesn’t prepare you for this fact pre-launch.]

Feminists are not having it.

Kids in San Diego are getting in trouble—like “suspended” in trouble.

Hannity and Limbaugh are hornswoggled, all about this “shocking new twerking thing.” The word “twerk” has made it into the dictionary. Women are even twerking in church…on camera.

But y’all know twerking is nothing new. By now, you’ve likely traced its roots back to Africa’s diaspora, strip club feasts of fancy or your garden variety YouTube/Vine video. Let’s just say it’s familiar.

Twerking’s “a new thing” for Miley Cyrus to do in public (not counting press campaigns planned far in advance of any twerk attempts), so therefore it is “news.” Girlfriend is owning it as-is—so by now ya gotta know, it is Miley’s full intention is to twerk poorly and call attention to the fact that there’s not all too much junk in her trunk.

Ms. Miley ain’t out to win twerk-a-thon championships, and nothing that a Disney grad does—one who’s still on top—is accidental.

Now that that’s out of the way: folks can’t tell what they find most offensive about Miley’s runaway bootie: her lack of hip gyrations, her cultural appropriation, using African American folks as props alongside teddy bears, or her choice to milk every last drop of so-called shock value from ratchet living ’til it’s dry.

MC’s camp is well aware that the so-called American TV demographic isn’t ready for a real-deal twerk. Why would she practice twerking aiming to make that look authentic when it wouldn’t get on the air for the world to see? (Let the “people props” get closer to that.)

As for cultural appropriation, using people as props et al—this is nothing men (and/or Madonna!) haven’t done for decades in the entertainment industry—does that make it okay?

While ratchet/twerking music and culture’s aimed at dancing and partying all night (among, ahem, other ideas), twerking draws upon elements of queer culture. We are everywhere, so why would this not be the case?

LGBTQ folks find Miley’s new-found popularity scenario to be familiar: she’s shining in the spotlight, riding the wave of a cultural trend that’s been around in this form for at least 20 years. When such a trend makes its way to heteronormative culture and is performed by (at least more) heteronormative superstars, it’s salacious, sexy and provocative. “Controversial.” When it’s performed by LGBTQ folks in-community, people are confounded and disgusted. Granted, “disgust” is a subtextual form of interest and arousal, but most folks don’t take much time to process through that appropriately.

Too, to hear Huffpost/AOL tell it, their #MenAtTwerk compilation is one of America’s funniest home videos. As it’s taken out of context, that’s one viewpoint—but because of the platform and audience Huffpost has, such a viewpoint leaves room for much misinterpretation. In-culture, the #MenAtTwerk bootie-clap collage could be considered to be hot, fierce, authentic, queer-inclusive and/or funny at the very least. Not just “funny.”

Back in February, RuPaul and Big Freedia released the hypnotic video and single “Peanut Butter” (http://www.youtube.com/watch?v=LFoRH-VtFO4) flanked by raw, hot models and dancers (courtesy of Chi Chi LaRue and Big Freedia), and a whole…lotta…arse. (The title of the track is “Peanut Butter,” so no surprises there). This underground club banger’s selling well and re-popularized twerking in-culture in a way that Miley still has yet to understand. Ru and Freedia are internationally famous pop stars too—you just don’t hear about them in the press every…other…second on every other channel.

‘Bout That Actual Life: On Actually Fierce Twerk Game

“I haven’t really seen one bad comment about my twerk video,” she said, then added jokingly, “This is the first thing! All right, I can’t sing, I can’t act, I’m dumb, I’m a hillbilly, but I can twerk, so whatever!” – Miley Cyrus

What did not get as much mainstream press time in this latest cultural case study? Rap Artist-Musician Big Freedia, killin’ it with a jaw dropping set at the Afro-Punk Festival, which took place on the same day as the VMAs did, in the same city and cultural mecca (Brooklyn).

Still, Rap Artist-Musician Big Freedia’s mic is on. People are watching, listening and learning. Big Freedia isn’t any fly-by-night dilettante or hobbyist. This artist is the real, live deal—she’s been all up in Bounce culture and then some since 1999. While promoting her new FUSE show Big Freedia: Queen of Bounce (http://www.fuse.tv/shows/big-freedia), she’s making her voice heard, sharing her reflections about the repeated #MileyTwerk spectacle.

While she’s honest about leveraging this strange, emerging opportunity, Big Freedia minces no words: twerking has been screwed and chopped by mainstream culture, and someone from within the culture itself needs to set the record straight.

Sissy Bounce is here, it’s queer, and it’s always been with us.

Reigning Sissy Bounce Queen Diva: Big Freedia Takes New Orleans Bounce to the World Stage

In Her Own Words

“… It’s offensive to black culture and black women who’ve been twerking for years. Every time we do something, people want to snatch it and run with it and put their name on it. And they still don’t even have the moves down yet. Just get me and Miley together so I could give her ass some lessons.” – Big Freedia, on Miley Twerk-A-Mania

Big Freedia doesn’t just make Bounce music—she makes Sissy Bounce music.

She had plenty to share regarding Miley’s twerk-storm. From a recent interview with Fuse TV (http://www.fuse.tv/2013/08/big-freedia-miley-cyrus-twerk), here are a few thoughts Big Freedia shared with her audience:

…. she was trying to twerk. For one thing, we have a dance in bounce music called ‘exercising’ where you just open your legs and shake your butt a little bit from side to side… but she still didn’t even get that right because she didn’t have any butt control. She needs more practice.”

When you have my dancers, they’re professionals. They’re from New Orleans and know what they’re doing . When they started dancing, it was original twerking. Miley’s dancers were prop dancers. None of them were professional dancers.”

They could’ve used girls from New Orleans, even if they were not black, who knew what they’re doing. They’re just using anybody possible just to get that buzz since twerking is hot now. I’m still trying to wrap my head around this, though. I knew the twerking thing was really taking off, but I didn’t know it would blow up like this.”

FUSE asked,Going back to Miley, let’s say you were the choreographer and saw her performance as a dress rehearsal. What specific tips would you have given her?”

Big Freedia responded, “Don’t do it.”

Big Freedia also told Colorlines.com she plans to release a response track called “Twerk It,” which “explores the roots of twerk vocabulary.”

Twerk Couture: Bad Girls Twerking Badly Still Puts Twerking On the Map

You can’t really explain [twerking],” Miley said. “It’s something that comes naturally…It’s a lot of booty action…. I’ve been practicing probably for the past two years, in my own time in my living room.” – Miley Cyrus, to E Online

This is an achy-breaky trend that will not die, and Miley isn’t even attempting to backpedal her way out of it. She is riding it for all it is worth to her—and she’s not in this twerk game alone. She of course has handlers and press people. In her mind (from all press interview accounts), Miley really is just chilling with her friends and doing what she loves.

It’s A Feminist/Black/Queer Thing: Miley Isn’t Here to Make It Rain.

On Channeling Nothing

RT @MileyCyrus “Mile, if twerkintwerkin woulda been invented…. And I had a foam finger…. I woulda done the same thang you did.” – DAD

If you watch Miley Cyrus’ “We Can’t Stop” video or even Robin Thicke’s “Blurred Lines,” the point of the shimmery video spectacle is not about making sure celebs and models are “dancing well.”It’s all about the performative pantomime. Again, we already know this yummy aesthetic quite well: Andrew Christian and Chi Chi LaRue’s underwear ad campaigns alone take bootie-shaking to beatific heights, masterfully conjoining commerce, spectacle and eroticism. – http://www.youtube.com/watch?v=I8S94OlPt7o.

Don’t let Miley’s twerk game fool you: titillation sells, and you can always take that to the bank. Twerk is another set of clothes for Ms. Cyrus. Miley’s still got time for high fashion photo shoots with Terry Richardson and has covered V, Cosmo, Harper’s, Elle UK and counting in recent memory. Those magazines don’t (yet) encourage ratchet couture spreads, and this twerking thing is but another momentary fashion prop for some.

Too, engaged to a man or not, Miley is gay-friendly and (many say) a queer lass indeed. Playing at queering culture isn’t something that can be shut on and off. Cyrus makes a proactive point to remind her fans about this, and the We Can’t Stop video is all about playing at bi-chic tropes and omnisexual aesthetics that may or may not keep happening when cameras stop rolling.

In terms of controversy and criticism goes, Miley takes it all in stride. Trained to deal with the public from a very early age (at least years old), she and her handlers know how to keep people talking and to take “faux rebellion” nowhere near the bleeding edge of real rebelliousness.

As for the pop star’s heiney? Here we have the good ol’ “Goodie I still get to look trick:” you criticize a woman for shakin’ what her momma gave her, telling your partner, the press, your friends, “Oooh! This is just scandalous!” All the while, you’re never taking your eyes off her bum and assorted hijinx. Scandalous attention is still attention.

We Can’t Stop Miley Cyrus. We Won’t Stop Miley Cyrus.

Cyrus’ only responses to criticism have moved along two main streams of thought.

Here’s one: when criticized for her unicorn onesie twerk video, Cyrus essentially said [paraphrased] “J. Dash is happy…no one heard of his song “Wop” before I did that.” And two: when hip hop legends such as Jay Z shout her out in their rhymes and in the press, people tell Miley he’s dissing her. Her responses?

RT @MileyCyrus Somewhere in America a Jay Z song is onnnnnn

RT @MileyCyrus That’s a win win forrrrrr me.

RT @MileyCyrus Call it what you want. But I don’t see Mr. Carter shoutin any of you bitches out. #twerkmileytwerk

And Jay Z agrees.

Miley is still working with (and yes, twerking with) Snoop Lion (aka Snoop Dogg), Odd Future, Ludacris, Big Sean, Pharrell, Juicy J, Nelly and many other rap artists du jour. The Yin Yang Twins wrote a stripper pole-ready song about her tush and twerking it. (http://www.youtube.com/watch?v=Q-UXJO-iydM)

The verdict is in: Miley is “right” on all accounts.

Shameless Plugs

Speaking of accounts, Miley’s still posting pictures of her bootie @MileyCyrus, and you can keep up with Big Freedia’s latest pics and posts @Bigfreedia.

So let’s get a move-on #MCTWERKTEAM…. Assume the #MileyTwerk position and represent.

“Big Freedia: Queen of Bounce” debuts Wednesday, October 2 at 11/10C on Fuse TV and you can buy her album “Queen of Bounce” on iTunes by clicking here (http://www.bigfreedia.com).

You can learn (and dance!) more by watching the documentary “Big Freedia The Queen Diva” here: http://www.youtube.com/watch?v=O0yrp3nsvAs

You know Miley’s on top of the promo gig too: according to Miley’s Twitter TL, you can of course pre-order #Bangers / Wrecking Ball on iTunes here: (https://itunes.apple.com/us/album/wrecking-ball/id691238659?i=691239109).

Now Playing – Big Freedia – Y’all Get Back Now

Because she is royalty, let’s give the Diva the last word. Big Freedia recently told the Daily News:

Twerking—and it’s a lot more than twerking—comes from a long history of music and dance in New Orleans. Twerkin’ happen around the world for a long time now, so I’m very excited that it’s coming into the public eye, as long as it’s respected.”

We could say more on the matter and likely will.

But wouldn’t you rather be dancin’ and watchin’ all up on this anyway? Let’s free you up to do that. And let’s keep it real: how many times have you had to switch to your “kitty pics” screen-saver so you wouldn’t get caught watching “Peanut Butter” on loop? Oh—that was just us? Oh, okay. Right.


Doubling Up: Ellen DeGeneres to Host Oscars for 2014 Academy Awards

RT@Dannyboy0713: I totally hope @TheEllenShow gets every celebrity in the ballroom to dance when she hosts The Oscars @TheAcademy

And The Winner Is…

Because Twitter announcements count as official (well…until they don’t…), Twitter scooped most folks on this first: Ellen DeGeneres announced her delight to be returning as the emcee for the Oscars ceremony next year, on behalf of The Academy of Motion Picture Arts Sciences.

DeGeneres (“The Ellen DeGeneres Show,” “Finding Nemo”), in the customary “Aw shucks wink-wink” way we know and adore, shared this joyful tweet on her Twitter page:

It’s official: I’m hosting the #Oscars! I’d like to thank @TheAcademy, my wife Portia and, oh dear, there goes the orchestra.

The broadcast’s executive producers (Craig Zadan and Neil Meron) cosigned her “squee” on Twitter, tweeting:

Neil Meron @neilmeron welcome back to the Oscar stage, Ellen…we can’t wait to start working with you! @theellenshow @theacademy @craigzadan

And they love Ms. Ellen so much, they went from pitch to decision in a mere 48 hours’ time.

“I agreed with Craig and Neil immediately that Ellen is the ideal host for this year’s show,” said Cheryl Boone Isaacs, Academy President. “We’re looking forward to an entertaining, engaging and fun show.”

According to the organization’s CEO Dawn Hudson, “Ellen is talented, wonderfully spontaneous, and knows how to entertain a worldwide audience. She’s a big fan of the Oscars; we’re huge fans of hers. It’s a perfect match.”


All This Funny Business

According to Variety magazine, “’The Ellen DeGeneres Show’ has won 45 Daytime Emmys during its 10 seasons. Though DeGeneres’ show airs on NBC owned-and-operated stations, she has a history with Oscar broadcaster ABC, with her landmark sitcom ‘Ellen’ having run there from 1994-98. In 1997, DeGeneres won the Peabody Award and a writing Emmy for the episode in which her character came out as a gay woman, with 46 million viewers watching.

“Over the last eight years, the 2007 Oscars hosted by DeGeneres stands as the top rated in both adults 18-49 (14.1 rating/33 share) and women 25-54 (19.2/40).”

Since coming out in 1997, though Ellen shared myriad challenges she faced because of her public declaration, she’s a master at the art of the “Reboot and Rally.” These days, you feel like she’s never missed a beat.

You always get the sense that even while Ellen’s ribbing you, she’s laughing with—not at—you, and you’re never on the arse-end of even her snarkiest inside jokes. Ellen saves more observational or cutting humor for political issues.

Case in point: remember when she riffed on fatphobia? Ellen quipped:

“Now [Abercrombie & Fitch] actually have a double zero. What are we aspiring to? ‘Honey, do these jeans make my butt look invisible in this?‘”

Crafting jokes, skits, comedic sets and punchlines in such a way is living a rarefied air and artistry we don’t see quite enough of. Too, though reading and shade has its place in queer culture, this type of kidding around is based on finding and digging into flaws, and adding salt to wounds (real, perceived or straight-up made up).

In other words, the origin and intent of reading/shade/the dozens, however creative, is more degrading.

And Now, Your Host…

Ellen’s first Oscars hosting gig took place in 2007. In a tongue-in-cheek self-released press statement Ellen added:

“I am so excited to be hosting the Oscars for the second time. You know what they say – the third time’s the charm….”

Laugh on, Ms. E. Laugh on.

Click below to watch 5 of Ellen’s Best Award Show Moments:


The 86th Annual Academy Awards takes place on March 2, 2014. So is Ellen the right woman for the job, or what?


“One of Us?” Not As Much…On Fatboy Slim’s Queer Behavior

“The most ironic thing is that most of what we do was invented by black, gay Americans in the first place.”

– Fatboy Slim, on EDM / House Music

Fatboy Slim: Queer…or Just European?

Norman Cook (aka Fatboy Slim) is not one to dither around or dilly-dally when it comes to sonic expansiveness and creative perception. While serving as producer, writer or DJ, Fatboy “Jack-of-All-Genres” Slim happily bounces from genre to genre to suit each new mood, project or opportunity. His range of landscapes at-play include Independent Pop, British Hip Hop and House, Big Beat and Dance music, naturally.

Born Quentin Cook, this UK underground boy gone massive came from punk rock beginnings and scruffy indie aesthetics before heading away to college in Brighton, then segueing into club and DJ culture.

Cook enjoyed a brief stint as the bassist for UK alt-pop outfit The Housemartins and experienced his first dash of fame during the band’s “Happy Hour” phase. Soon enough, Cook worked his way back to clubbing and DJ’ing, finally gaining a critical mass of attention and fans with his production and mashup skills, and eventually coming into his own with the fame and success of the hypnotic tracks “Praise You” and “The Rockafeller Skank.”

Some lads hear it more than others, but the “Is He Gay or Just European?” trope prevails in a culture where a metrosexual is a term the British media coined to describe a distinctly European look, sensibility and sexual fluidity (often but not always attached to disposable income and class). Such themes include but are not limited to: effeminate fashion, unisex/asexual presentation and (ahem) sexual experimentation or fluidity. The fact that all metrosexual men are “straight” is of course hogwash. Too–more and more, youth culture refuses to “pick a team” or define themselves by any label whatsoever.

So now, we have the news that Fatboy Slim is a regular Pride entertainer, a staunch LGBTQ advocate, and has ‘experimented with’ men sexually.

If you’d hear it from Cook himself, it’s N.B.D., but perhaps of some interest: back in 2004, Fatboy Slim told the press, “Well, everyone’s had one try-out experience, haven’t they?”

On his relationship with wife Zoe Bell, Fatboy Slim went on, “Me and Zoe have always been convinced [our son is] gay anyway.”

The fact that such goings on were mostly laughed off and minimized typifies the sexual fluidity that is our shared human experience. In less of a “bi-chic” moment and more of a “yeah, that happened” moment, Cook’s language wasn’t quite politically correct but his sentiment speaks to a nonchalance that reveals how natural and fluid sexuality is.

Is this something we can or should ignore?

Being that Fatboy Slim’s son’s still of a tender age, Cook may be keeping laser-point specifics of his son’s life private and deflecting the concept of queering personal life or relationships. However last year, Cook told Pink News UK his that supporting equal marriage is a ‘no brainer’ and revealed, “I talk about the issue with my son.”

Cook, who’s done much education and advocacy work for local young artists in his hometown, once performed at the Terrace Bar of the House of Commons to support even more community-based music initiatives for youth. By having done so, could he be, however subconsciously, helping to open the minds of UK lawmakers to queer culture, sexually fluid living and LGBTQ art and iconography?

Time will tell.

Meanwhile, are Fatboy Slim’s remarks about his own ‘sexual experimentation’ dismissive…or “normal?”

In essence, you cannot un-queer yourself, culturally or sexually. What’s definitive here is that Cook is decidedly an ally. And for the time being, the rest is none of our “B.I.-IZ-NESS.”

Have a nosh on the concept while you nod your head to Fatboy Slim’s video, “Weapon of Choice” feat. Christopher Walken.  (Yes, Hunty’s: come back and share your thoughts with us after the jump-off.)



“Would You Rather…?” And Other Random Comedy Hijinks With Billy on the Street

Meet Billy on the Street.

While minding your own business strolling down the streets of New York City, would you rather:

A) Get “Quizzed in the Face.”

B) Subject yourself to a“Lesbian Lightning Round” game with a pack of wild lesbians for cash or prizes.

C) List sex moves in front of Mr. Rogers.

D) Fight in public about Denzel Washington.

E) Watch Billy Eichner humiliate Will Ferrell.


….for a dollar. Hurry up—quick, dammit! Choose your final answer.


[Insert your answer here.]


Do you accept that as your final answer?

Sorry, no! You’re wrong.


Guess what—there is no right answer!


Get At Me, Billy: Cray Cray Gay Videos

Something wicked this way comes: it’s Billy on the Street, a different kind of game show featuring your host, Billy Eichner (Bob’s Burgers, Upright Citizens Brigade).

Billy on the Street will shove his microphone directly in your face, scream out questions, random facts or celebrity’s names, chase you as you flee from him, run toward you like a freight train, or just plain scream.

And this ain’t no “Cash Cab” or “Price is Right.”

Quizzically queer himself, Billy loves spouting off occasional gay dude jokes with no real punchlines, and his show’s all about silly spectacle, gay-centric chaotic confusion and the comedy of the awkward.

This show is all about smart-ass #LOLZ for smarties, “Makin’ dreams come true” courtesy of FUSE TV, a US-based cable outlet.

“Do you like FUSE?” Eichner asks impromptu contestant “Mr. Singh. “They play, like, five-hour long blocks of Rihanna videos. You’ll love it!”

For those of you playing the home game, as you can tell by now, nothing and no one is sacred here.

Should you dare to answer Billy’s questions correctly and win, you may or may not get a prize valued at around a dollar.* Then, Eichner will immediately run away from you or shoo you away with an accompanying “Thank you—bye now,” “Get the f—out of here,” or other such quickly-pummeled pleasantries.

Should you happen to answer incorrectly and lose, you’ll experience public humiliation (be forced to wear chicken suits or wear sandwich boards telling people how idiotic you are). So either way, the viewers always win.

(*In all fairness, sometimes Billy will reward you with a honkin’ huge chunk of cash—as in a hundred dollars or more, or prize equivalent. However, that too is random.)

Give the People What They Want: Manic-Comedic Fire Drills

Moreover, Billy’s improv antics, random celebrity sightings and occasional cattiness have earned him a Daytime Emmy nomination. For going on four whole seasons, Eichner’s been annoying folks just trying to get to work or take in a solo tour of New York in peace, while he amuses the rest of us.

His persona? It’s pure-grade a-hole. The absolute nerve…!

Billy Eichner will find you and eff with you. It will be filmed for posterity and guffaws. You will become Internet-infamous for less than 15 minutes, and the world will laugh at you. It’s just a matter of time.

FUSE, iTunes, Funny or Die and YouTube jointly host clips and full episodes of the Billy on the Street series.

Take a shot at a random interaction with Billy @BILLYEICHNER, tweet your aggro quiz questions to #BILLYONTHESTREET, or click here to visit him at YouTube.

#FTW! Watch Billy quiz a gay man in the face: just how much do you know about vaginas? http://www.youtube.com/watch?v=tN70ur7-Q7A



The Power of the P: Pink Wants to Tell You “The Truth About Love”

“When I first moved to Los Angeles, I was an honorary lesbian of Los Angeles…. I wasn’t gay, but all my girlfriends were…. That wasn’t my truth, and I like truth. I like absolute truth.”

– Pink, to “The Advocate” magazine.

If calling someone a “lesbian” is a cutting remark, apparently “P!nk’s” only response would be, “Thank you kindly. Enchanté…and to you as well, Sir…”

We kid, we kid—but if you’ve kept up with any of Pink’s latest goings on, you’ve likely seen the repeated headlines residing on each blog and online version of print magazines, “Pink doesn’t care if you call her a lesbian.” Or, “Pink thinks being called a lesbian is a compliment.”

Earlier this month during the Australian leg of her “Truth About Love Tour,” Pink danced in concert with a gay pride rainbow flag, helped a lesbian couple propose (wifey said “Yes!”), and got called out in social media for doing so, by being called a (gasp!) lesbian.

Though the mystery Tweet or share has yet to be rooted out, it’s kinda cool and rewarding to see a rock star make such a non-issue out of the incident. Too, divas usually big-up the gay boys in their atmosphere, which is lovely and deserved, it’s just nice to hear about the girl-girl posse every now and again, and to hear it lesbian pride voice without shame, apology, caveat, footnote or disclaimer.

We need to see more of that—it’s a nice beginning, and it gets people talking. However, more than likely, if someone mistook her for a woman-loving-woman, they would probably call her something more along the lines of “dyke,” “klondike,” or a few other choice words, many of which aren’t most ideal to reclaim or reprint.

We’re sure you know the scenario very well: short ‘do, spiky multicolored hair, handsome face, wiry build. Husky voice, punker’s sneer, eclectic tastes in music, friends and experience. So she’s gotta be a “dyke,” right?

“I’ve had a lot of my gay boys around, but my gay girls are my rootstalk,” the “So What” singer’s told the press previously. “They’re my honesty in an ocean of bulls**t. I should be gay by the way that I look and the way that I am. I just happen to not be. But it just makes perfect and complete sense.”

Married to lifestyle entrepreneur and ex-extreme sports racer Carey Hart (who’s also the father of their child Willow), Pink fired back her sentiments to haters, trolls and spammers in the Twitter-sphere as follows:

@Pink 4 Aug Fun fact: when you twitter me and say “you’re a lesbian” it really doesn’t bother me at all. It’s a compliment. Most of my fav ppl are, so…

@Pink 4 Aug I’m sure all of you hate filled humans can come up with something a little worse than that?!? Come on- be creative. You have 140 characters!

And about that lesbian wedding proposal? Here’s what Pink told her fans:

‏@Pink 7 Aug Lets see… Tonight I proposed for someone in the audience and she said yes… And then I sent a woman into labor! Great night! #sydney

You can see that sweet proposal at YouTube by clicking here: http://www.youtube.com/watch?v=KnsKcJDPGz0&feature=player_embedded – Fellow romantics: prepare to coo, melt and #Squee.

After all that tweetery, Pink then went right on about her business, tweeting and re-tweeting pics and punky-lovey-dovey exchanges with her hubby, essentially moving on with her life.

This “mistaken for a lesbian” concept isn’t new to Pink or anyone who looks like her. The way she handled it in the press was more than a little encouraging. Rather than laugh it off or even attack back, she simply made the whole idea in its entirety a punchline.

Hello Haters: Linda Perry Is Pink’s Co-Writer! Did You Want A Grammy For Your Song Too?

Calling someone “a lesbian” is akin to calling someone “fat,” “skinny,” “blue-eyed” or “brown-eyed.” It’s simply a trait. So of course, the so-called pejorative meaning is a joke in and of itself.

In all seriousness, ignorance is butt of the joke—queer culture isn’t the joke—and neither is Pink.

Boom! Roasted.

Good lookin’ out, Alecia.

Here’s pink wearing a gay pride flag, and oh! P.S., also singing her heiney off. http://www.youtube.com/watch?v=ia60TuJaiHM

What are some of your favorite comebacks to the  Beavis and Butthead-esque“ Uh-huh…heh, hey. Uh, yeah. You’re gay…” types of comments?

Sochi 2014 Olympics Boycott? Greg Louganis: “Nyet!” Stephen Fry: “Da!”

The mounting controversy surrounding Russia’s widespread legal war against LGBTQ persons and allies continues to inspire people to speak out, worldwide. The loudest of these voices are LGBTQ people themselves.

Two notable and diametrically opposed viewpoints have emerged from the United States and the United Kingdom, respectively. Olympian athlete Greg Louganis and world renowned entertainer Stephen Fry, both two out gay men, are speaking up for themselves, in their own words, and taking a stand against anti-gay legislation in their own distinct ways.

Both men took to writing blog posts (Louganis writing exclusively for PolicyMic while Fry posted an open letter on his own blog), voicing their concerns and advocating for the rights of all LGBTQ people affected by the increasing strict, punitive climate in Russia.

Louganis’ post, “I’m An Openly Gay Gold Medalist and I Reject the Sochi Olympics Boycott,” (http://www.policymic.com/articles/58481/i-m-an-openly-gay-gold-medalist-and-i-reject-the-sochi-olympics-boycott) speaks from experience to Louganis’ concern for all the LGBTQ athletes, supporters, families, teammates, coaches and peers who went to great efforts in preparation for the 2014 games.

Though Putin and the Russian government has assured the public those traveling to Russia will not be penalized under the anti-gay laws, none of this is guaranteed. Still, many athletes such as Johnny Weir and Louganis plan to move forward in courage and support and attend the upcoming events.

Louganis’ blog post began, “As an openly gay Olympic four-time gold medalist, you might expect that I would be in favor of joining prominent LGBT activists in calling for America to boycott the 2014 Winter Olympic games in Sochi, Russia. After all, Russia’s recently passed laws cracking down on gays and lesbians violate everything I’ve spent my career fighting for; namely, love and respect for all people.”

However, he continued, “Boycotting sends the wrong message and will only harm the hard-working athletes set to compete in the 2014 Olympics, not the Russian government itself. I know from personal experience. My first Olympics I won Silver at age 16, and then in 1980, at the height of my diving career, President Jimmy Carter opted to boycott the 1980 Olympics in Moscow as a method of protesting the Soviet invasion in Afghanistan. The toll on fellow athletes and me was devastating. We had trained our entire lives for that one moment.”

To mirror his message of support, he encouraged readers to stand behind gay in-community role models and  athletes, and encouraged people to sign the All Out and Athlete Ally petition against Russia’s recent actions (http://gayagenda.com/lgbt-empowered-shaun-t-partners-up-with-athlete-ally).

Stephen Fry’s words were just as impassioned, his sentiments just as vehement:

In his post, “An Open Letter to David Cameron and the IOC,”  (http://www.stephenfry.com/2013/08/07/an-open-letter-to-david-cameron-and-the-ioc/single-page), Stephen Fry drove his points home by writing, “An absolute ban on the Russian Winter Olympics of 2014 on Sochi is simply essential. Stage them elsewhere in Utah, Lillyhammer, anywhere you like. At all costs Putin cannot be seen to have the approval of the civilised world.”

As he too spoke from his own experience, Stephen Fry continued, “I am gay. I am a Jew. My mother lost over a dozen of her family to Hitler’s anti-Semitism. Every time in Russia (and it is constantly) a gay teenager is forced into suicide, a lesbian ‘correctively’ raped, gay men and women beaten to death by neo-Nazi thugs while the Russian police stand idly by, the world is diminished and I for one, weep anew at seeing history repeat itself.“

Fry then ended his article by citing the IOC’s own rules, re-purposing them inclusively, in defense of LGBTQ rights. He ended his letter as follows:

“I especially appeal to you, Prime Minister, a man for whom I have the utmost respect. As the leader of a party I have for almost all of my life opposed and instinctively disliked, you showed a determined, passionate and clearly honest commitment to LGBT rights and helped push gay marriage through both houses of our parliament in the teeth of vehement opposition from so many of your own side. For that I will always admire you, whatever other differences may lie between us. In the end I believe you know when a thing is wrong or right. Please act on that instinct now.”

Additionally, entertainers such as actor Harvey Fierstein, George Takei, Dan Savage (http://gayagenda.com/dumpstoli-russias-anti-gay-bill-sparks-creative-boycott) and a growing number of public figures are making themselves heard. While everyone who’s come forth is voicing opposition to the anti-gay legislation in Russia, it seems like opinions run neck and neck: those who feel a boycott is futile or unfair for the Olympians seem to equal those who feel it is unconscionable to hold the event in Russia at all.

Have your say!

Click the following link to sign All Out / Athlete Ally’s petition speaking out against Russia’s anti-gay legislation https://www.allout.org/en/actions/russia-attacks or leave your comments below.


The Great Gay Migration – Suze Orman Urges Gay Couples to Move for Marriage Equality

Love Wins: Respect For Marriage Finds Federal Support – But Which States Are Most Supportive?Love Wins: Respect For Marriage Finds Federal Support – But Which States Are Most Supportive?

“People ask, ‘What’s the big deal about being married,?’ When it comes to insurance, estate benefits, pensions, it’s really important that this happens on the federal level, not just the state level.”

– Suze Orman

Financial consultant, author and CNBC TV personality Suze Orman recently told the press that gay couples should put their money where equality lives—so much so, that they should move to pro marriage equality states.

In March of this year, Orman voiced her opinions on the MSNBC program “Now With Alex Wagner.”She’s concerned about the livelihood of herself and partner Kathy Travis (Orman often affectionately calls her “KT”), and she wants to defend the rights of committed couples everywhere.

Sharing the platform with Congressman Sean Maloney (the first openly gay congressman from New York), Orman broached the topic earnestly, saying: “Here’s the thing…gay people understand very well that when they get married, that is a legal document. And when you get married, that means if you don’t want to stay together anymore, then you are going to have to go through a serious divorce.”

She continued, “I care about every single gay person out there. I care about every single straight person out there that knows somebody who’s gay.”

“Currently I am a resident of Florida … and I would be more than happy to go and move. I have substantial wealth.  I pay substantial taxes… I would be more than happy to move to New York or California if I could get married and be recognized on a federal level, because I want to live in a state that validates me, and I would validate them with my money.”

As a Fort Lauderdale, FL resident, Suze Orman made her comments before Section 3 of the  Defense of Marriage Act (DOMA) was declared unconstitutional by the US Supreme Court (thereby no longer preventing the federal government from recognizing marriages of same-sex couples). Her words continue to reverberate in the community.

Federal and state agencies still have to be about the business of enforcing the overturned law, trying to standardize what it means in terms of state-to-state protections, and engendering the transition throughout the US in terms of granting benefits and myriad other legal rights for couples.

Activists continue to encourage LGBTQ people to vote with their dollars and embody their feelings through proactively standing a stand. Though Florida has no state income tax, Orman told the press a move could still save her millions of dollars, so she continues to ponder moving to a state that’s more supportive for gay couples, such as California.

“KT is not for that, just so you know,” Orman recently told The Huffington Post. “I really think that it is…important that all of us support states that support us.”

So what’s next for LGBTQ legally married folks? Do we stay in less progressive states and fight for our own benefits where we live, or move to places where we are afforded more legal protections?



Queer Pressure: Raven Symoné Comes Out Twice On Twitter

Tales of Celebrity Progenies

You’re young—a sitcom mini-starlet. You’re growing up as the sitcom progeny of an ultra-conservative, ultra-strict, ultra-exacting and uber multitalented entertainer who plays your grandad on TV (Bill Cosby, “The Cosby Show,” “A Different World”). Oh! By the way—then when you’re not on TV, he’s still fathering you in the exact same way. Sometimes there are cameras on y’all then, too.

No pressure, though. Have fun with that!

Life’s challenging enough for child stars all the way through to adulthood, but these were the early beginnings for a young Raven Symoné (“The Cosby Show,” “That’s So Raven,” “College Road Trip”) making her television acting debut as little Olivia Huxtable Kendall, the bright-eyed and intelligent stepdaughter of Denise (Lisa Bonet). She’s transitioned into grownup roles and projects with virtually no scandals or trouble. She is to be commended for that.

Raven’s career steps have always been measured, squeaky clean and safe, moving from the safety of a network sitcom to the apple-pie familiarity of her own show on The Disney Channel (“That’s So Raven”).

Coming of Age And Making Your Own Choices

Ironically, Symoné’s choices contraposed those of her TV step-mom Lisa Bonet who instead chose to play risky, sensual roles (“Angel Heart”) while still on “Cosby,” making adult life decisions while she was still a teenager, and finding her own footing, in her own way. Bonet’s character on the show was so popular, the Cosby production team even created a spinoff show for her (“A Different World”), and as an audience favorite, Bonet was apparently to be “kept in line.”

Instead, Lisa Bonet got pregnant before marriage, then she married a man Cosby didn’t particularly get along with. All told, Bonet’s personal choices forced her premature Cosby Show departure.

Because one of “Cosby’s own” went on to do other things, the unspoken pressure to conform for Symoné and the rest of the cast must have been immense. In fairness, Bill Cosby always advocates that people of color present in public spaces with pride, intelligence, elegance and demonstrable educational achievement. He considered the kids on the show to be his responsibility.

Cosby himself wound up caving in to his own self-created pressure, ultimately revealing foibles of his own (of a sex-scandal nature). Everybody’s got to unfold their own lessons, and the paradoxes in the real-life story lines here are more than relevant.

Why Coming Out Is Squeaky Clean, Too

By default, “heterosexual anything” is considered to be normal, squeaky clean and non-threatening, so long as the sacredness of the marital institution is preserved.  The naughty things any two consenting adults do (while “straight and married or coupled”) is pardoned.

Any sexual or gender expression outside of the norm still connotes questionable behavior with it a whiff of taboo or wrongness, i.e. “dirtiness,” to it. Culturally, this is a myth that we all need to transition away from. Doing so frees not only queer folks from pressure, but it frees straight people to alleviate free-floating pressure, as well (see: the “50 Shades of Gray” best-selling fantasy book phenom).

When you walk around “feeling wrong as a being,” you start having to justify doing “bad or wrong things” as a being, whatever those things mean to you (often people reach for addictions, whatever their familial taboos are perceived to be, or so-called “out of character behavior,” in an effort to feed the feeling of “feeling bad or wrong.”) In essence, this is chasing displeasure to fuel more of it. Even when doing things that feel good to you, you might perhaps do them to excess, or never let yourself fully enjoy them.

Heterosexual people find themselves to be casualties of such pressure on a daily basis. Human sexuality is fluid—any scientist or psychologist can tell you this. When people in the healing profession refute this idea, they usually cite religious reasons why this should not be, which validates the fact that such fluidity is indeed the norm, or they cite anti-queer statistics funded by faith-based projects or organizations.

It is only a matter of time before our thoughts and our actions stray from such pressure, and because each person’s path is their own to experience, claiming your own truth as what’s truly normal is going to make your life experience—including coming out—easier and feel less “aberrant.” We act “out of pocket” and erratically when we feel wrong or “made-wrong” (see: Cosby scandals, above.)

Because television kindles such a felt sense of intimacy,  Symoné’s viewers and fans believed their grown-up Olivia was straight-laced, likely straight, and free of new decisions, choices or surprises. Because she took her time during her coming out process and picked an opportune time to share her news, the story was nearly anti-climatic.

Raven Symoné’s short and sweet “Coming Out Tweet” made a debut of its own, to soft applause. In her own words, Raven tweeted her support for LGBTQ culture, all the while proudly incorporating herself into it, by tweeting this:

             Raven-Symonè  |  @MissRavenSymone I can finally get married! Yay government! So proud       of you.

Her fan base voiced pleasant “out of left field”  surprise,  ultimately lavishing her with support for her social share. She then received loving feedback from friends, celebs and other well-wishers thereafter.

Since sharing her big news, she has since been spotted happily attending gay pride events (http://hellobeautiful.com/2523947/raven-symone-gay-pride-event-lesbian-raven-symone-az-marie-livingston) and simply enjoying her life.

Her latest reflections on sexuality in the press continue to be private yet positive, and over a year ago, she’d left glittery little breadcrumb clues for those who were at all curious, due to outing pressure from American tabloid “The National Enquirer:”

In May of last year the actress posted sub-tweets to no one in particular, tweeting:

“I’m living my PERSONAL life the way I’m happiest. I’m not one, in my 25 year career to disclose who I’m dating. and I shall not start now.

My sexual orientation is mine, and the person I’m dating to know. I’m not one for a public display of my life.

However that is my right as a HUMAN Being whether straight or gay. To tell or not to tell. As long as I’m not harming anyone.

I am a light being made from love. And my career is the only thing I would like to put on display, not my personal life. Kisses!”


Kisses indeed.

Letting your hair down on Twitter’s absolutely liberating. When do we get to see your frolicking, footloose and fancy free tweets?