#TaylorSwiftProblems: Billy Eichner’s “Glitter and Ribs” Parody Video Sings Angsty Summer Goodbyes

 

“You’ll never know my heart/like my heart/knows my heart…”

From Billy Eichner’s Taylor Swift Parody, “Glitter and Ribs

 

Art Imitating The Art of Emo Country-Pop

First Taylor Swift is the MTV VMAs victim (“I’ma let you finish”) , and now she’s the Mean Girl VMA vamp (just for mouthing the words “shut the eff up?). It’s kinda hard to keep up with all these pop star reality TV tragicomedies, isn’t it?

In the wake of Real Taylor Swift’s (ahem. Choreographed.) STFU incident and her recovery from it, Faux Taylor Swift just wants to muse aloud and brood.

Aloud.

So y’all, can we just take a second to wax nostalgic about the end of another bummer summer? Puh-lease?

Plucked right out of one of the lost episodes of Glee, here comes Billy on the Street with a little comic relief. Leave it to sassy-pants Billy Eichner to add his aggro two cents to the whole thing.

‘Cause really: which Taylor Swift are we supposed to believe in? Good Girl Taylor Swift or Bad Girl Taylor Swift? ‘You know we’re all either one thing or the other, don’t you?

Well, don’t you?!!!

_

In the new music video “Glitter and Ribs,” Funny or Die and Fuse TV’s resident smart-aleck sets the record straight. In the video, Faux Taylor Swift is every girl not yet a woman. She’s sassy, cute, happy, frustrated, sad, apologetic. She cries ugly, feels heartbroken, is independent. Yes. She’s strong, young, um…no. She’s old, totally weak and totally dependent. Yeah. Well…?

Celebrities are just like us—totally ambivalent and utterly complex.

 

Hook Up, Heartbreak, Cash In, Repeat

The real target of this video is the crazy, silly entertainment industry. “Glitter and Ribs” breaks down the “summer fling to summer heartbreak” song formula, the lie that is the ingenue/Lolita aesthetic, and the naughty habit pop stars and producers have of recycling the same song and video over and over to communicate the same ideas—and how that theater of the absurd spills into offstage antics, which then strangely become “real-life” antics.

And then the whole (press) cycle begins again.

As with everything in life, there is of course a grain of truth to what’s going on (private details we’ll surely never know) and how that contributes to Swift’s own creative process. Many artists believe that suffering is a key ingredient necessary for creative inspiration, and Swift just rocks that trope in her own Taylor-ish ways.

And why wouldn’t she? Doing so is a lucrative business, and these recurring themes work for her. The music business is indeed a business. Broken-hearted music sells, and “if it ain’t broke don’t fix it” doesn’t apply to this particular case study and music biz model.

Swift’s sales figures and chart positions are telling: there’s catharsis to be had from hearing and singing along with this narrative that’s ever on repeat.

Still, when you think about the artistic choices Taylor Swift and her press team make compared to…say, India Arie’s, the repeated messaging, saga and drama that “Real Taylor Swift” is broadcasting do seem to be more than a little bit laughable.

And sometimes, ya gotta laugh to keep from crying.

Unless of course, you’re Faux Taylor Swift, because “life won’t always be glitter and ribs.”

So ciao for now…see you next summer never-ever-ever!

xo (sniffle, sniffle) xox,

– Faux Taylor Swift 

P.S. Ms. Faux Taylor, wash your face full of runny mascara away, come back to your viewing device of choice, and watch Billy on the Street. That’ll solve everything. For now.

Kisses!

 

Mighty Real: The New Gay Workout Anthems Playlist

 

[Please note that some of the visuals in the videos are NSFW – Not Safe for Work. YouTube usually requires a login before those who are over 18 can view them, but we can’t promise this will be the case. Some of the selections are Rated PG-13 due to language and imagery.]

Maybe it’s just me, but there’s something about working out to LGBTQ-inclusive anthems that puts a lil’ extra pep in my elliptical hyper-step.

Living by a gay-owned gym staffed by fab music lovers who know their stuff doesn’t hurt—but when you have your own playlist, you can take all your fab on the road, or stick it in your headphones and jog it out.

Need some suggestions? Thought you’d never ask.

The tracks below have either been co-opted by gay folks or penned and performed by them (mostly the latter). You’ll find some classics and discover some newbies.

Big Freedia – Azz Everywhere http://www.youtube.com/watch?v=kbR5wPpoOiw

In the words of George Clinton, “Free your mind and your ass will follow.” This track’s less about your bootie and more about your free spirited shaking of said behind. And that’s right Ladies and Gentlemen, it’s the TwerkMaster General, Big Freedia. Girlfriend brings the party on “Overdrive. Overdrive! Overdrive! When you take a ride!” Everything Big Freedia touches is dope. As the Queen Diva of New Orleans Sissy Bounce, she’s spent many years crafting her tracks and performance/recording skills to be at the top of the “bands that make you dance.” You don’t listen to this song—you DO THIS song. Don’t worry, she rocks it like a drill instructor all along the way—you won’t get lost, Boo.

September – Cry for You (Remix) – http://www.youtube.com/watch?v=Pf1kcbFzWyI

A regular club and Pride performer, September works that Swedish pop thing in a sweet, coy little way. Interesting tidbit—the riff’s from Bronski Beat’s track “Smalltown Boy” (different playlist for a different day, but an absolutely riveting track about the struggles of coming out. September seems all coquettish, but the song’s saying in essence, “Eff off, Dear.” It’s not like she didn’t try. Mm-hm. She really tried. It’s just time to go. And you can shout that along with her at the top of your lungs in 3…2…

Sylvester: You Make Me Feel (Mighty Real) http://www.youtube.com/watch?v=oG2ixYJ79iE

You’d be surprised how many college kids aren’t aware of this track. The song used to be utilized as a joke in TV movies or films to wink-nudge at the audience that so and so character, vibe or environment is queer. (No.) Sandra Bernhard reclaimed the beauty of this track in-community by recording her rendition of it, as well as performing a shelarious routine declaring her love for Sylvester and coming up in his era. This is a song about freedom and authenticity—and the bass line, riff, and chorus just won’t quit.

Manila Luzon — “Hot Couture” official music video http://www.youtube.com/watch?v=_gdbbHr1d2A

Consider this to be your water break or cool-down song, as it’s a bit more mellow. Sickenly scrumptious hook and lyrics about dressing yourself up in your own love. It’s a delight to watch Manila Luzon (and Mini-Manila Luzon) pay tribute to fashion *as* function and looking fierce doing it. The little storyline involving baby Luzon in the video is a bit of a misty-eyed sitch, and it’s something they didn’t have to add to a song that’s focused on fashion. Love. It.

Madonna – Don’t Stop (Smegster Remix) http://www.youtube.com/watch?v=1VSZIVCJ5ow

From all reports and regardless of past bisexual dalliances, Madonna is “Madonna-Sexual” and Super-Ego-centric–she’s been both loving and loathsome to queer folks including for whatever reasons, her out gay brother (sigh). Still, she’s family and her work keeps the emphasis on the “fun” part of dysfunctional (maybe not so much lately?). Anyway—in itself, “Don’t Stop” from “Bedtime Stories” is anthemic, but needs a little HI-NRG to keep your BPMs and heart rate up and healthy. We aim to please, so here you go. Can’t call this track a “refix,” as the original’s pretty damn delicious.

Hilary Duff – With Love (Rhv Vs. Dave Aude Club Mix) http://www.youtube.com/watch?v=XZJE_xSC9pc

Hillary Duff’s kept a pretty even keel and steered clear of cray cray ex-child star drama. (No drag queen harassment or trolling tweets in sight). In fact, Ms. Duff’s set aside some “sweet time” to create some Think Before You Speak gay-ally PSAs (thanks guuurl).  As for this particular remix, the positive affirmations in the lyrics are undeniable. “Tell me I’m wrong, that I’m coming on way too strong. Don’t think I’ll be crushed. Just do it with love. Love, love, love!” We are divas—do we not bleed? Proceed with caution. Just do it with love.

George Michael – Outside http://www.youtube.com/watch?v=gwZAYdHcDtU Because George made the absolute best out of a terrible arrest, “Outside” makes today’s list. Never one to shy away from social commentary, this song’s about adventure and its subtext flirts with how Michael himself got popped for it. Albeit risky, he certainly went on an “adventure.” This track’s about play in its every connotation, finding the strength to collect yourself and sally forth again and again, and moving your body-body at the party-party.

The Bird and the Bee – Fcking Boyfriend (Peaches remix) http://www.youtube.com/watch?v=tpAcqkX7O0Q

Are you asking him or telling him? Eh, same thing. “When you laid down with me, you never slept that night?” Come on. Poetry. Sheer electro-poetry bliss. Work it out.

Flawless (Go to the City) George Michael & The Ones (Mike’s Ultra Clean Extended Remix) http://www.youtube.com/watch?v=PYcTlot5evY

Shout it with me: “You’ve got to go to the city!”

Call it what you will—a coming out anthem, a runway ready hit for the children, or absolutely flawless. Here’s yet another track with, like, triply-lovely significance. The track was inspired by  a fantastic movie of the same name and it is indeed “Flawless.” The Ones are at the very least exceedingly queer-friendly (what? Like everyone has to present a card at the border? I’m not walkin’ around with a queer-counting clipboard), and George Michael’s “Flawless” is encouraging a dear friend (or perhaps his younger self) to leave a drab humdrum town and get out…for good. “Well you’ve got to think of somethin’, ’cause your job pays you nothing. But you’ve got the things God gave ya, so the music may yet be your savior…you’ve got to go to the city.” The Ones chime in “Like perfection. Like no other. Flawless. Absolutely flawless.” Mmm. Quelle motivational!

If I find out this song’s about Andrew Ridgely I will start crying tears of joy, right there on the elliptical stair-stepper. I swear before Yeezus I will.

Cazwell – Ice Cream Truck (Dee Jay Tatto Club Mix) http://www.youtube.com/watch?v=3Jr3okGlL4A

Brazilian-born and NYC bred, Cazwell is a prolific, hella-experienced rapper-producer, and his label’s got this naughty habit of populating his videos with eyefuls of scantily-clad models. Unheard of! Sure…anyway, the original video is cute, camp and somewhat ironic contraposed with the visual hotness you see here, but his remix amps things up just a notch or two. Qué sabor….

Extra Fun, Funny Goodies, & More Diva Tributes:

RuPaul – Jealous Of My Boogie (Remix) http://www.youtube.com/watch?v=kLemKdmoris

Looking So F*kin’ Good – RuPaul & DJ ShyBoy http://www.youtube.com/watch?v=oBG5R_EJ0SM

Depeche Mode – People are People Remix – http://www.youtube.com/watch?v=Yi5uWsI9G6g

Lady GaGa – Bad Romance (David Guetta Remix) http://www.youtube.com/watch?v=g_OkDzkSuvQ

Latrice Royale & Manila Luzon — The Chop (Official Music Video) http://www.youtube.com/watch?v=UlHzdXFCJ-c

Willam & Rhea Litré in “Let’s Have a KaiKai” http://www.youtube.com/watch?v=rfWeBYd7rkQ

Whitney Houston – It’s Not Right But It’s Okay (Thunderpuss Remix) http://www.youtube.com/watch?v=MSOWUwRFwi0

Scissor Sisters – Filthy / Gorgeous http://www.youtube.com/watch?v=b4RcBZy2jZA

Ru Paul – Workout http://www.youtube.com/watch?v=gUjUF0mFJ9A

XELLE featuring Mimi Imfurst “Queen” Official Music Video http://www.youtube.com/watch?v=PLqW6n29TYE

WERQIN’ GIRL” Music Video by Shangela Laquifa http://www.youtube.com/watch?v=hArTHxRpKmM

Alyssa Edwards : Drop Dead Gorgeous (B. Ames Mix) http://www.youtube.com/watch?v=oOC_VGuc6Sc

Donna Summer – Last Dance (long version) http://www.youtube.com/watch?v=uW-3Hp1EVdQ [Tempo changes at 1:30]

Willow Smith – Whip My Hair http://www.youtube.com/watch?v=ymKLymvwD2U

Stardust Vs Madonna – Dance & Sing / Music Sounds Better With You Mashup (White Label Mix) http://www.youtube.com/watch?v=xVZrCWNT-yA

Sahara Davenport (with Gomi)– Go Off (Official Video) http://www.youtube.com/watch?v=KziZUnSYRRA

The Ones – Flawless Video http://www.youtube.com/watch?v=O_e5oYqNRSM

“Perfection.”

George Michael – (Funny and funky) Go to the City Video http://www.youtube.com/watch?v=QgGDcn46aW8

“’Cause you’re beautiful. Like no other.”

~

Listen / work out to all these songs at once by clicking this playlist link.

http://www.youtube.com/playlist?list=PLBRcoGrPV–Zi5KoEOayB2350hHLdyxZR

 

Enough cardio for now, but we’ll bring you more. There will always be more.

Fave workout selections, anyone? (Heteronormative tracks, albums and playlists welcome.)

Men At Twerk Are NSFW: Big Freedia, Drag DJs and Men In Queer Culture — Are they Putting Miley Cyrus to Shame?

“Miley Cyrus’ twerk-filled performance at this year’s MTV Video Music Awards has become the most discussed, polarizing few minutes in a show that saw an ‘N Sync reunion and silhouetted Kanye West singing “Blood on the Leaves”. More than one think piece has accused Cyrus of appropriating and exploiting black culture for her own benefit at the detriment of its pioneers [like Big Freedia].”

                                                                                          – Jason Newman for Fuse.TV

On The #MileyTwerk Controversy and Queer Black Culture

“I’m a singer. I’m not a twerker, I’m not a rapper. I’m a singer…. I really can sing. And you know I can twerk—watch my videos. So there.” – Singer/Pop Artist Miley Cyrus 

[Note: In principle and practice, many of the clips and links below are NSFW. Not. Safe. For. Work. Surf with caution. Some of the content doesn’t prepare you for this fact pre-launch.]

Feminists are not having it.

Kids in San Diego are getting in trouble—like “suspended” in trouble.

Hannity and Limbaugh are hornswoggled, all about this “shocking new twerking thing.” The word “twerk” has made it into the dictionary. Women are even twerking in church…on camera.

But y’all know twerking is nothing new. By now, you’ve likely traced its roots back to Africa’s diaspora, strip club feasts of fancy or your garden variety YouTube/Vine video. Let’s just say it’s familiar.

Twerking’s “a new thing” for Miley Cyrus to do in public (not counting press campaigns planned far in advance of any twerk attempts), so therefore it is “news.” Girlfriend is owning it as-is—so by now ya gotta know, it is Miley’s full intention is to twerk poorly and call attention to the fact that there’s not all too much junk in her trunk.

Ms. Miley ain’t out to win twerk-a-thon championships, and nothing that a Disney grad does—one who’s still on top—is accidental.

Now that that’s out of the way: folks can’t tell what they find most offensive about Miley’s runaway bootie: her lack of hip gyrations, her cultural appropriation, using African American folks as props alongside teddy bears, or her choice to milk every last drop of so-called shock value from ratchet living ’til it’s dry.

MC’s camp is well aware that the so-called American TV demographic isn’t ready for a real-deal twerk. Why would she practice twerking aiming to make that look authentic when it wouldn’t get on the air for the world to see? (Let the “people props” get closer to that.)

As for cultural appropriation, using people as props et al—this is nothing men (and/or Madonna!) haven’t done for decades in the entertainment industry—does that make it okay?

While ratchet/twerking music and culture’s aimed at dancing and partying all night (among, ahem, other ideas), twerking draws upon elements of queer culture. We are everywhere, so why would this not be the case?

LGBTQ folks find Miley’s new-found popularity scenario to be familiar: she’s shining in the spotlight, riding the wave of a cultural trend that’s been around in this form for at least 20 years. When such a trend makes its way to heteronormative culture and is performed by (at least more) heteronormative superstars, it’s salacious, sexy and provocative. “Controversial.” When it’s performed by LGBTQ folks in-community, people are confounded and disgusted. Granted, “disgust” is a subtextual form of interest and arousal, but most folks don’t take much time to process through that appropriately.

Too, to hear Huffpost/AOL tell it, their #MenAtTwerk compilation is one of America’s funniest home videos. As it’s taken out of context, that’s one viewpoint—but because of the platform and audience Huffpost has, such a viewpoint leaves room for much misinterpretation. In-culture, the #MenAtTwerk bootie-clap collage could be considered to be hot, fierce, authentic, queer-inclusive and/or funny at the very least. Not just “funny.”

Back in February, RuPaul and Big Freedia released the hypnotic video and single “Peanut Butter” (http://www.youtube.com/watch?v=LFoRH-VtFO4) flanked by raw, hot models and dancers (courtesy of Chi Chi LaRue and Big Freedia), and a whole…lotta…arse. (The title of the track is “Peanut Butter,” so no surprises there). This underground club banger’s selling well and re-popularized twerking in-culture in a way that Miley still has yet to understand. Ru and Freedia are internationally famous pop stars too—you just don’t hear about them in the press every…other…second on every other channel.

‘Bout That Actual Life: On Actually Fierce Twerk Game

“I haven’t really seen one bad comment about my twerk video,” she said, then added jokingly, “This is the first thing! All right, I can’t sing, I can’t act, I’m dumb, I’m a hillbilly, but I can twerk, so whatever!” – Miley Cyrus

What did not get as much mainstream press time in this latest cultural case study? Rap Artist-Musician Big Freedia, killin’ it with a jaw dropping set at the Afro-Punk Festival, which took place on the same day as the VMAs did, in the same city and cultural mecca (Brooklyn).

Still, Rap Artist-Musician Big Freedia’s mic is on. People are watching, listening and learning. Big Freedia isn’t any fly-by-night dilettante or hobbyist. This artist is the real, live deal—she’s been all up in Bounce culture and then some since 1999. While promoting her new FUSE show Big Freedia: Queen of Bounce (http://www.fuse.tv/shows/big-freedia), she’s making her voice heard, sharing her reflections about the repeated #MileyTwerk spectacle.

While she’s honest about leveraging this strange, emerging opportunity, Big Freedia minces no words: twerking has been screwed and chopped by mainstream culture, and someone from within the culture itself needs to set the record straight.

Sissy Bounce is here, it’s queer, and it’s always been with us.

Reigning Sissy Bounce Queen Diva: Big Freedia Takes New Orleans Bounce to the World Stage

In Her Own Words

“… It’s offensive to black culture and black women who’ve been twerking for years. Every time we do something, people want to snatch it and run with it and put their name on it. And they still don’t even have the moves down yet. Just get me and Miley together so I could give her ass some lessons.” – Big Freedia, on Miley Twerk-A-Mania

Big Freedia doesn’t just make Bounce music—she makes Sissy Bounce music.

She had plenty to share regarding Miley’s twerk-storm. From a recent interview with Fuse TV (http://www.fuse.tv/2013/08/big-freedia-miley-cyrus-twerk), here are a few thoughts Big Freedia shared with her audience:

…. she was trying to twerk. For one thing, we have a dance in bounce music called ‘exercising’ where you just open your legs and shake your butt a little bit from side to side… but she still didn’t even get that right because she didn’t have any butt control. She needs more practice.”

When you have my dancers, they’re professionals. They’re from New Orleans and know what they’re doing . When they started dancing, it was original twerking. Miley’s dancers were prop dancers. None of them were professional dancers.”

They could’ve used girls from New Orleans, even if they were not black, who knew what they’re doing. They’re just using anybody possible just to get that buzz since twerking is hot now. I’m still trying to wrap my head around this, though. I knew the twerking thing was really taking off, but I didn’t know it would blow up like this.”

FUSE asked,Going back to Miley, let’s say you were the choreographer and saw her performance as a dress rehearsal. What specific tips would you have given her?”

Big Freedia responded, “Don’t do it.”

Big Freedia also told Colorlines.com she plans to release a response track called “Twerk It,” which “explores the roots of twerk vocabulary.”

Twerk Couture: Bad Girls Twerking Badly Still Puts Twerking On the Map

You can’t really explain [twerking],” Miley said. “It’s something that comes naturally…It’s a lot of booty action…. I’ve been practicing probably for the past two years, in my own time in my living room.” – Miley Cyrus, to E Online

This is an achy-breaky trend that will not die, and Miley isn’t even attempting to backpedal her way out of it. She is riding it for all it is worth to her—and she’s not in this twerk game alone. She of course has handlers and press people. In her mind (from all press interview accounts), Miley really is just chilling with her friends and doing what she loves.

It’s A Feminist/Black/Queer Thing: Miley Isn’t Here to Make It Rain.

On Channeling Nothing

RT @MileyCyrus “Mile, if twerkintwerkin woulda been invented…. And I had a foam finger…. I woulda done the same thang you did.” – DAD

If you watch Miley Cyrus’ “We Can’t Stop” video or even Robin Thicke’s “Blurred Lines,” the point of the shimmery video spectacle is not about making sure celebs and models are “dancing well.”It’s all about the performative pantomime. Again, we already know this yummy aesthetic quite well: Andrew Christian and Chi Chi LaRue’s underwear ad campaigns alone take bootie-shaking to beatific heights, masterfully conjoining commerce, spectacle and eroticism. – http://www.youtube.com/watch?v=I8S94OlPt7o.

Don’t let Miley’s twerk game fool you: titillation sells, and you can always take that to the bank. Twerk is another set of clothes for Ms. Cyrus. Miley’s still got time for high fashion photo shoots with Terry Richardson and has covered V, Cosmo, Harper’s, Elle UK and counting in recent memory. Those magazines don’t (yet) encourage ratchet couture spreads, and this twerking thing is but another momentary fashion prop for some.

Too, engaged to a man or not, Miley is gay-friendly and (many say) a queer lass indeed. Playing at queering culture isn’t something that can be shut on and off. Cyrus makes a proactive point to remind her fans about this, and the We Can’t Stop video is all about playing at bi-chic tropes and omnisexual aesthetics that may or may not keep happening when cameras stop rolling.

In terms of controversy and criticism goes, Miley takes it all in stride. Trained to deal with the public from a very early age (at least years old), she and her handlers know how to keep people talking and to take “faux rebellion” nowhere near the bleeding edge of real rebelliousness.

As for the pop star’s heiney? Here we have the good ol’ “Goodie I still get to look trick:” you criticize a woman for shakin’ what her momma gave her, telling your partner, the press, your friends, “Oooh! This is just scandalous!” All the while, you’re never taking your eyes off her bum and assorted hijinx. Scandalous attention is still attention.

We Can’t Stop Miley Cyrus. We Won’t Stop Miley Cyrus.

Cyrus’ only responses to criticism have moved along two main streams of thought.

Here’s one: when criticized for her unicorn onesie twerk video, Cyrus essentially said [paraphrased] “J. Dash is happy…no one heard of his song “Wop” before I did that.” And two: when hip hop legends such as Jay Z shout her out in their rhymes and in the press, people tell Miley he’s dissing her. Her responses?

RT @MileyCyrus Somewhere in America a Jay Z song is onnnnnn

RT @MileyCyrus That’s a win win forrrrrr me.

RT @MileyCyrus Call it what you want. But I don’t see Mr. Carter shoutin any of you bitches out. #twerkmileytwerk

And Jay Z agrees.

Miley is still working with (and yes, twerking with) Snoop Lion (aka Snoop Dogg), Odd Future, Ludacris, Big Sean, Pharrell, Juicy J, Nelly and many other rap artists du jour. The Yin Yang Twins wrote a stripper pole-ready song about her tush and twerking it. (http://www.youtube.com/watch?v=Q-UXJO-iydM)

The verdict is in: Miley is “right” on all accounts.

Shameless Plugs

Speaking of accounts, Miley’s still posting pictures of her bootie @MileyCyrus, and you can keep up with Big Freedia’s latest pics and posts @Bigfreedia.

So let’s get a move-on #MCTWERKTEAM…. Assume the #MileyTwerk position and represent.

“Big Freedia: Queen of Bounce” debuts Wednesday, October 2 at 11/10C on Fuse TV and you can buy her album “Queen of Bounce” on iTunes by clicking here (http://www.bigfreedia.com).

You can learn (and dance!) more by watching the documentary “Big Freedia The Queen Diva” here: http://www.youtube.com/watch?v=O0yrp3nsvAs

You know Miley’s on top of the promo gig too: according to Miley’s Twitter TL, you can of course pre-order #Bangers / Wrecking Ball on iTunes here: (https://itunes.apple.com/us/album/wrecking-ball/id691238659?i=691239109).

Now Playing – Big Freedia – Y’all Get Back Now

Because she is royalty, let’s give the Diva the last word. Big Freedia recently told the Daily News:

Twerking—and it’s a lot more than twerking—comes from a long history of music and dance in New Orleans. Twerkin’ happen around the world for a long time now, so I’m very excited that it’s coming into the public eye, as long as it’s respected.”

We could say more on the matter and likely will.

But wouldn’t you rather be dancin’ and watchin’ all up on this anyway? Let’s free you up to do that. And let’s keep it real: how many times have you had to switch to your “kitty pics” screen-saver so you wouldn’t get caught watching “Peanut Butter” on loop? Oh—that was just us? Oh, okay. Right.

 

“One of Us?” Not As Much…On Fatboy Slim’s Queer Behavior

“The most ironic thing is that most of what we do was invented by black, gay Americans in the first place.”

– Fatboy Slim, on EDM / House Music

Fatboy Slim: Queer…or Just European?

Norman Cook (aka Fatboy Slim) is not one to dither around or dilly-dally when it comes to sonic expansiveness and creative perception. While serving as producer, writer or DJ, Fatboy “Jack-of-All-Genres” Slim happily bounces from genre to genre to suit each new mood, project or opportunity. His range of landscapes at-play include Independent Pop, British Hip Hop and House, Big Beat and Dance music, naturally.

Born Quentin Cook, this UK underground boy gone massive came from punk rock beginnings and scruffy indie aesthetics before heading away to college in Brighton, then segueing into club and DJ culture.

Cook enjoyed a brief stint as the bassist for UK alt-pop outfit The Housemartins and experienced his first dash of fame during the band’s “Happy Hour” phase. Soon enough, Cook worked his way back to clubbing and DJ’ing, finally gaining a critical mass of attention and fans with his production and mashup skills, and eventually coming into his own with the fame and success of the hypnotic tracks “Praise You” and “The Rockafeller Skank.”

Some lads hear it more than others, but the “Is He Gay or Just European?” trope prevails in a culture where a metrosexual is a term the British media coined to describe a distinctly European look, sensibility and sexual fluidity (often but not always attached to disposable income and class). Such themes include but are not limited to: effeminate fashion, unisex/asexual presentation and (ahem) sexual experimentation or fluidity. The fact that all metrosexual men are “straight” is of course hogwash. Too–more and more, youth culture refuses to “pick a team” or define themselves by any label whatsoever.

So now, we have the news that Fatboy Slim is a regular Pride entertainer, a staunch LGBTQ advocate, and has ‘experimented with’ men sexually.

If you’d hear it from Cook himself, it’s N.B.D., but perhaps of some interest: back in 2004, Fatboy Slim told the press, “Well, everyone’s had one try-out experience, haven’t they?”

On his relationship with wife Zoe Bell, Fatboy Slim went on, “Me and Zoe have always been convinced [our son is] gay anyway.”

The fact that such goings on were mostly laughed off and minimized typifies the sexual fluidity that is our shared human experience. In less of a “bi-chic” moment and more of a “yeah, that happened” moment, Cook’s language wasn’t quite politically correct but his sentiment speaks to a nonchalance that reveals how natural and fluid sexuality is.

Is this something we can or should ignore?

Being that Fatboy Slim’s son’s still of a tender age, Cook may be keeping laser-point specifics of his son’s life private and deflecting the concept of queering personal life or relationships. However last year, Cook told Pink News UK his that supporting equal marriage is a ‘no brainer’ and revealed, “I talk about the issue with my son.”

Cook, who’s done much education and advocacy work for local young artists in his hometown, once performed at the Terrace Bar of the House of Commons to support even more community-based music initiatives for youth. By having done so, could he be, however subconsciously, helping to open the minds of UK lawmakers to queer culture, sexually fluid living and LGBTQ art and iconography?

Time will tell.

Meanwhile, are Fatboy Slim’s remarks about his own ‘sexual experimentation’ dismissive…or “normal?”

In essence, you cannot un-queer yourself, culturally or sexually. What’s definitive here is that Cook is decidedly an ally. And for the time being, the rest is none of our “B.I.-IZ-NESS.”

Have a nosh on the concept while you nod your head to Fatboy Slim’s video, “Weapon of Choice” feat. Christopher Walken.  (Yes, Hunty’s: come back and share your thoughts with us after the jump-off.)

 

 

“Moscow Is Not Sodom:” Valeriya, Russia’s Madonna, Worries About Gay Propaganda

| “ RT @BBCNewsnight: Russian Singer Valeriya Perfilova says she worries about..influence of ‘gay propaganda’ on her children #newsnight ” |

Don’t Tell Me.” I Won’t Ask You.

Gay? Out? Don’t tell Valeriya about it. The living, thriving spirit of Pussy Riot continues to push the dialogue forward and keep LGBTQIA rights, allies’ rights and progressive activism in the planet’s consciousness.

In what’s being called a new gay holocaust, Russia’s resurgence of anti-gay sentiment (including myriad anti-gay/anti-ally/anti-activism laws) continues to change hands and to be bandied about by various talking heads. The revolving door of anti-gay rhetoric moves from the streets to the legislature to celebrity mouthpieces and back again.

One of the more prominent voices fearful of “gay propaganda” is Valeriya Perfilova, considered by many to be Russia’s version of Madonna. The singer directly benefits from (but does not publicly acknowledge) the love of her LGBTQ fans.

 

Using the Word “Propaganda” As Propaganda

Having sold over 100 million records worldwide, Perfilova is mainly known by her one-name moniker (see: Cher, Madonna) Valeriya. In her press materials, she appropriates much of Madonna’s heat, style and vibe—but somehow, she manages to kick the gay-friendly part of Madonnaisms to the curb. This is particularly unfortunate, as the singer’s a domestic abuse survivor and her body of work does much to buoy the spirits of female abuse survivors (all the while redirecting abusive behaviors toward another culture).

In a June 2013 broadcast with BBC Newsnight’s Jeremy Paxman and Russian gay activist Anton Krasovsky, Valeriya championed a “Don’t Ask, Don’t Tell-esque” viewpoint, towing the party line that LGBTQ persons should not be seen or heard as such.

Regarding Russia’s anti-gay legislation, Valeriya began:

“It was funny to me, because it’s nothing to do with politics. Being the mother of three children, I approve this [anti-gay] bill… I don’t want to meddle with other people’s lives. I don’t care what they do behind their doors. But I do care about my children’s bringing up [i.e. upbringing]…. The vast majority of people in Russia, 88 percent of people, support the ban of homosexuality propaganda. That’s a fact. And this bill responds to people’s demand. That’s all.”

 

L.W.Q: Living While Queer & Beingness As Illegal

Here’s a bit of a backgrounder: in January of this year, former Russian TV journalist and presenter Anton Krasovsky came out on Russian television and was fired immediately thereafter.

Now, back to Newsnight—during the BBC television broadcast, Krasovsky brought forth the idea—and his lived experience—that essentially now in Russia, it’s illegal to be gay.

Holding back uncomfortable laughter, Krasovsky couldn’t hold back the irony of the situation:

“I’m glad that that situation is funny for Valeriya,” he responded. “But it’s not fun for me. I think it’s against me. Against my family. Against all gay people in Russia…. From today, I cannot say that I’m gay and I’m the same human being…like all of you. From today, I’ll have to pay for this. From a hundred to two-thousand pounds. Because these words could be taken as propaganda.”

The beingness of gay life, being LGBTQ, being a questioning soul, being LGBTQ and out, or even advocating for those who are—in Krasovsky’s experience and in his own words, now this is a crime in and of itself, no matter what one does or does not do. It’s about the beingness now. Beyond being a thought-crime, this is L.W.Q. “living while queer.”

Illegal.

 

Some of My Best Friends Are Gay…

Ironies continue to prevail. In 2008, Valeriya became a goodwill envoy for the Russian Federation on behalf of the International Organization for Migration (IOM), an agency to combat human trafficking. She’s been bequeathed with honors and endorsement deals from Avon, from a custom perfumier, from MuzTV and MTV Russia. She was awarded the title of “Honoured Artiste of Russia” by Putin, and has been cited by Forbes magazine as one of the 50 most highly-paid people in movie, sport, literature and music.

All this to say her platform and audience is immense, and the Russian government is using her star power to their full advantage.

During Newsnight Valeriya continued, “I have a lot of friends who belong to gay society, and they do not support their unisexual marriages. They would never take part in gay parades. They’re just normal people. They do their business…. are still working on TV, the media. I don’t know why it happened to you [Anton].”

But of course, the “friends” are not out—or as Anton Krasovsky put it, they are not “open gays.”

To watch the full video, visit the YouTube link below.

BBC News – What gay ‘propaganda’ vote tells us about Russia Today:

http://www.youtube.com/watch?v=z-KfROu8AaU

Connect with Anton Krasovsky at @krasovkin and share your thoughts with BBC Newsnight @BBCNewsnight.

 

Cowboys Are Secretly Fond of Each Other:” Singing Gay Cowboys and The Wild, Wild West

This Cowboy Ain’t Found the Right Woman Yet

“John Wayne and Will Rogers, they made real cowboy movies. They portrayed us like we are. There ain’t no queer in cowboy and I don’t care for anyone suggesting there is.”

– (Heterosexual) Rancher Dave Miller, to The Telegraph

When we think of “the cowboy,” we envision Old West or the Wild Wild West. “Rugged America.” Ranch Hand Nobility. Tobacco-Stained Chivalry. Guys who were tough, but fair. We think of heroes. We think of—well—men’s men.

In the States, Gene Autry and Roy Rogers became popular studio-cowpokes, wearing white hats and sweetly singing nostalgic, lonesome songs, wailing to the desert sky in a series of B-movies from the 30s and 40s. “Happy Trails,” anyone? “‘Until we meet again?”

Even Good ol’ John Wayne sang a rare cowboy song, playing the role of Singin’ Sandy Saunders (“Riders of Destiny,” 1933). Somehow, singing cowboys were not seen as effeminate—just dreamy. The trope became popular and took hold worldwide. So much so, inspired Italian/European directors began recruiting American actors to film their own “spaghetti westerns” overseas.

All this is to say that it’s hard to separate the engrained stereotypes from the reality that carries through to this day, and once established, tropes, metaphors and stereotypes therein can leave lasting impressions in others’ minds about how they think things were versus how they truly are. Masculinity, when contextualized in the world of cowboys, incorporates entirely new meanings when you include LGBTQ experience in the mix—this includes modern-day trans* men and women who, living in rural areas and on farmland (or close to it) embrace rodeo/cowboy culture and lifestyle.

“There have been gay cowboys for as long as there have been gay people…. It’s always been a part of the Western frontier lifestyle that wasn’t talked about. It was just there.”

– Brian Helander, for the International Gay Rodeo Association

As for cowboys, the most often looked-to idea in the Old West, the lyrical romanticism of Ang Lee’s brilliantly crafted film “Brokeback Mountain,” begin to build a bridge to speak to LGBTQ desert/rural/migratory experiences, but that too veered toward the tragic, therefore dropping one stereotype to pick up another (gay romance and agreed-upon rules in relationships don’t always have to end in tears).

Interestingly enough, world-famous country musician Willie Nelson’s soundtrack work on Lee’s film (“He Was a Friend of Mine”) and his cover of “Cowboys Are Frequently, Secretly Fond of Each Other” (the first LGBT-focused mainstream country song by a major label artist) brought the idea back into our consciousness beyond the Gay Rodeo circuit.

Gay Rodeo culture represents our (still) unsung heroes: the underground men and women athletes and community made up of the unofficial historians who’ve always cherished this way of life, and who’ve shared it for generations.

Cowboys Never Kiss And Tell

“I’m…a heterosexual guy without any apparent sexual hang-ups. I say that so you know where I stand. Gay people don’t scare me. They don’t repulse me. And they sure as hell don’t offend me. I know that there are gay athletes. There were gay cowboys…. Greeks took homosexuality to whole new levels, as do some Middle Eastern cultures…. Homosexuality is not new, it is not strange. It is also not going away. So why the fear and backlash over a movie? Easy. Men are cowards. They are also more confused and uptight than they should be.”

– Doug Brunell, for “Film Threat”

“There is a fair amount of sexual contact among the older males in western rural areas.”

-Alfred Kinsey, from a 1948 sexuality study

Picture gay cowboys—or even lesbian nuns—having more than a platonic relationship. Do the words “know duh” come to mind? Not when it comes to cultural constructs, facades and fears. In a world so tethered to binary/compartmentalized thinking, it can be challenging to look back retroactively and tease out more accurate versions of the truth.

Of course not all man-man and woman-woman situations are queer-only. Neither are they heteronormative only. Such is the case many historians make, and oftentimes we need pictures and additional documented evidence to firmly believe in the truth of it, even for ourselves. And we need to see and experience not only one image or piece of evidence, but several. It still seems somewhat otherworldly. Unbelievable. As we begin to hear the stories and to bear witness, then the truth begins to unfold itself to us so that we can accept to be true in our souls.

In These Here Cowboying Circles:” No More Secrets

Geographically, the Old West is image and ideation most often dreamed of and seen. But of course, cowboys and gals rode the open range and worked on ranches from California to Montana and beyond.

More and more urban cowboys and cowgirls as well as out gay country stars help to modernize our imagery and understanding. They continue to sing, share, reveal our stories, letting those of us who are in-community write and experience our own narratives.

Just as we (LGBTQIA persons) are everywhere, so are cowboys and cowgirls who are “especially fond of one another.” Euphemisms are still used for literal survival (to avoid violence or shame-based thinking or incidents). Small-town gay and lesbian bars, any cow-town dance-halls in remote or rural areas, community centers near sprawling green pastures and wide open spaces, that’s where folks folks reside. So, that’s where love, lust and all good things in between will reside. So of course, that’s where queer cowboys work and play, and reside.

Coming full circle: just a handful of years ago, the Autry Cowboy Museum took an in-depth look at gay and trans* cowboy culture via their Out West exhibit. They continue to study queer culture and to blog about it. (See: http://blog.theautry.org/tag/brokeback-mountain)

To check out a gay cowboy movie in a post-Brokeback world, click on over to watch the Rom-Com “Adam and Steve” (featuring Parker Posey, no less!) and have a laugh on us. http://www.youtube.com/watch?v=970IMbt9JkE

And to you queer theory and gay film elitists out there, sheep herders (Jack and Ennis from “Brokeback”) can also be called cowboys. Did you follow them around all day and night? Did you pay their well-earned wages? We thought not.

A “Brokeback Mountain” opera will premiere in 2014. Even if you’re not into opera, aren’t you curious?

 

 

The Power of the P: Pink Wants to Tell You “The Truth About Love”

“When I first moved to Los Angeles, I was an honorary lesbian of Los Angeles…. I wasn’t gay, but all my girlfriends were…. That wasn’t my truth, and I like truth. I like absolute truth.”

– Pink, to “The Advocate” magazine.

If calling someone a “lesbian” is a cutting remark, apparently “P!nk’s” only response would be, “Thank you kindly. Enchanté…and to you as well, Sir…”

We kid, we kid—but if you’ve kept up with any of Pink’s latest goings on, you’ve likely seen the repeated headlines residing on each blog and online version of print magazines, “Pink doesn’t care if you call her a lesbian.” Or, “Pink thinks being called a lesbian is a compliment.”

Earlier this month during the Australian leg of her “Truth About Love Tour,” Pink danced in concert with a gay pride rainbow flag, helped a lesbian couple propose (wifey said “Yes!”), and got called out in social media for doing so, by being called a (gasp!) lesbian.

Though the mystery Tweet or share has yet to be rooted out, it’s kinda cool and rewarding to see a rock star make such a non-issue out of the incident. Too, divas usually big-up the gay boys in their atmosphere, which is lovely and deserved, it’s just nice to hear about the girl-girl posse every now and again, and to hear it lesbian pride voice without shame, apology, caveat, footnote or disclaimer.

We need to see more of that—it’s a nice beginning, and it gets people talking. However, more than likely, if someone mistook her for a woman-loving-woman, they would probably call her something more along the lines of “dyke,” “klondike,” or a few other choice words, many of which aren’t most ideal to reclaim or reprint.

We’re sure you know the scenario very well: short ‘do, spiky multicolored hair, handsome face, wiry build. Husky voice, punker’s sneer, eclectic tastes in music, friends and experience. So she’s gotta be a “dyke,” right?

“I’ve had a lot of my gay boys around, but my gay girls are my rootstalk,” the “So What” singer’s told the press previously. “They’re my honesty in an ocean of bulls**t. I should be gay by the way that I look and the way that I am. I just happen to not be. But it just makes perfect and complete sense.”

Married to lifestyle entrepreneur and ex-extreme sports racer Carey Hart (who’s also the father of their child Willow), Pink fired back her sentiments to haters, trolls and spammers in the Twitter-sphere as follows:

@Pink 4 Aug Fun fact: when you twitter me and say “you’re a lesbian” it really doesn’t bother me at all. It’s a compliment. Most of my fav ppl are, so…

@Pink 4 Aug I’m sure all of you hate filled humans can come up with something a little worse than that?!? Come on- be creative. You have 140 characters!

And about that lesbian wedding proposal? Here’s what Pink told her fans:

‏@Pink 7 Aug Lets see… Tonight I proposed for someone in the audience and she said yes… And then I sent a woman into labor! Great night! #sydney

You can see that sweet proposal at YouTube by clicking here: http://www.youtube.com/watch?v=KnsKcJDPGz0&feature=player_embedded – Fellow romantics: prepare to coo, melt and #Squee.

After all that tweetery, Pink then went right on about her business, tweeting and re-tweeting pics and punky-lovey-dovey exchanges with her hubby, essentially moving on with her life.

This “mistaken for a lesbian” concept isn’t new to Pink or anyone who looks like her. The way she handled it in the press was more than a little encouraging. Rather than laugh it off or even attack back, she simply made the whole idea in its entirety a punchline.

Hello Haters: Linda Perry Is Pink’s Co-Writer! Did You Want A Grammy For Your Song Too?

Calling someone “a lesbian” is akin to calling someone “fat,” “skinny,” “blue-eyed” or “brown-eyed.” It’s simply a trait. So of course, the so-called pejorative meaning is a joke in and of itself.

In all seriousness, ignorance is butt of the joke—queer culture isn’t the joke—and neither is Pink.

Boom! Roasted.

Good lookin’ out, Alecia.

Here’s pink wearing a gay pride flag, and oh! P.S., also singing her heiney off. http://www.youtube.com/watch?v=ia60TuJaiHM

What are some of your favorite comebacks to the  Beavis and Butthead-esque“ Uh-huh…heh, hey. Uh, yeah. You’re gay…” types of comments?

“Smexy Times” for Summer Lovers: A Playlist for Women-Loving Women

Pride events are still popping off all around the world—no doubt your iTunes playlist is filled to brimming, but there’s always room for one more great song, yes?

You could rock this playlist on the ride to Pride, use it to woo that office cutie you’ve had your eye on, make a little old school digital mixtape for your Honey, or keep them in your arsenal for that special someone on that next “smexy” night together.

Ready? Let’s go!

Love Songs for Lesbians

– MeShell Ndegeocello “Let Me Have You” – As a standout track from the movie “How Stella Got Her Groove Back,” home girl’s heart is hurting, her mind is racing, and she just wants a little loving. Your loving. “You’re the only one,” she coos with all the swagger of a rapper. Only she ain’t rappin’, she is singing, wooing, and wanting. Highly recommended for the romantic studs in the bunch who aren’t “too grown to cry,” and “ain’t too proud to beg.”

– The Ditty Bops – When’s She Coming Home –  Delightfully “twee,” charming and delicious, real-life couple and dynamic duo The Ditty Bops deliver sweetness and light on this particular track. Guitars strum melodically as they sing in tandem, “Afraid of the time on my hands…without her, I don’t have a plan.” Bonus for lesbian roomies hung up and crushing out on a roommate or friend, finally wanting to take things to the next level.

– Lady Gaga – “So Happy I Could Die” –  It’s debatable: some folks think this song is about Lady Gaga, referring to one of her many alter egos. And the point is…? Women who love women are a walking metaphor. As for this cut, Gaga goes all Euro-Electro (duh), swooning, “I love that lavender blonde…the way she moves, the way she walks…just give up, Baby. Open up your heart and your mind to me.”

– Peaches – “Boys Wanna Be Her.” –  Play it cool: act like you don’t care. You’re a rock star, right? So you don’t care. “Boys Wanna Be Her” is about you, isn’t it? Yup—that’s what we thought. This song’s full-on glam rock. With an easy, anthemic chorus and knife-edge vocals, “The way you rock nonstop, girl you got the chops…”  see there? You’ll get your lady dancing, you’re moving along in time, you start a mosh pit, party of two…and the rest is up to the both of you. Godspeed.

The Strap Step by The Lost Bois   – Totally NSFW lyrics regarding…well look at the title and make your guesses. This is an advanced track—let’s just say it’s not a first date selection. Strictly for adults only—you feel us? Side tangent, the Lost Bois’ flow on this track is amazing, and they’re not afraid to have a little giggle along the way (chicks dig humor!). Fully confident, fully queer, a tad bit cheeky, ultimately hot.

Namoli Brennet – Stars  – Dreamy, romantic bliss. “Maybe you were somebody’s unfinished symphony,” Namoli sings, pensive and endearing. “What if we, what if we are stars?” Nice pre-party or after-party track. Heck, just take it to the cocktail party. Gorgeous lyrics—Namoli always delivers as much. So chill. Just hold her hand, Mama. Let’s contemplate all this.

Ani Di Franco – Sunday Morning – This song’s vibe streams through mindscapes of a loving couple so very familiar with one another—but still able to appreciate life’s quirks and love’s gifts. She sings it to a lover departed, but it’s tricky, because she sings it in the present tense. Isn’t that always the way? | “Sunday morning, you’re doing your thing, and I am doing mine,” she sings so kindly. “Speaking words more a formality, ’cause we can feel we are of one mind. Sunday morning, sheets still warm and kitty’s swarming ’round our feet. Life comes easy. Your sweet company making it so complete.”Loving this: blast this track on a Sunday Morning and your Love will be so pleasantly surprised.

There you have it—it’s a start, anyhow. To hear all the songs on this playlist, visit this link.

Surely this playlist—with an emphasis on “play”—-is not yet complete. What’s missing? Let a sister know.

Success Fit For a Queen: Queen Latifah’s New Talk Show & LGBT-Ally Strides

RT ‏@FlavorUnitEnt | Are you ready?? “@IAMQUEENLATIFAH-“I really think there’s space in daytime TV for a whole bunch of fun, some amazing music, and some heart.”

– A recent tweet from Queen Latifah’s promotions crew

When Queen Latifah walks, she’s always walking on the red carpet. Cheerful, elegant and reflective, she can also turn on a Hip Hop Head “mean mug” glance in a heartbeat. She’s a strong, gorgeous, proud—and many say Same Gender Loving—woman of color making great moves in this world.

Queen Latifah’s been spotted out and about over time with  rumored girlfriends (http://www.eurweb.com/2012/05/queen-latifah-lesbian-girlfriend-photo-galler), is often noticed partying in lesbian clubs, and made her first high-profile public appearance at last year’s  Long Beach Pride (http://www.huffingtonpost.com/2012/06/04/queen-latifah-did-not-come-out-pride_n_1529566.html).

She’s making the press rounds to share fantastic professional news: “The Queen’s” new daytime TV talk show will begin airing on Sept. 16 and is co-produced by Will and Jada Pinkett Smith, who recently made headlines yet again for their frankness regarding open relationships.

In this world, when you’re an entertainer, news bytes such as these make front page news hand-in-hand. Still, unlike Will and Jada, Queen Latifah isn’t fazed: she’s keeping her personal life out of the spotlight, no matter what we think we know about it.

During a recent press junket, Latifah told THR, “I don’t feel the need to discuss my private life on this show or on any show. There’s the part of my life that the public and I share together. And there’s the part that’s mine to keep for myself. And that’s mine. For me.”

Encouraging self-love, self-acceptance, optimal nutrition (with her Jenny Craig low-pressure “Ideal Size” campaigns), and self-care with a stylish flair, Latifah’s less of a guru and more of a “Can-Do.” (“She did it, I can too.”

One thing’s for sure: her private life is private, and to know there’s an ally in our midst who got her start in Hip Hop (whatever her sexual orientation and preference) and builds a bridge across many cultures in such a way is definitely a good thing.

Find out more about Queen Latifah’s new show how at http://queenlatifah.com, and click here to watch her chat with THR at YouTube. ()

All hail the Queen! Send your congrats and big-ups to Queen Latifah @IAMQUEENLATIFAH.

He Said, She Said, They Sang: The Bi Pride Playlist

Bi Pride (http://gayagenda.com/first-u-s-bisexual-pride-day/) is important to think about, to embrace and to celebrate. Centrally important to the issue of Bi Pride is the need to make oneself visible in a particular way—a way that’s very hard to articulate, and a way that should be celebrated.

So many music artists are granted the leeway to be—at the very least—quietly bi, because selling sex, sexuality and even sexual ambiguity is the name of the game in the entertainment business.

Many music artists and entertainers—among them Ani DiFranco, MeShell Ndegeocello, David Bowie, Margaret Cho and countless others—have helped to write the soundtracks to our lives. Because life is ambiguous and we harbor so many secret (and not so secret!) desires, musical expression provides a pleasurable reflecting pool and point of contact for checking in with every color of our feelings.

That said, here are a few recommended tunes—a playlist created to celebrate the beauty of bisexual culture. The following songs allude to or straight up embrace bisexual culture—though being bi isn’t the same thing as being polyamorous, some of these tunes play with those dynamics and ideas, and/or gender ambiguity.

Listen up to:

Joan Jett (Orig. The Replacements) – Androgynous – http://www.youtube.com/watch?v=6Bs6QT82Tu4

Wale – Bad – http://www.youtube.com/watch?v=0TIIu9CERgI

Common and Kanye West – Go – http://www.youtube.com/watch?v=YCe1gC5VaW4

Ani DiFranco – Shameless – http://www.youtube.com/watch?v=Vjizt4Ixt6E

Prince: If I was Your Girlfriend – (find on iTunes)

Meshell Ndegeocello: Who Is He And What Is He to You – http://www.youtube.com/watch?v=giVuQ0TEi5w

Blur – Girls and Boys – http://www.youtube.com/watch?v=WDswiT87oo8

Girlyman: Young James Dean – http://www.youtube.com/watch?v=ue_ia7Dikq0

Cyndi Lauper: She Bop – http://www.youtube.com/watch?v=KFq4E9XTueY

Lady Gaga: Poker Face – http://www.youtube.com/watch?v=bESGLojNYSo

Meshell: If That’s Your Boyfriend, He Wasn’t Last Night http://www.youtube.com/watch?v=UpdzEpGIqtY

Katy Perry: I Kissed A Girl http://www.youtube.com/watch?v=tAp9BKosZXs

Ani DiFranco: If He Tries Anything – http://www.youtube.com/watch?v=bRBIc6gfzLk

Blue Aeroplanes: You Are Loved – http://www.youtube.com/watch?v=e97y_aBS1Sg

Breaking Benjamin – Polyamrous – http://www.youtube.com/watch?v=fniQYGAzabU

David Bowie –  Rebel Rebel – http://www.youtube.com/watch?v=Sa6bI_95G9I

Want to hear the whole set  in one go? Click here.(http://www.youtube.com/playlist?list=PLBRcoGrPV–bdOqsfNliO5CuBuZJEHkDs)

RuPaul – Free 2 Be – http://www.youtube.com/watch?v=WcvnwGJnq1E

Lady Gaga – Born This Way – http://www.youtube.com/watch?v=wV1FrqwZyKw

Madonna – Sanctuary – http://www.youtube.com/watch?v=67IUheyPQ7w

Surely this playlist is lacking that “one, next perfect song.” Got any suggestions?