Mighty Real: The New Gay Workout Anthems Playlist

 

[Please note that some of the visuals in the videos are NSFW – Not Safe for Work. YouTube usually requires a login before those who are over 18 can view them, but we can’t promise this will be the case. Some of the selections are Rated PG-13 due to language and imagery.]

Maybe it’s just me, but there’s something about working out to LGBTQ-inclusive anthems that puts a lil’ extra pep in my elliptical hyper-step.

Living by a gay-owned gym staffed by fab music lovers who know their stuff doesn’t hurt—but when you have your own playlist, you can take all your fab on the road, or stick it in your headphones and jog it out.

Need some suggestions? Thought you’d never ask.

The tracks below have either been co-opted by gay folks or penned and performed by them (mostly the latter). You’ll find some classics and discover some newbies.

Big Freedia – Azz Everywhere http://www.youtube.com/watch?v=kbR5wPpoOiw

In the words of George Clinton, “Free your mind and your ass will follow.” This track’s less about your bootie and more about your free spirited shaking of said behind. And that’s right Ladies and Gentlemen, it’s the TwerkMaster General, Big Freedia. Girlfriend brings the party on “Overdrive. Overdrive! Overdrive! When you take a ride!” Everything Big Freedia touches is dope. As the Queen Diva of New Orleans Sissy Bounce, she’s spent many years crafting her tracks and performance/recording skills to be at the top of the “bands that make you dance.” You don’t listen to this song—you DO THIS song. Don’t worry, she rocks it like a drill instructor all along the way—you won’t get lost, Boo.

September – Cry for You (Remix) – http://www.youtube.com/watch?v=Pf1kcbFzWyI

A regular club and Pride performer, September works that Swedish pop thing in a sweet, coy little way. Interesting tidbit—the riff’s from Bronski Beat’s track “Smalltown Boy” (different playlist for a different day, but an absolutely riveting track about the struggles of coming out. September seems all coquettish, but the song’s saying in essence, “Eff off, Dear.” It’s not like she didn’t try. Mm-hm. She really tried. It’s just time to go. And you can shout that along with her at the top of your lungs in 3…2…

Sylvester: You Make Me Feel (Mighty Real) http://www.youtube.com/watch?v=oG2ixYJ79iE

You’d be surprised how many college kids aren’t aware of this track. The song used to be utilized as a joke in TV movies or films to wink-nudge at the audience that so and so character, vibe or environment is queer. (No.) Sandra Bernhard reclaimed the beauty of this track in-community by recording her rendition of it, as well as performing a shelarious routine declaring her love for Sylvester and coming up in his era. This is a song about freedom and authenticity—and the bass line, riff, and chorus just won’t quit.

Manila Luzon — “Hot Couture” official music video http://www.youtube.com/watch?v=_gdbbHr1d2A

Consider this to be your water break or cool-down song, as it’s a bit more mellow. Sickenly scrumptious hook and lyrics about dressing yourself up in your own love. It’s a delight to watch Manila Luzon (and Mini-Manila Luzon) pay tribute to fashion *as* function and looking fierce doing it. The little storyline involving baby Luzon in the video is a bit of a misty-eyed sitch, and it’s something they didn’t have to add to a song that’s focused on fashion. Love. It.

Madonna – Don’t Stop (Smegster Remix) http://www.youtube.com/watch?v=1VSZIVCJ5ow

From all reports and regardless of past bisexual dalliances, Madonna is “Madonna-Sexual” and Super-Ego-centric–she’s been both loving and loathsome to queer folks including for whatever reasons, her out gay brother (sigh). Still, she’s family and her work keeps the emphasis on the “fun” part of dysfunctional (maybe not so much lately?). Anyway—in itself, “Don’t Stop” from “Bedtime Stories” is anthemic, but needs a little HI-NRG to keep your BPMs and heart rate up and healthy. We aim to please, so here you go. Can’t call this track a “refix,” as the original’s pretty damn delicious.

Hilary Duff – With Love (Rhv Vs. Dave Aude Club Mix) http://www.youtube.com/watch?v=XZJE_xSC9pc

Hillary Duff’s kept a pretty even keel and steered clear of cray cray ex-child star drama. (No drag queen harassment or trolling tweets in sight). In fact, Ms. Duff’s set aside some “sweet time” to create some Think Before You Speak gay-ally PSAs (thanks guuurl).  As for this particular remix, the positive affirmations in the lyrics are undeniable. “Tell me I’m wrong, that I’m coming on way too strong. Don’t think I’ll be crushed. Just do it with love. Love, love, love!” We are divas—do we not bleed? Proceed with caution. Just do it with love.

George Michael – Outside http://www.youtube.com/watch?v=gwZAYdHcDtU Because George made the absolute best out of a terrible arrest, “Outside” makes today’s list. Never one to shy away from social commentary, this song’s about adventure and its subtext flirts with how Michael himself got popped for it. Albeit risky, he certainly went on an “adventure.” This track’s about play in its every connotation, finding the strength to collect yourself and sally forth again and again, and moving your body-body at the party-party.

The Bird and the Bee – Fcking Boyfriend (Peaches remix) http://www.youtube.com/watch?v=tpAcqkX7O0Q

Are you asking him or telling him? Eh, same thing. “When you laid down with me, you never slept that night?” Come on. Poetry. Sheer electro-poetry bliss. Work it out.

Flawless (Go to the City) George Michael & The Ones (Mike’s Ultra Clean Extended Remix) http://www.youtube.com/watch?v=PYcTlot5evY

Shout it with me: “You’ve got to go to the city!”

Call it what you will—a coming out anthem, a runway ready hit for the children, or absolutely flawless. Here’s yet another track with, like, triply-lovely significance. The track was inspired by  a fantastic movie of the same name and it is indeed “Flawless.” The Ones are at the very least exceedingly queer-friendly (what? Like everyone has to present a card at the border? I’m not walkin’ around with a queer-counting clipboard), and George Michael’s “Flawless” is encouraging a dear friend (or perhaps his younger self) to leave a drab humdrum town and get out…for good. “Well you’ve got to think of somethin’, ’cause your job pays you nothing. But you’ve got the things God gave ya, so the music may yet be your savior…you’ve got to go to the city.” The Ones chime in “Like perfection. Like no other. Flawless. Absolutely flawless.” Mmm. Quelle motivational!

If I find out this song’s about Andrew Ridgely I will start crying tears of joy, right there on the elliptical stair-stepper. I swear before Yeezus I will.

Cazwell – Ice Cream Truck (Dee Jay Tatto Club Mix) http://www.youtube.com/watch?v=3Jr3okGlL4A

Brazilian-born and NYC bred, Cazwell is a prolific, hella-experienced rapper-producer, and his label’s got this naughty habit of populating his videos with eyefuls of scantily-clad models. Unheard of! Sure…anyway, the original video is cute, camp and somewhat ironic contraposed with the visual hotness you see here, but his remix amps things up just a notch or two. Qué sabor….

Extra Fun, Funny Goodies, & More Diva Tributes:

RuPaul – Jealous Of My Boogie (Remix) http://www.youtube.com/watch?v=kLemKdmoris

Looking So F*kin’ Good – RuPaul & DJ ShyBoy http://www.youtube.com/watch?v=oBG5R_EJ0SM

Depeche Mode – People are People Remix – http://www.youtube.com/watch?v=Yi5uWsI9G6g

Lady GaGa – Bad Romance (David Guetta Remix) http://www.youtube.com/watch?v=g_OkDzkSuvQ

Latrice Royale & Manila Luzon — The Chop (Official Music Video) http://www.youtube.com/watch?v=UlHzdXFCJ-c

Willam & Rhea Litré in “Let’s Have a KaiKai” http://www.youtube.com/watch?v=rfWeBYd7rkQ

Whitney Houston – It’s Not Right But It’s Okay (Thunderpuss Remix) http://www.youtube.com/watch?v=MSOWUwRFwi0

Scissor Sisters – Filthy / Gorgeous http://www.youtube.com/watch?v=b4RcBZy2jZA

Ru Paul – Workout http://www.youtube.com/watch?v=gUjUF0mFJ9A

XELLE featuring Mimi Imfurst “Queen” Official Music Video http://www.youtube.com/watch?v=PLqW6n29TYE

WERQIN’ GIRL” Music Video by Shangela Laquifa http://www.youtube.com/watch?v=hArTHxRpKmM

Alyssa Edwards : Drop Dead Gorgeous (B. Ames Mix) http://www.youtube.com/watch?v=oOC_VGuc6Sc

Donna Summer – Last Dance (long version) http://www.youtube.com/watch?v=uW-3Hp1EVdQ [Tempo changes at 1:30]

Willow Smith – Whip My Hair http://www.youtube.com/watch?v=ymKLymvwD2U

Stardust Vs Madonna – Dance & Sing / Music Sounds Better With You Mashup (White Label Mix) http://www.youtube.com/watch?v=xVZrCWNT-yA

Sahara Davenport (with Gomi)– Go Off (Official Video) http://www.youtube.com/watch?v=KziZUnSYRRA

The Ones – Flawless Video http://www.youtube.com/watch?v=O_e5oYqNRSM

“Perfection.”

George Michael – (Funny and funky) Go to the City Video http://www.youtube.com/watch?v=QgGDcn46aW8

“’Cause you’re beautiful. Like no other.”

~

Listen / work out to all these songs at once by clicking this playlist link.

http://www.youtube.com/playlist?list=PLBRcoGrPV–Zi5KoEOayB2350hHLdyxZR

 

Enough cardio for now, but we’ll bring you more. There will always be more.

Fave workout selections, anyone? (Heteronormative tracks, albums and playlists welcome.)

Randy, Oral Roberts’ Gay Grandson, Says: ‘#ItGetsBetter…and It’s Complicated.’

 

Close-Up – by A. R. Ammons

Are all these stones

yours

I said

and the mountain

pleased

 

but reluctant to

admit my praise could move it much

 

shook a little

and rained a windrow ring of stones

to show

that it was so

 

Stone felled I got

up addled with dust

 

and shook

myself

without much consequence

 

Obviously I said it doesn’t pay

to get too

close up to

greatness

 

and the mountain friendless wept

and said

it couldn’t help

itself

Re-Imagining Religion: “Falling In Love Will Not Send You to Hell.”

                          – Randy Roberts Potts

“All students are required to sign a pledge stating they will live according to the university’s honor code. Prohibited activities include lying, cursing, smoking, drinking, and a range of sexual acts including homosexual behavior and sex outside marriage.”

                                                                   – Excerpt, ORU Student Codes , Oral Roberts University

Wouldn’t you know it: every time the “gay agenda” is reexamined, the “master plan” appears to become more and more normal on the face of it. Because it is.

“The gay agenda” is “the human agenda:” we all want love. Hope. Home. Family. We all desire the same things.

Back in 2010, Oral Roberts’ out, gay grandson Randy Roberts Potts read a letter to his closeted gay Uncle Ronnie (Oral Roberts’ eldest son) and recorded a viral video (http://www.youtube.com/watch?v=KYa0wi4XzeI) to honor Ronnie’s life, as unfortunately, his uncle had already passed away when Randy was just a kid (in June of 1982).

Randy’s irrepressible spirit remains to alchemize life’s tests and turn them into life’s testimonies.

In the video, after 2:38 minutes of silence (during which time we see the handwritten letter for his uncle), Potts reads a revelatory poem entitled “Close-Up” written by A. R. Ammons. Then, Randy moves into his own compelling testimony about the strange magic behind growing up with a gay uncle (around whom Randy’s mom was most captivated), and how it affected Potts himself.

We witness Potts as he entreats Ronnie’s spirit (for healing? For explanations?), “When my mother spoke of you, a look of awe lit up her face. You were the one voice in her life that could inhabit multiple worlds at once…. You stood for everything she was afraid I would become: gay, intellectual, and godless. And yet nothing caused my mother’s face to light up like your memory. I was jealous, and I always hoped to be you.”

Randy recounts following in his uncle’s footsteps simply by following his heart, and reminisces about the tragedy of losing a loved one who took his own life because he felt he had no options. No hope. Because he felt that life would not and could not get better.

“I’ve seen pain and loss and sorrow,” Potts continues. “I would have held you in my arms had I been a man at the time…. but there’s no one holding you, because you’re holding on to no one. And now I’m here sharing the same destiny…. your path and mine are crossed. They intersect…in some ridiculous dance.”

With a tonality not unlike Dylan Thomas’ “Do Not Go Gentle Into That Goodnight,” Potts brings us into present day. Yes, he is angry, but we can somehow see the light at the end of the tunnel, the burning hot flames of passion for living forever aglow in Randy’s heart. We somehow feel his uncle lives in some kind of virtual second life, through Randy.

Another “Gay Agenda,” Another Pleasant Valley Sunday.

Oral Roberts was the first and one of the biggest of the televangelists. He brought the Pentecostal faith to mainstream America, he started a self-named university, and of course lived a rich life through his relentless please for money from his followers. His grandson Randy Roberts Potts grew up with him…steeped in that really sheltered, Far Right Christian world. Now he’s following a calling like his grandfather, but with an unexpected message.”

Reporter Page Hopkins for MSNBC

In sharing his story with MSNBC, Potts did indeed reveal he’d felt suicidal too—coming out was unthinkable to him. Having married a woman and raising three children with her, Potts’ coming out narrative is a common one that always feels mysterious and new during the discovery process. He told Hopkins, “Honestly, I thought I was just a really good christian that I just didn’t sexualize women.”

Though Potts’ closeted gay uncle passed away when Randy was just a boy, as he unfolded the discoveries about Ronnie’s life, they paralleled discoveries of his own.

It is now Randy’s life mission to reach back across the table and minister tolerance and inclusiveness to evangelicals themselves. Potts informed Page Hopkins that he’s doing so non-publicly, holding confidential meetings with religious leaders and consulting with them regarding family cohesion, suicide prevention and myriad other positive effects of practicing religious tolerance.

In one of the most romantic and courageous activism campaigns out there, Potts and his partner are now conducting what they call an ongoing “performance project designed for conservative towns with visuals of domestic gay life.” Potts is setting up storefronts from town to town , choosing to put his normal day-in day-out familial relationships on display, in a performance art piece called—what else…

“…The Gay Agenda.

Facebook.com/thegaygayagenda

Twitter.com/the_gay_agenda

Reach out to Randy @randyrpotts and connect with ORU Out, ORU LGBTQ alumni and ombudsmen) at http://oru-out.tumblr.com.

To watch Potts’ It Gets Better video in its entirety, please click here: http://www.youtube.com/watch?v=KYa0wi4XzeI

Have you got time to sit and pray a while? Check out Randy Roberts Potts – Re-Imagining Religion Series at: http://www.youtube.com/watch?v=9uYWf2WfPH8. During his ministerial speech in this video, Potts reveals that his brother is also gay and his family still ostracizes them both.

 

And for more information about suicide prevention and LGBTQIA resources and support, please visit the It Gets Better Project at http://www.itgetsbetter.org.

 

 

 

 

 

Men At Twerk Are NSFW: Big Freedia, Drag DJs and Men In Queer Culture — Are they Putting Miley Cyrus to Shame?

“Miley Cyrus’ twerk-filled performance at this year’s MTV Video Music Awards has become the most discussed, polarizing few minutes in a show that saw an ‘N Sync reunion and silhouetted Kanye West singing “Blood on the Leaves”. More than one think piece has accused Cyrus of appropriating and exploiting black culture for her own benefit at the detriment of its pioneers [like Big Freedia].”

                                                                                          – Jason Newman for Fuse.TV

On The #MileyTwerk Controversy and Queer Black Culture

“I’m a singer. I’m not a twerker, I’m not a rapper. I’m a singer…. I really can sing. And you know I can twerk—watch my videos. So there.” – Singer/Pop Artist Miley Cyrus 

[Note: In principle and practice, many of the clips and links below are NSFW. Not. Safe. For. Work. Surf with caution. Some of the content doesn’t prepare you for this fact pre-launch.]

Feminists are not having it.

Kids in San Diego are getting in trouble—like “suspended” in trouble.

Hannity and Limbaugh are hornswoggled, all about this “shocking new twerking thing.” The word “twerk” has made it into the dictionary. Women are even twerking in church…on camera.

But y’all know twerking is nothing new. By now, you’ve likely traced its roots back to Africa’s diaspora, strip club feasts of fancy or your garden variety YouTube/Vine video. Let’s just say it’s familiar.

Twerking’s “a new thing” for Miley Cyrus to do in public (not counting press campaigns planned far in advance of any twerk attempts), so therefore it is “news.” Girlfriend is owning it as-is—so by now ya gotta know, it is Miley’s full intention is to twerk poorly and call attention to the fact that there’s not all too much junk in her trunk.

Ms. Miley ain’t out to win twerk-a-thon championships, and nothing that a Disney grad does—one who’s still on top—is accidental.

Now that that’s out of the way: folks can’t tell what they find most offensive about Miley’s runaway bootie: her lack of hip gyrations, her cultural appropriation, using African American folks as props alongside teddy bears, or her choice to milk every last drop of so-called shock value from ratchet living ’til it’s dry.

MC’s camp is well aware that the so-called American TV demographic isn’t ready for a real-deal twerk. Why would she practice twerking aiming to make that look authentic when it wouldn’t get on the air for the world to see? (Let the “people props” get closer to that.)

As for cultural appropriation, using people as props et al—this is nothing men (and/or Madonna!) haven’t done for decades in the entertainment industry—does that make it okay?

While ratchet/twerking music and culture’s aimed at dancing and partying all night (among, ahem, other ideas), twerking draws upon elements of queer culture. We are everywhere, so why would this not be the case?

LGBTQ folks find Miley’s new-found popularity scenario to be familiar: she’s shining in the spotlight, riding the wave of a cultural trend that’s been around in this form for at least 20 years. When such a trend makes its way to heteronormative culture and is performed by (at least more) heteronormative superstars, it’s salacious, sexy and provocative. “Controversial.” When it’s performed by LGBTQ folks in-community, people are confounded and disgusted. Granted, “disgust” is a subtextual form of interest and arousal, but most folks don’t take much time to process through that appropriately.

Too, to hear Huffpost/AOL tell it, their #MenAtTwerk compilation is one of America’s funniest home videos. As it’s taken out of context, that’s one viewpoint—but because of the platform and audience Huffpost has, such a viewpoint leaves room for much misinterpretation. In-culture, the #MenAtTwerk bootie-clap collage could be considered to be hot, fierce, authentic, queer-inclusive and/or funny at the very least. Not just “funny.”

Back in February, RuPaul and Big Freedia released the hypnotic video and single “Peanut Butter” (http://www.youtube.com/watch?v=LFoRH-VtFO4) flanked by raw, hot models and dancers (courtesy of Chi Chi LaRue and Big Freedia), and a whole…lotta…arse. (The title of the track is “Peanut Butter,” so no surprises there). This underground club banger’s selling well and re-popularized twerking in-culture in a way that Miley still has yet to understand. Ru and Freedia are internationally famous pop stars too—you just don’t hear about them in the press every…other…second on every other channel.

‘Bout That Actual Life: On Actually Fierce Twerk Game

“I haven’t really seen one bad comment about my twerk video,” she said, then added jokingly, “This is the first thing! All right, I can’t sing, I can’t act, I’m dumb, I’m a hillbilly, but I can twerk, so whatever!” – Miley Cyrus

What did not get as much mainstream press time in this latest cultural case study? Rap Artist-Musician Big Freedia, killin’ it with a jaw dropping set at the Afro-Punk Festival, which took place on the same day as the VMAs did, in the same city and cultural mecca (Brooklyn).

Still, Rap Artist-Musician Big Freedia’s mic is on. People are watching, listening and learning. Big Freedia isn’t any fly-by-night dilettante or hobbyist. This artist is the real, live deal—she’s been all up in Bounce culture and then some since 1999. While promoting her new FUSE show Big Freedia: Queen of Bounce (http://www.fuse.tv/shows/big-freedia), she’s making her voice heard, sharing her reflections about the repeated #MileyTwerk spectacle.

While she’s honest about leveraging this strange, emerging opportunity, Big Freedia minces no words: twerking has been screwed and chopped by mainstream culture, and someone from within the culture itself needs to set the record straight.

Sissy Bounce is here, it’s queer, and it’s always been with us.

Reigning Sissy Bounce Queen Diva: Big Freedia Takes New Orleans Bounce to the World Stage

In Her Own Words

“… It’s offensive to black culture and black women who’ve been twerking for years. Every time we do something, people want to snatch it and run with it and put their name on it. And they still don’t even have the moves down yet. Just get me and Miley together so I could give her ass some lessons.” – Big Freedia, on Miley Twerk-A-Mania

Big Freedia doesn’t just make Bounce music—she makes Sissy Bounce music.

She had plenty to share regarding Miley’s twerk-storm. From a recent interview with Fuse TV (http://www.fuse.tv/2013/08/big-freedia-miley-cyrus-twerk), here are a few thoughts Big Freedia shared with her audience:

…. she was trying to twerk. For one thing, we have a dance in bounce music called ‘exercising’ where you just open your legs and shake your butt a little bit from side to side… but she still didn’t even get that right because she didn’t have any butt control. She needs more practice.”

When you have my dancers, they’re professionals. They’re from New Orleans and know what they’re doing . When they started dancing, it was original twerking. Miley’s dancers were prop dancers. None of them were professional dancers.”

They could’ve used girls from New Orleans, even if they were not black, who knew what they’re doing. They’re just using anybody possible just to get that buzz since twerking is hot now. I’m still trying to wrap my head around this, though. I knew the twerking thing was really taking off, but I didn’t know it would blow up like this.”

FUSE asked,Going back to Miley, let’s say you were the choreographer and saw her performance as a dress rehearsal. What specific tips would you have given her?”

Big Freedia responded, “Don’t do it.”

Big Freedia also told Colorlines.com she plans to release a response track called “Twerk It,” which “explores the roots of twerk vocabulary.”

Twerk Couture: Bad Girls Twerking Badly Still Puts Twerking On the Map

You can’t really explain [twerking],” Miley said. “It’s something that comes naturally…It’s a lot of booty action…. I’ve been practicing probably for the past two years, in my own time in my living room.” – Miley Cyrus, to E Online

This is an achy-breaky trend that will not die, and Miley isn’t even attempting to backpedal her way out of it. She is riding it for all it is worth to her—and she’s not in this twerk game alone. She of course has handlers and press people. In her mind (from all press interview accounts), Miley really is just chilling with her friends and doing what she loves.

It’s A Feminist/Black/Queer Thing: Miley Isn’t Here to Make It Rain.

On Channeling Nothing

RT @MileyCyrus “Mile, if twerkintwerkin woulda been invented…. And I had a foam finger…. I woulda done the same thang you did.” – DAD

If you watch Miley Cyrus’ “We Can’t Stop” video or even Robin Thicke’s “Blurred Lines,” the point of the shimmery video spectacle is not about making sure celebs and models are “dancing well.”It’s all about the performative pantomime. Again, we already know this yummy aesthetic quite well: Andrew Christian and Chi Chi LaRue’s underwear ad campaigns alone take bootie-shaking to beatific heights, masterfully conjoining commerce, spectacle and eroticism. – http://www.youtube.com/watch?v=I8S94OlPt7o.

Don’t let Miley’s twerk game fool you: titillation sells, and you can always take that to the bank. Twerk is another set of clothes for Ms. Cyrus. Miley’s still got time for high fashion photo shoots with Terry Richardson and has covered V, Cosmo, Harper’s, Elle UK and counting in recent memory. Those magazines don’t (yet) encourage ratchet couture spreads, and this twerking thing is but another momentary fashion prop for some.

Too, engaged to a man or not, Miley is gay-friendly and (many say) a queer lass indeed. Playing at queering culture isn’t something that can be shut on and off. Cyrus makes a proactive point to remind her fans about this, and the We Can’t Stop video is all about playing at bi-chic tropes and omnisexual aesthetics that may or may not keep happening when cameras stop rolling.

In terms of controversy and criticism goes, Miley takes it all in stride. Trained to deal with the public from a very early age (at least years old), she and her handlers know how to keep people talking and to take “faux rebellion” nowhere near the bleeding edge of real rebelliousness.

As for the pop star’s heiney? Here we have the good ol’ “Goodie I still get to look trick:” you criticize a woman for shakin’ what her momma gave her, telling your partner, the press, your friends, “Oooh! This is just scandalous!” All the while, you’re never taking your eyes off her bum and assorted hijinx. Scandalous attention is still attention.

We Can’t Stop Miley Cyrus. We Won’t Stop Miley Cyrus.

Cyrus’ only responses to criticism have moved along two main streams of thought.

Here’s one: when criticized for her unicorn onesie twerk video, Cyrus essentially said [paraphrased] “J. Dash is happy…no one heard of his song “Wop” before I did that.” And two: when hip hop legends such as Jay Z shout her out in their rhymes and in the press, people tell Miley he’s dissing her. Her responses?

RT @MileyCyrus Somewhere in America a Jay Z song is onnnnnn

RT @MileyCyrus That’s a win win forrrrrr me.

RT @MileyCyrus Call it what you want. But I don’t see Mr. Carter shoutin any of you bitches out. #twerkmileytwerk

And Jay Z agrees.

Miley is still working with (and yes, twerking with) Snoop Lion (aka Snoop Dogg), Odd Future, Ludacris, Big Sean, Pharrell, Juicy J, Nelly and many other rap artists du jour. The Yin Yang Twins wrote a stripper pole-ready song about her tush and twerking it. (http://www.youtube.com/watch?v=Q-UXJO-iydM)

The verdict is in: Miley is “right” on all accounts.

Shameless Plugs

Speaking of accounts, Miley’s still posting pictures of her bootie @MileyCyrus, and you can keep up with Big Freedia’s latest pics and posts @Bigfreedia.

So let’s get a move-on #MCTWERKTEAM…. Assume the #MileyTwerk position and represent.

“Big Freedia: Queen of Bounce” debuts Wednesday, October 2 at 11/10C on Fuse TV and you can buy her album “Queen of Bounce” on iTunes by clicking here (http://www.bigfreedia.com).

You can learn (and dance!) more by watching the documentary “Big Freedia The Queen Diva” here: http://www.youtube.com/watch?v=O0yrp3nsvAs

You know Miley’s on top of the promo gig too: according to Miley’s Twitter TL, you can of course pre-order #Bangers / Wrecking Ball on iTunes here: (https://itunes.apple.com/us/album/wrecking-ball/id691238659?i=691239109).

Now Playing – Big Freedia – Y’all Get Back Now

Because she is royalty, let’s give the Diva the last word. Big Freedia recently told the Daily News:

Twerking—and it’s a lot more than twerking—comes from a long history of music and dance in New Orleans. Twerkin’ happen around the world for a long time now, so I’m very excited that it’s coming into the public eye, as long as it’s respected.”

We could say more on the matter and likely will.

But wouldn’t you rather be dancin’ and watchin’ all up on this anyway? Let’s free you up to do that. And let’s keep it real: how many times have you had to switch to your “kitty pics” screen-saver so you wouldn’t get caught watching “Peanut Butter” on loop? Oh—that was just us? Oh, okay. Right.

 

Grok These, Please: Queer Slam Poems and Creative Poetry Videos

 

Praising and Raising our Work: On Mindshare and Memory

Riveting. Emo. Uplifting. Heartbreaking. Heart-opening. Poetry heals, helps and heartens all who encounter its majesty, power, artistry.

When a poem is passed from hand to hand, eye to eye, heart to heart, soul to soul, the bearer and the receiver are forever changed.

Writer Neil Hilborn’s touching performance in his slam poem “OCD” has recently gone viral, bringing to mind the many LGBTQIA poets and creatives in our midst with their own stories of love and life.

Slam poems and artistic poetry performance videos dovetail so nicely into the framework of social media, aka “Short Attention Span Theater.” All the while, the popularity of such creatives and their efforts debunk the myth that we’re all becoming bots, drones and distracted Internet denizens who can do nothing but lower the bar when it comes to being entertained. As we praise the art, we raise the art.

Queerly Speaking: Queerious Poems & Artistic Feats

There are many queer artists of late who’ve come to shine brightly, find their audiences and clock hundreds of thousands of views for sharing their feelings, style, art, writing and messages in video form—and thank goodness for them. With each new word experienced, we’re reminded to walk through this life: chin up, spirits high, feet facing forward.

Women of the World Poetry Slam winner Denice Frohman’s “Dear Straight People” video is one of the many gorgeous works capturing our imaginations. Garnering clicks, attention, ongoing #lolz and serious praise, Frohman’s hard-hitting truths hammer out insightful words of witticism and encourage laughs of recognition. Here are but a few gems encapsulated in a handful of minutes:

“Sexuality and gender…? Two different things. Combined in many different ways. If you mismatch your socks, you understand.”

“Dear Hip Hop: why are you fascinated with discovering gay rappers? Gay people rap. Just like gay people ride bikes and eat tofu.”

“Dear straight bullies, you’re right: we don’t have the same values. You kill everything that’s different. I preserve it.”

Words cascade like waterfalls. Prosaic glitter and poetic license, new beats and audio treats make their way towards all who have ears to hear, fingers to snap, hands to clap, and believing hearts to respond.

Visit the links below to watch these and so much more: it’s compelling, queer-powered poetry in motion.

Denice Frohman

“Dear Straight People” (WOWPS 2013)

http://www.youtube.com/watch?v=5frn8TAlew0#t=154

Xavier

“Invisible”

http://www.youtube.com/watch?v=Weo5EQyqxnM

Tanya Davis

“How to Be Alone”

http://www.youtube.com/watch?v=8CchQgz7Fpg

“Art”

http://www.youtube.com/watch?v=SDDWbjTKh2w

Shane Koyczan

“Pork Chop” from the To This Day Project

http://www.youtube.com/watch?v=ltun92DfnPY

Shanita Jackson and Dakota Oder 

“Civil Rights”

http://www.youtube.com/watch?v=tcdONSoq7EQ

Noah St. John 

“Noah St. John Performs at Queeriosity 2010”

http://www.youtube.com/watch?v=02ucYu8MBtc

Stayceyann Chin

“Feminist or a Womanist”

http://www.youtube.com/watch?v=PQOmyebFVV8

Andrea Gibson

The Jewelry Store

http://www.youtube.com/watch?v=1C-dPyu8_iI

~

To watch all of these videos as a playlist, please click the link below.

 

Mindshare & Memory: Slam Poems & Creative Poetry Videos

 

“One of Us?” Not As Much…On Fatboy Slim’s Queer Behavior

“The most ironic thing is that most of what we do was invented by black, gay Americans in the first place.”

– Fatboy Slim, on EDM / House Music

Fatboy Slim: Queer…or Just European?

Norman Cook (aka Fatboy Slim) is not one to dither around or dilly-dally when it comes to sonic expansiveness and creative perception. While serving as producer, writer or DJ, Fatboy “Jack-of-All-Genres” Slim happily bounces from genre to genre to suit each new mood, project or opportunity. His range of landscapes at-play include Independent Pop, British Hip Hop and House, Big Beat and Dance music, naturally.

Born Quentin Cook, this UK underground boy gone massive came from punk rock beginnings and scruffy indie aesthetics before heading away to college in Brighton, then segueing into club and DJ culture.

Cook enjoyed a brief stint as the bassist for UK alt-pop outfit The Housemartins and experienced his first dash of fame during the band’s “Happy Hour” phase. Soon enough, Cook worked his way back to clubbing and DJ’ing, finally gaining a critical mass of attention and fans with his production and mashup skills, and eventually coming into his own with the fame and success of the hypnotic tracks “Praise You” and “The Rockafeller Skank.”

Some lads hear it more than others, but the “Is He Gay or Just European?” trope prevails in a culture where a metrosexual is a term the British media coined to describe a distinctly European look, sensibility and sexual fluidity (often but not always attached to disposable income and class). Such themes include but are not limited to: effeminate fashion, unisex/asexual presentation and (ahem) sexual experimentation or fluidity. The fact that all metrosexual men are “straight” is of course hogwash. Too–more and more, youth culture refuses to “pick a team” or define themselves by any label whatsoever.

So now, we have the news that Fatboy Slim is a regular Pride entertainer, a staunch LGBTQ advocate, and has ‘experimented with’ men sexually.

If you’d hear it from Cook himself, it’s N.B.D., but perhaps of some interest: back in 2004, Fatboy Slim told the press, “Well, everyone’s had one try-out experience, haven’t they?”

On his relationship with wife Zoe Bell, Fatboy Slim went on, “Me and Zoe have always been convinced [our son is] gay anyway.”

The fact that such goings on were mostly laughed off and minimized typifies the sexual fluidity that is our shared human experience. In less of a “bi-chic” moment and more of a “yeah, that happened” moment, Cook’s language wasn’t quite politically correct but his sentiment speaks to a nonchalance that reveals how natural and fluid sexuality is.

Is this something we can or should ignore?

Being that Fatboy Slim’s son’s still of a tender age, Cook may be keeping laser-point specifics of his son’s life private and deflecting the concept of queering personal life or relationships. However last year, Cook told Pink News UK his that supporting equal marriage is a ‘no brainer’ and revealed, “I talk about the issue with my son.”

Cook, who’s done much education and advocacy work for local young artists in his hometown, once performed at the Terrace Bar of the House of Commons to support even more community-based music initiatives for youth. By having done so, could he be, however subconsciously, helping to open the minds of UK lawmakers to queer culture, sexually fluid living and LGBTQ art and iconography?

Time will tell.

Meanwhile, are Fatboy Slim’s remarks about his own ‘sexual experimentation’ dismissive…or “normal?”

In essence, you cannot un-queer yourself, culturally or sexually. What’s definitive here is that Cook is decidedly an ally. And for the time being, the rest is none of our “B.I.-IZ-NESS.”

Have a nosh on the concept while you nod your head to Fatboy Slim’s video, “Weapon of Choice” feat. Christopher Walken.  (Yes, Hunty’s: come back and share your thoughts with us after the jump-off.)

 

 

Keep It Together: Resources and Support for LGBTQ Families

It’s All in the Family

“Keep it together in the family

They’re a reminder of your history

Brothers and sisters they hold the key

To your heart and your soul

Don’t forget that your family is gold.”

– Madonna, from “Keep It Together”

For those who may oppose or who may not understand LGBTQIA culture (which often includes ourselves, those in-community), it can be easy to forget we are individuals who come from families. Who make up families. Who make up families of choice.

As we seek out kin, allies, a tribe, BFFs, support, resources and fellowship, because it is so common for LGBTQIA persons to experience marginalization even for supporting queer culture (as well as of course for being in it), we forget about our extended family. We don’t realize the broad spectrum of resources made available to us for finding connections, assistance, and even family-focused entertainment or advantages (such as social, educational financial or medical help).

We may then perhaps lose hope for reconciliation with our birth family, and/or don’t seek alternatives for creating new and more empowering familial networks.

Partying, playing and freedom of sexual expression is all well and good: it’s a blessing to have an opportunity to fully express all sides of ourselves (and fight for our rights in places where this is not yet a reality).

When it’s time to come down, gather together, find home and hearth, your family/family of choice is your go-to place to touch down, reboot, chillax. Find peace of mind.

But what happens if you don’t have a family, your community doesn’t support your family, or you don’t have a stable family?

Here are a few helpful resources, for finding family support and structure, below:

 

Get Help, Find Fam, Keep It Together

PFLAG / Parents, Families and Friends of Lesbians and Gays – http://www.pflag.org

In addition to education, outreach and public speaking, PFLAG provides regionally-based support groups for queer and questioning persons (including youth), as well as for people who are trying to understand their LGBTQ family members, or people who do not have family support.

Family Equality Council – http://www.familyequality.org/get_involved/programs

Per their website, “The Family Equality Council is a community of parents and children, grandparents and grandchildren who for 30 years have raised our children and raised our voices toward fairness for all families.” While they do quite a bit of advocacy work, they also sponsor Family Equality Pride events and regionally-based family outreach programs (such as support groups and activities for queer parents and the community).

COLAGE – http://www.colage.org

For people with an LGBTQ parent: focused mostly on kids and teenagers, COLAGE unites peer-based networks and helps youth find support. Their specialty, in their own words is to help: “nurture and empower each other to be skilled, self-confident, and just leaders in our collective communities.”

Transforming Family http://transformingfamily.org/about-us

Championed by Chaz Bono. With a trans* focused outreach in its purview, Transforming Family is a Los Angeles based family support group creating a positive environment for children, adolescents and their families to explore issues of gender identity.

Our Family Coalition http://www.ourfamily.org/programs

This is a community of leaders who provide family-based policy and advocacy for change as well as sponsoring various family functions and social events.

Gay Parent Magazine –http://www.gayparentmag.com

A leader in gay parenting resources – founded in 1998.

API Family Pride http://www.apifamilypride.org

The mission of Asian and Pacific Islander Family Pride is to end the isolation of Asian and Pacific Islander families with lesbian, gay, bisexual and transgender members through support, education, and dialogue.

Soffa Support – http://soffasupport.tumblr.com

An online zine that helps to connect people with support and advice for significant others, family, friends, and allies of the trans* community.

National Clearinghouse on Families & Youth http://ncfy.acf.hhs.gov

The National Clearinghouse on Families & Youth is an information resource of the Family and Youth Services Bureau within the U.S. Department of Health and Human Services. They help to provide various resources of support for many, including LGBTQIA-specific assistance, referrals and education.

Intersex Society of North America

Support Groups and FAQ (For FAQ, Click FAQ Link on this page) http://www.isna.org/support

The Intersex Society of North America (ISNA) was founded in 1993 in an effort to advocate for patients and families who felt they had been harmed by their experiences with the health care system. From these scrappy, brave, and confrontational beginnings, ISNA evolved into an important resource for clinicians, parents, and affected individuals who require basic information about disorders of sex development (DSDs) and for how to improve the health care and overall well-being of people with DSDs.

R Family Vacations – http://www.rfamilyvacations.com

R Family Vacations is an LGBT vacation entertainment company that provides luxury cruise ship trips with a focus on inclusive activities for children and services including same-sex marriage ceremonies.

National Resource Center on LGBT Aging –http://www.lgbtagingcenter.org

Resources include – Caregiving services, Aging in Place Providers, LGBT Organizations, referrals, help for LGBT older adults or caregivers.

JQY / JQYouth – http://www.jqyouth.org

JQY is a nonprofit organization supporting lesbian, gay, bisexual, and transgender (LGBT) Jews and their families in the Orthodox community.

 

A Word About Finding Local Resources

If you find these suggestions aren’t close to you, don’t be afraid to shout them out on social media, email or call them, and ask for help finding resources that are local for you. Should they be unable to, they’ll be able to provide other alternatives for you. Never give up.

There are many more resources where these came from. Have you got a good recommendation? Please let us know.

When times get tough or you’re looking for support, who do you call your “family?”

 

Why LGBTQ or GLBT? Why Trans* or Trans? A Look at Queering the Acronym

We communicate, therefore we abbreviate.

Social media may be viral, but without the words we say and the language we speak, it would have no foundation from which to travel and spread ideas.

Culturally, words are important to LGBTQIA folks. Not only for communicating concepts, but for fighting for our rights, for inclusivity, for assisting in diversity training, and of course, for us to find and to connect with each other among many other helpful purposes.

For instance, writing the word trans* with an asterisk at the end has its own special meaning. In short, the addition of the asterisk is more inclusive. Please click here to learn more about that in a full context.

Also, there are many people who find the word “transman” or “transwoman” to be dehumanizing or offensive, and who feel you should insert a space between each word for that reason.

But then of course, language is complex and contradictory. For example, the organization Black Transmen articulates the experience of trans* men by writing “transmen” as one word in their official parlance.

This brings to mind similar linguistic differences reminiscent of calling oneself “gay” versus calling oneself “same gender loving” or SGL. (“SGL” was a term created in generally African American circles, initiated to take one’s focus away from sex and place it on relationships, but SGL automatically excludes many trans* persons).

Or, there’s articulating queer culture as being “gay” rather than the more inclusive “LGBT” “GLBT,” that’s another example. Too, people can be attached to the order of the letters, favoring starting with “G” or “L.”). Next, there is “LGBTQ.” However, writing or saying “queer” can be an issue to some, as if there is something so-called “wrong” with being gay or having another sexual or gender orientation, rather than the intended meaning of reclaiming the insult as a word of empowerment (“We’re here, we’re queer. Get used to it.”).

Also, many acronyms and terms exist to behoove inclusivity-focused communication (e.g. LGBTQIAU for “lesbian, gay, bisexual, trans*, queer, intersex persons, allies and undeclared), and the lists go on and on.

Here are a few others:

SOFFA – Significant Other, Friends, Families and Allies – Generally used in trans* culture.

GAY – (This word didn’t begin as an acronym, but it has become one. Aside from literally meaning “homosexual,” “happy” or as shorthand for “LGBTQ”) – Gifted and Young, Good As You, Gay. Are You?

IMRU – I’m Queer/Gay. Are You?

LGBTQ / TBLG / LGBTQQIAAS / GLB / LGBTQIAP Any combination or order of lesbian, gay, bisexual, transgendered, queer, questioning, intersex, asexual, ally, straight, pansexual and so forth. When letters are excluded, this might have to do with, for instance, trans* activists who are exploring ideas of inclusivity when it comes to trans* culture. They might say, “We deserve to have a voice at this convention where the majority of the speakers are LGB-only.”

LGBTIH Lesbian, gay, bisexual, transgender, intersexed and “hijira” (third gender).

TS Two-Spirit.

FABGLITTER Shorthand for Fetish and BDSM community, Allies or Polyamorous.

QUILTBAG Queer/Questioning, Undecided, Intersex, Lesbian, Transgender/Transsexual, Bisexual, Allied/Asexual, Gay/Genderqueer.

Social critics and in-community critics tend to think of all of these acronyms as “over-corrected political correctness,” too focused on sexuality, not separating sexual and gender expression properly, or too exclusive in nature.

Generally, living in queer culture involves many elements of culture, lifestyle, privilege, preference, sexual expression, race, class, gender identity, social and hierarchical challenges, religious and moral backgrounds, geographical diversity, preferences not to be labeled, and so much more that is exceedingly difficult to encapsulate or summarize.

If anything, the acronyms can become a code, a way of transacting in the world, a way to find and befriend allies, a way to encourage others to think differently or more broadly, or a way to regain respect and grounding among others in our environment who would seek to derail or exclude others.

As a communicator and mediator myself, this can make communication, sharing information and reportage seem somewhat challenging, but not impossibly so. Prosaically, I do tend to use many different terms interchangeably as well as alternating them—so it’s likely that will offend some or many without having an intention to do so.

Personally, I tend to go by the M.O. of: “I’ll address you respectfully and earnestly in the way you prefer to be addressed. I’ll do my best to honor y/our culture going on what I know, today, and using the breadth of terminology that’s available to us, so that we can all connect.”

Which acronym, term or shorthand do you prefer? (“None” counts, too.)

“Would You Rather…?” And Other Random Comedy Hijinks With Billy on the Street

Meet Billy on the Street.

While minding your own business strolling down the streets of New York City, would you rather:

A) Get “Quizzed in the Face.”

B) Subject yourself to a“Lesbian Lightning Round” game with a pack of wild lesbians for cash or prizes.

C) List sex moves in front of Mr. Rogers.

D) Fight in public about Denzel Washington.

E) Watch Billy Eichner humiliate Will Ferrell.

 

….for a dollar. Hurry up—quick, dammit! Choose your final answer.

 

[Insert your answer here.]

 

Do you accept that as your final answer?

Sorry, no! You’re wrong.

 

Guess what—there is no right answer!

 

Get At Me, Billy: Cray Cray Gay Videos

Something wicked this way comes: it’s Billy on the Street, a different kind of game show featuring your host, Billy Eichner (Bob’s Burgers, Upright Citizens Brigade).

Billy on the Street will shove his microphone directly in your face, scream out questions, random facts or celebrity’s names, chase you as you flee from him, run toward you like a freight train, or just plain scream.

And this ain’t no “Cash Cab” or “Price is Right.”

Quizzically queer himself, Billy loves spouting off occasional gay dude jokes with no real punchlines, and his show’s all about silly spectacle, gay-centric chaotic confusion and the comedy of the awkward.

This show is all about smart-ass #LOLZ for smarties, “Makin’ dreams come true” courtesy of FUSE TV, a US-based cable outlet.

“Do you like FUSE?” Eichner asks impromptu contestant “Mr. Singh. “They play, like, five-hour long blocks of Rihanna videos. You’ll love it!”

For those of you playing the home game, as you can tell by now, nothing and no one is sacred here.

Should you dare to answer Billy’s questions correctly and win, you may or may not get a prize valued at around a dollar.* Then, Eichner will immediately run away from you or shoo you away with an accompanying “Thank you—bye now,” “Get the f—out of here,” or other such quickly-pummeled pleasantries.

Should you happen to answer incorrectly and lose, you’ll experience public humiliation (be forced to wear chicken suits or wear sandwich boards telling people how idiotic you are). So either way, the viewers always win.

(*In all fairness, sometimes Billy will reward you with a honkin’ huge chunk of cash—as in a hundred dollars or more, or prize equivalent. However, that too is random.)

Give the People What They Want: Manic-Comedic Fire Drills

Moreover, Billy’s improv antics, random celebrity sightings and occasional cattiness have earned him a Daytime Emmy nomination. For going on four whole seasons, Eichner’s been annoying folks just trying to get to work or take in a solo tour of New York in peace, while he amuses the rest of us.

His persona? It’s pure-grade a-hole. The absolute nerve…!

Billy Eichner will find you and eff with you. It will be filmed for posterity and guffaws. You will become Internet-infamous for less than 15 minutes, and the world will laugh at you. It’s just a matter of time.

FUSE, iTunes, Funny or Die and YouTube jointly host clips and full episodes of the Billy on the Street series.

Take a shot at a random interaction with Billy @BILLYEICHNER, tweet your aggro quiz questions to #BILLYONTHESTREET, or click here to visit him at YouTube.

#FTW! Watch Billy quiz a gay man in the face: just how much do you know about vaginas? http://www.youtube.com/watch?v=tN70ur7-Q7A

 

 

Cowboys Are Secretly Fond of Each Other:” Singing Gay Cowboys and The Wild, Wild West

This Cowboy Ain’t Found the Right Woman Yet

“John Wayne and Will Rogers, they made real cowboy movies. They portrayed us like we are. There ain’t no queer in cowboy and I don’t care for anyone suggesting there is.”

– (Heterosexual) Rancher Dave Miller, to The Telegraph

When we think of “the cowboy,” we envision Old West or the Wild Wild West. “Rugged America.” Ranch Hand Nobility. Tobacco-Stained Chivalry. Guys who were tough, but fair. We think of heroes. We think of—well—men’s men.

In the States, Gene Autry and Roy Rogers became popular studio-cowpokes, wearing white hats and sweetly singing nostalgic, lonesome songs, wailing to the desert sky in a series of B-movies from the 30s and 40s. “Happy Trails,” anyone? “‘Until we meet again?”

Even Good ol’ John Wayne sang a rare cowboy song, playing the role of Singin’ Sandy Saunders (“Riders of Destiny,” 1933). Somehow, singing cowboys were not seen as effeminate—just dreamy. The trope became popular and took hold worldwide. So much so, inspired Italian/European directors began recruiting American actors to film their own “spaghetti westerns” overseas.

All this is to say that it’s hard to separate the engrained stereotypes from the reality that carries through to this day, and once established, tropes, metaphors and stereotypes therein can leave lasting impressions in others’ minds about how they think things were versus how they truly are. Masculinity, when contextualized in the world of cowboys, incorporates entirely new meanings when you include LGBTQ experience in the mix—this includes modern-day trans* men and women who, living in rural areas and on farmland (or close to it) embrace rodeo/cowboy culture and lifestyle.

“There have been gay cowboys for as long as there have been gay people…. It’s always been a part of the Western frontier lifestyle that wasn’t talked about. It was just there.”

– Brian Helander, for the International Gay Rodeo Association

As for cowboys, the most often looked-to idea in the Old West, the lyrical romanticism of Ang Lee’s brilliantly crafted film “Brokeback Mountain,” begin to build a bridge to speak to LGBTQ desert/rural/migratory experiences, but that too veered toward the tragic, therefore dropping one stereotype to pick up another (gay romance and agreed-upon rules in relationships don’t always have to end in tears).

Interestingly enough, world-famous country musician Willie Nelson’s soundtrack work on Lee’s film (“He Was a Friend of Mine”) and his cover of “Cowboys Are Frequently, Secretly Fond of Each Other” (the first LGBT-focused mainstream country song by a major label artist) brought the idea back into our consciousness beyond the Gay Rodeo circuit.

Gay Rodeo culture represents our (still) unsung heroes: the underground men and women athletes and community made up of the unofficial historians who’ve always cherished this way of life, and who’ve shared it for generations.

Cowboys Never Kiss And Tell

“I’m…a heterosexual guy without any apparent sexual hang-ups. I say that so you know where I stand. Gay people don’t scare me. They don’t repulse me. And they sure as hell don’t offend me. I know that there are gay athletes. There were gay cowboys…. Greeks took homosexuality to whole new levels, as do some Middle Eastern cultures…. Homosexuality is not new, it is not strange. It is also not going away. So why the fear and backlash over a movie? Easy. Men are cowards. They are also more confused and uptight than they should be.”

– Doug Brunell, for “Film Threat”

“There is a fair amount of sexual contact among the older males in western rural areas.”

-Alfred Kinsey, from a 1948 sexuality study

Picture gay cowboys—or even lesbian nuns—having more than a platonic relationship. Do the words “know duh” come to mind? Not when it comes to cultural constructs, facades and fears. In a world so tethered to binary/compartmentalized thinking, it can be challenging to look back retroactively and tease out more accurate versions of the truth.

Of course not all man-man and woman-woman situations are queer-only. Neither are they heteronormative only. Such is the case many historians make, and oftentimes we need pictures and additional documented evidence to firmly believe in the truth of it, even for ourselves. And we need to see and experience not only one image or piece of evidence, but several. It still seems somewhat otherworldly. Unbelievable. As we begin to hear the stories and to bear witness, then the truth begins to unfold itself to us so that we can accept to be true in our souls.

In These Here Cowboying Circles:” No More Secrets

Geographically, the Old West is image and ideation most often dreamed of and seen. But of course, cowboys and gals rode the open range and worked on ranches from California to Montana and beyond.

More and more urban cowboys and cowgirls as well as out gay country stars help to modernize our imagery and understanding. They continue to sing, share, reveal our stories, letting those of us who are in-community write and experience our own narratives.

Just as we (LGBTQIA persons) are everywhere, so are cowboys and cowgirls who are “especially fond of one another.” Euphemisms are still used for literal survival (to avoid violence or shame-based thinking or incidents). Small-town gay and lesbian bars, any cow-town dance-halls in remote or rural areas, community centers near sprawling green pastures and wide open spaces, that’s where folks folks reside. So, that’s where love, lust and all good things in between will reside. So of course, that’s where queer cowboys work and play, and reside.

Coming full circle: just a handful of years ago, the Autry Cowboy Museum took an in-depth look at gay and trans* cowboy culture via their Out West exhibit. They continue to study queer culture and to blog about it. (See: http://blog.theautry.org/tag/brokeback-mountain)

To check out a gay cowboy movie in a post-Brokeback world, click on over to watch the Rom-Com “Adam and Steve” (featuring Parker Posey, no less!) and have a laugh on us. http://www.youtube.com/watch?v=970IMbt9JkE

And to you queer theory and gay film elitists out there, sheep herders (Jack and Ennis from “Brokeback”) can also be called cowboys. Did you follow them around all day and night? Did you pay their well-earned wages? We thought not.

A “Brokeback Mountain” opera will premiere in 2014. Even if you’re not into opera, aren’t you curious?

 

 

Sochi 2014 Olympics Boycott? Greg Louganis: “Nyet!” Stephen Fry: “Da!”

The mounting controversy surrounding Russia’s widespread legal war against LGBTQ persons and allies continues to inspire people to speak out, worldwide. The loudest of these voices are LGBTQ people themselves.

Two notable and diametrically opposed viewpoints have emerged from the United States and the United Kingdom, respectively. Olympian athlete Greg Louganis and world renowned entertainer Stephen Fry, both two out gay men, are speaking up for themselves, in their own words, and taking a stand against anti-gay legislation in their own distinct ways.

Both men took to writing blog posts (Louganis writing exclusively for PolicyMic while Fry posted an open letter on his own blog), voicing their concerns and advocating for the rights of all LGBTQ people affected by the increasing strict, punitive climate in Russia.

Louganis’ post, “I’m An Openly Gay Gold Medalist and I Reject the Sochi Olympics Boycott,” (http://www.policymic.com/articles/58481/i-m-an-openly-gay-gold-medalist-and-i-reject-the-sochi-olympics-boycott) speaks from experience to Louganis’ concern for all the LGBTQ athletes, supporters, families, teammates, coaches and peers who went to great efforts in preparation for the 2014 games.

Though Putin and the Russian government has assured the public those traveling to Russia will not be penalized under the anti-gay laws, none of this is guaranteed. Still, many athletes such as Johnny Weir and Louganis plan to move forward in courage and support and attend the upcoming events.

Louganis’ blog post began, “As an openly gay Olympic four-time gold medalist, you might expect that I would be in favor of joining prominent LGBT activists in calling for America to boycott the 2014 Winter Olympic games in Sochi, Russia. After all, Russia’s recently passed laws cracking down on gays and lesbians violate everything I’ve spent my career fighting for; namely, love and respect for all people.”

However, he continued, “Boycotting sends the wrong message and will only harm the hard-working athletes set to compete in the 2014 Olympics, not the Russian government itself. I know from personal experience. My first Olympics I won Silver at age 16, and then in 1980, at the height of my diving career, President Jimmy Carter opted to boycott the 1980 Olympics in Moscow as a method of protesting the Soviet invasion in Afghanistan. The toll on fellow athletes and me was devastating. We had trained our entire lives for that one moment.”

To mirror his message of support, he encouraged readers to stand behind gay in-community role models and  athletes, and encouraged people to sign the All Out and Athlete Ally petition against Russia’s recent actions (http://gayagenda.com/lgbt-empowered-shaun-t-partners-up-with-athlete-ally).

Stephen Fry’s words were just as impassioned, his sentiments just as vehement:

In his post, “An Open Letter to David Cameron and the IOC,”  (http://www.stephenfry.com/2013/08/07/an-open-letter-to-david-cameron-and-the-ioc/single-page), Stephen Fry drove his points home by writing, “An absolute ban on the Russian Winter Olympics of 2014 on Sochi is simply essential. Stage them elsewhere in Utah, Lillyhammer, anywhere you like. At all costs Putin cannot be seen to have the approval of the civilised world.”

As he too spoke from his own experience, Stephen Fry continued, “I am gay. I am a Jew. My mother lost over a dozen of her family to Hitler’s anti-Semitism. Every time in Russia (and it is constantly) a gay teenager is forced into suicide, a lesbian ‘correctively’ raped, gay men and women beaten to death by neo-Nazi thugs while the Russian police stand idly by, the world is diminished and I for one, weep anew at seeing history repeat itself.“

Fry then ended his article by citing the IOC’s own rules, re-purposing them inclusively, in defense of LGBTQ rights. He ended his letter as follows:

“I especially appeal to you, Prime Minister, a man for whom I have the utmost respect. As the leader of a party I have for almost all of my life opposed and instinctively disliked, you showed a determined, passionate and clearly honest commitment to LGBT rights and helped push gay marriage through both houses of our parliament in the teeth of vehement opposition from so many of your own side. For that I will always admire you, whatever other differences may lie between us. In the end I believe you know when a thing is wrong or right. Please act on that instinct now.”

Additionally, entertainers such as actor Harvey Fierstein, George Takei, Dan Savage (http://gayagenda.com/dumpstoli-russias-anti-gay-bill-sparks-creative-boycott) and a growing number of public figures are making themselves heard. While everyone who’s come forth is voicing opposition to the anti-gay legislation in Russia, it seems like opinions run neck and neck: those who feel a boycott is futile or unfair for the Olympians seem to equal those who feel it is unconscionable to hold the event in Russia at all.

Have your say!

Click the following link to sign All Out / Athlete Ally’s petition speaking out against Russia’s anti-gay legislation https://www.allout.org/en/actions/russia-attacks or leave your comments below.