Taking Children From Their Homes: Russia Introduces Bill To Remove Gay Parenting Rights

“Waves of protests surrounded Vladimir Putin’s return to power as Russia’s President in March 2012. Since then, parliament has passed so many new laws restricting civil liberties that some people now call it the ‘mad printer.'”

– Amnesty International Wire (Amnesty.org)

Russia’s Civil Liberties Record: Getting Worse and Worse In Word & Deed

“Everything you add to the truth subtracts from the truth.”

                                                                          – Aleksandr Solzhenitsyn

According to the Associated Press, Russian State Duma Deputy Zhuravlev (Putin’s United Russia Party/parliamentary caucus) is introducing a law making “nontraditional sexual orientation” viable grounds to remove child custody for LGBTQ parents.

In the draft bill for this proposed new law, Zhuravlev wrote:

“Following the letter of the law that forbids propaganda of non-traditional sex to minors we must restrict such propaganda not only in mass media but also the family… if one of the child’s parents indulges in sexual contact with persons of the same sex, the damage to the child’s psyche is immense as a mother or father serves as an example for their offspring.”

Additional grounds for denial or revocation of parental custody include alcoholism, drug abuse or any amount or type of drug use deemed inappropriate, which has nothing at all to do with gender, sexual orientation or law-abiding families established in-place, having committed none of these substance-related offenses.

Here we see yet another instance of punishing allies in addition to homosexual persons, as once passed, this bill would affect families and children who aren’t even LGBTQ-identified. Custodial rights could then be revoked if both or either parent were gay (out or not), so if two parents happen to have an understanding in their relationship, share post-divorce custody, etcetera, the parent who happens to be gay can be penalized, or a child can be taken away from one or both parents for any so-called ‘homosexual-affiliated’ reason(s).

As it is already illegal to mention homosexuality around children or to advise or counsel LGBTQ or questioning youth. This recent unfortunate move is thought to be the next step in Russia’s plans to eradicate gay tolerance, inclusiveness or protections altogether for LGBTQ persons, friends, allies or families.

At this point, though the bill is to be debated before it is formally passed, it seems such motions are little more than a formality. Russian lawmakers keep clinging to the through line that their anti-gay motions and laws are being instituted to protect the children, rather than being anti-gay.

Putin has already banned LGBTQ people residing in other countries from adopting Russian children, and as of this writing, the Russian government is also considering reinstating a gay blood donor ban.

Though boycotts and protests are occurring worldwide, even Olympic Committee President Jacques Rogge is throwing his hands up in the air, saying Russia will not change their minds or policies in terms of its anti-gay legislation, and Rogge’s sharing little more on the matter.

Rogge told the press, “…one should not forget that we are staging the games in a sovereign state, and the IOC cannot be expected to have an influence on the sovereign affairs of a country.”

Activists, lawmakers, PR representatives, athletes, spokespeople and officials can make all the claims they want leading up to the Sochi 2014 Winter Olympics, but we won’t know who’ll be arrested or how LGBT people or allies will be treated (both on arrival, during the events and while attempting to leave Russia) until it’s too late.

Many LGBTQ folks (like Johnny Weir) are Russophiles and/or have Russian spouses or partners. Have you been to Russia? Did you love it? If so, how do you feel now that Russian policymakers are passing all of these awful anti-LGBT laws?

 

Randy, Oral Roberts’ Gay Grandson, Says: ‘#ItGetsBetter…and It’s Complicated.’

 

Close-Up – by A. R. Ammons

Are all these stones

yours

I said

and the mountain

pleased

 

but reluctant to

admit my praise could move it much

 

shook a little

and rained a windrow ring of stones

to show

that it was so

 

Stone felled I got

up addled with dust

 

and shook

myself

without much consequence

 

Obviously I said it doesn’t pay

to get too

close up to

greatness

 

and the mountain friendless wept

and said

it couldn’t help

itself

Re-Imagining Religion: “Falling In Love Will Not Send You to Hell.”

                          – Randy Roberts Potts

“All students are required to sign a pledge stating they will live according to the university’s honor code. Prohibited activities include lying, cursing, smoking, drinking, and a range of sexual acts including homosexual behavior and sex outside marriage.”

                                                                   – Excerpt, ORU Student Codes , Oral Roberts University

Wouldn’t you know it: every time the “gay agenda” is reexamined, the “master plan” appears to become more and more normal on the face of it. Because it is.

“The gay agenda” is “the human agenda:” we all want love. Hope. Home. Family. We all desire the same things.

Back in 2010, Oral Roberts’ out, gay grandson Randy Roberts Potts read a letter to his closeted gay Uncle Ronnie (Oral Roberts’ eldest son) and recorded a viral video (http://www.youtube.com/watch?v=KYa0wi4XzeI) to honor Ronnie’s life, as unfortunately, his uncle had already passed away when Randy was just a kid (in June of 1982).

Randy’s irrepressible spirit remains to alchemize life’s tests and turn them into life’s testimonies.

In the video, after 2:38 minutes of silence (during which time we see the handwritten letter for his uncle), Potts reads a revelatory poem entitled “Close-Up” written by A. R. Ammons. Then, Randy moves into his own compelling testimony about the strange magic behind growing up with a gay uncle (around whom Randy’s mom was most captivated), and how it affected Potts himself.

We witness Potts as he entreats Ronnie’s spirit (for healing? For explanations?), “When my mother spoke of you, a look of awe lit up her face. You were the one voice in her life that could inhabit multiple worlds at once…. You stood for everything she was afraid I would become: gay, intellectual, and godless. And yet nothing caused my mother’s face to light up like your memory. I was jealous, and I always hoped to be you.”

Randy recounts following in his uncle’s footsteps simply by following his heart, and reminisces about the tragedy of losing a loved one who took his own life because he felt he had no options. No hope. Because he felt that life would not and could not get better.

“I’ve seen pain and loss and sorrow,” Potts continues. “I would have held you in my arms had I been a man at the time…. but there’s no one holding you, because you’re holding on to no one. And now I’m here sharing the same destiny…. your path and mine are crossed. They intersect…in some ridiculous dance.”

With a tonality not unlike Dylan Thomas’ “Do Not Go Gentle Into That Goodnight,” Potts brings us into present day. Yes, he is angry, but we can somehow see the light at the end of the tunnel, the burning hot flames of passion for living forever aglow in Randy’s heart. We somehow feel his uncle lives in some kind of virtual second life, through Randy.

Another “Gay Agenda,” Another Pleasant Valley Sunday.

Oral Roberts was the first and one of the biggest of the televangelists. He brought the Pentecostal faith to mainstream America, he started a self-named university, and of course lived a rich life through his relentless please for money from his followers. His grandson Randy Roberts Potts grew up with him…steeped in that really sheltered, Far Right Christian world. Now he’s following a calling like his grandfather, but with an unexpected message.”

Reporter Page Hopkins for MSNBC

In sharing his story with MSNBC, Potts did indeed reveal he’d felt suicidal too—coming out was unthinkable to him. Having married a woman and raising three children with her, Potts’ coming out narrative is a common one that always feels mysterious and new during the discovery process. He told Hopkins, “Honestly, I thought I was just a really good christian that I just didn’t sexualize women.”

Though Potts’ closeted gay uncle passed away when Randy was just a boy, as he unfolded the discoveries about Ronnie’s life, they paralleled discoveries of his own.

It is now Randy’s life mission to reach back across the table and minister tolerance and inclusiveness to evangelicals themselves. Potts informed Page Hopkins that he’s doing so non-publicly, holding confidential meetings with religious leaders and consulting with them regarding family cohesion, suicide prevention and myriad other positive effects of practicing religious tolerance.

In one of the most romantic and courageous activism campaigns out there, Potts and his partner are now conducting what they call an ongoing “performance project designed for conservative towns with visuals of domestic gay life.” Potts is setting up storefronts from town to town , choosing to put his normal day-in day-out familial relationships on display, in a performance art piece called—what else…

“…The Gay Agenda.

Facebook.com/thegaygayagenda

Twitter.com/the_gay_agenda

Reach out to Randy @randyrpotts and connect with ORU Out, ORU LGBTQ alumni and ombudsmen) at http://oru-out.tumblr.com.

To watch Potts’ It Gets Better video in its entirety, please click here: http://www.youtube.com/watch?v=KYa0wi4XzeI

Have you got time to sit and pray a while? Check out Randy Roberts Potts – Re-Imagining Religion Series at: http://www.youtube.com/watch?v=9uYWf2WfPH8. During his ministerial speech in this video, Potts reveals that his brother is also gay and his family still ostracizes them both.

 

And for more information about suicide prevention and LGBTQIA resources and support, please visit the It Gets Better Project at http://www.itgetsbetter.org.

 

 

 

 

 

Men At Twerk Are NSFW: Big Freedia, Drag DJs and Men In Queer Culture — Are they Putting Miley Cyrus to Shame?

“Miley Cyrus’ twerk-filled performance at this year’s MTV Video Music Awards has become the most discussed, polarizing few minutes in a show that saw an ‘N Sync reunion and silhouetted Kanye West singing “Blood on the Leaves”. More than one think piece has accused Cyrus of appropriating and exploiting black culture for her own benefit at the detriment of its pioneers [like Big Freedia].”

                                                                                          – Jason Newman for Fuse.TV

On The #MileyTwerk Controversy and Queer Black Culture

“I’m a singer. I’m not a twerker, I’m not a rapper. I’m a singer…. I really can sing. And you know I can twerk—watch my videos. So there.” – Singer/Pop Artist Miley Cyrus 

[Note: In principle and practice, many of the clips and links below are NSFW. Not. Safe. For. Work. Surf with caution. Some of the content doesn’t prepare you for this fact pre-launch.]

Feminists are not having it.

Kids in San Diego are getting in trouble—like “suspended” in trouble.

Hannity and Limbaugh are hornswoggled, all about this “shocking new twerking thing.” The word “twerk” has made it into the dictionary. Women are even twerking in church…on camera.

But y’all know twerking is nothing new. By now, you’ve likely traced its roots back to Africa’s diaspora, strip club feasts of fancy or your garden variety YouTube/Vine video. Let’s just say it’s familiar.

Twerking’s “a new thing” for Miley Cyrus to do in public (not counting press campaigns planned far in advance of any twerk attempts), so therefore it is “news.” Girlfriend is owning it as-is—so by now ya gotta know, it is Miley’s full intention is to twerk poorly and call attention to the fact that there’s not all too much junk in her trunk.

Ms. Miley ain’t out to win twerk-a-thon championships, and nothing that a Disney grad does—one who’s still on top—is accidental.

Now that that’s out of the way: folks can’t tell what they find most offensive about Miley’s runaway bootie: her lack of hip gyrations, her cultural appropriation, using African American folks as props alongside teddy bears, or her choice to milk every last drop of so-called shock value from ratchet living ’til it’s dry.

MC’s camp is well aware that the so-called American TV demographic isn’t ready for a real-deal twerk. Why would she practice twerking aiming to make that look authentic when it wouldn’t get on the air for the world to see? (Let the “people props” get closer to that.)

As for cultural appropriation, using people as props et al—this is nothing men (and/or Madonna!) haven’t done for decades in the entertainment industry—does that make it okay?

While ratchet/twerking music and culture’s aimed at dancing and partying all night (among, ahem, other ideas), twerking draws upon elements of queer culture. We are everywhere, so why would this not be the case?

LGBTQ folks find Miley’s new-found popularity scenario to be familiar: she’s shining in the spotlight, riding the wave of a cultural trend that’s been around in this form for at least 20 years. When such a trend makes its way to heteronormative culture and is performed by (at least more) heteronormative superstars, it’s salacious, sexy and provocative. “Controversial.” When it’s performed by LGBTQ folks in-community, people are confounded and disgusted. Granted, “disgust” is a subtextual form of interest and arousal, but most folks don’t take much time to process through that appropriately.

Too, to hear Huffpost/AOL tell it, their #MenAtTwerk compilation is one of America’s funniest home videos. As it’s taken out of context, that’s one viewpoint—but because of the platform and audience Huffpost has, such a viewpoint leaves room for much misinterpretation. In-culture, the #MenAtTwerk bootie-clap collage could be considered to be hot, fierce, authentic, queer-inclusive and/or funny at the very least. Not just “funny.”

Back in February, RuPaul and Big Freedia released the hypnotic video and single “Peanut Butter” (http://www.youtube.com/watch?v=LFoRH-VtFO4) flanked by raw, hot models and dancers (courtesy of Chi Chi LaRue and Big Freedia), and a whole…lotta…arse. (The title of the track is “Peanut Butter,” so no surprises there). This underground club banger’s selling well and re-popularized twerking in-culture in a way that Miley still has yet to understand. Ru and Freedia are internationally famous pop stars too—you just don’t hear about them in the press every…other…second on every other channel.

‘Bout That Actual Life: On Actually Fierce Twerk Game

“I haven’t really seen one bad comment about my twerk video,” she said, then added jokingly, “This is the first thing! All right, I can’t sing, I can’t act, I’m dumb, I’m a hillbilly, but I can twerk, so whatever!” – Miley Cyrus

What did not get as much mainstream press time in this latest cultural case study? Rap Artist-Musician Big Freedia, killin’ it with a jaw dropping set at the Afro-Punk Festival, which took place on the same day as the VMAs did, in the same city and cultural mecca (Brooklyn).

Still, Rap Artist-Musician Big Freedia’s mic is on. People are watching, listening and learning. Big Freedia isn’t any fly-by-night dilettante or hobbyist. This artist is the real, live deal—she’s been all up in Bounce culture and then some since 1999. While promoting her new FUSE show Big Freedia: Queen of Bounce (http://www.fuse.tv/shows/big-freedia), she’s making her voice heard, sharing her reflections about the repeated #MileyTwerk spectacle.

While she’s honest about leveraging this strange, emerging opportunity, Big Freedia minces no words: twerking has been screwed and chopped by mainstream culture, and someone from within the culture itself needs to set the record straight.

Sissy Bounce is here, it’s queer, and it’s always been with us.

Reigning Sissy Bounce Queen Diva: Big Freedia Takes New Orleans Bounce to the World Stage

In Her Own Words

“… It’s offensive to black culture and black women who’ve been twerking for years. Every time we do something, people want to snatch it and run with it and put their name on it. And they still don’t even have the moves down yet. Just get me and Miley together so I could give her ass some lessons.” – Big Freedia, on Miley Twerk-A-Mania

Big Freedia doesn’t just make Bounce music—she makes Sissy Bounce music.

She had plenty to share regarding Miley’s twerk-storm. From a recent interview with Fuse TV (http://www.fuse.tv/2013/08/big-freedia-miley-cyrus-twerk), here are a few thoughts Big Freedia shared with her audience:

…. she was trying to twerk. For one thing, we have a dance in bounce music called ‘exercising’ where you just open your legs and shake your butt a little bit from side to side… but she still didn’t even get that right because she didn’t have any butt control. She needs more practice.”

When you have my dancers, they’re professionals. They’re from New Orleans and know what they’re doing . When they started dancing, it was original twerking. Miley’s dancers were prop dancers. None of them were professional dancers.”

They could’ve used girls from New Orleans, even if they were not black, who knew what they’re doing. They’re just using anybody possible just to get that buzz since twerking is hot now. I’m still trying to wrap my head around this, though. I knew the twerking thing was really taking off, but I didn’t know it would blow up like this.”

FUSE asked,Going back to Miley, let’s say you were the choreographer and saw her performance as a dress rehearsal. What specific tips would you have given her?”

Big Freedia responded, “Don’t do it.”

Big Freedia also told Colorlines.com she plans to release a response track called “Twerk It,” which “explores the roots of twerk vocabulary.”

Twerk Couture: Bad Girls Twerking Badly Still Puts Twerking On the Map

You can’t really explain [twerking],” Miley said. “It’s something that comes naturally…It’s a lot of booty action…. I’ve been practicing probably for the past two years, in my own time in my living room.” – Miley Cyrus, to E Online

This is an achy-breaky trend that will not die, and Miley isn’t even attempting to backpedal her way out of it. She is riding it for all it is worth to her—and she’s not in this twerk game alone. She of course has handlers and press people. In her mind (from all press interview accounts), Miley really is just chilling with her friends and doing what she loves.

It’s A Feminist/Black/Queer Thing: Miley Isn’t Here to Make It Rain.

On Channeling Nothing

RT @MileyCyrus “Mile, if twerkintwerkin woulda been invented…. And I had a foam finger…. I woulda done the same thang you did.” – DAD

If you watch Miley Cyrus’ “We Can’t Stop” video or even Robin Thicke’s “Blurred Lines,” the point of the shimmery video spectacle is not about making sure celebs and models are “dancing well.”It’s all about the performative pantomime. Again, we already know this yummy aesthetic quite well: Andrew Christian and Chi Chi LaRue’s underwear ad campaigns alone take bootie-shaking to beatific heights, masterfully conjoining commerce, spectacle and eroticism. – http://www.youtube.com/watch?v=I8S94OlPt7o.

Don’t let Miley’s twerk game fool you: titillation sells, and you can always take that to the bank. Twerk is another set of clothes for Ms. Cyrus. Miley’s still got time for high fashion photo shoots with Terry Richardson and has covered V, Cosmo, Harper’s, Elle UK and counting in recent memory. Those magazines don’t (yet) encourage ratchet couture spreads, and this twerking thing is but another momentary fashion prop for some.

Too, engaged to a man or not, Miley is gay-friendly and (many say) a queer lass indeed. Playing at queering culture isn’t something that can be shut on and off. Cyrus makes a proactive point to remind her fans about this, and the We Can’t Stop video is all about playing at bi-chic tropes and omnisexual aesthetics that may or may not keep happening when cameras stop rolling.

In terms of controversy and criticism goes, Miley takes it all in stride. Trained to deal with the public from a very early age (at least years old), she and her handlers know how to keep people talking and to take “faux rebellion” nowhere near the bleeding edge of real rebelliousness.

As for the pop star’s heiney? Here we have the good ol’ “Goodie I still get to look trick:” you criticize a woman for shakin’ what her momma gave her, telling your partner, the press, your friends, “Oooh! This is just scandalous!” All the while, you’re never taking your eyes off her bum and assorted hijinx. Scandalous attention is still attention.

We Can’t Stop Miley Cyrus. We Won’t Stop Miley Cyrus.

Cyrus’ only responses to criticism have moved along two main streams of thought.

Here’s one: when criticized for her unicorn onesie twerk video, Cyrus essentially said [paraphrased] “J. Dash is happy…no one heard of his song “Wop” before I did that.” And two: when hip hop legends such as Jay Z shout her out in their rhymes and in the press, people tell Miley he’s dissing her. Her responses?

RT @MileyCyrus Somewhere in America a Jay Z song is onnnnnn

RT @MileyCyrus That’s a win win forrrrrr me.

RT @MileyCyrus Call it what you want. But I don’t see Mr. Carter shoutin any of you bitches out. #twerkmileytwerk

And Jay Z agrees.

Miley is still working with (and yes, twerking with) Snoop Lion (aka Snoop Dogg), Odd Future, Ludacris, Big Sean, Pharrell, Juicy J, Nelly and many other rap artists du jour. The Yin Yang Twins wrote a stripper pole-ready song about her tush and twerking it. (http://www.youtube.com/watch?v=Q-UXJO-iydM)

The verdict is in: Miley is “right” on all accounts.

Shameless Plugs

Speaking of accounts, Miley’s still posting pictures of her bootie @MileyCyrus, and you can keep up with Big Freedia’s latest pics and posts @Bigfreedia.

So let’s get a move-on #MCTWERKTEAM…. Assume the #MileyTwerk position and represent.

“Big Freedia: Queen of Bounce” debuts Wednesday, October 2 at 11/10C on Fuse TV and you can buy her album “Queen of Bounce” on iTunes by clicking here (http://www.bigfreedia.com).

You can learn (and dance!) more by watching the documentary “Big Freedia The Queen Diva” here: http://www.youtube.com/watch?v=O0yrp3nsvAs

You know Miley’s on top of the promo gig too: according to Miley’s Twitter TL, you can of course pre-order #Bangers / Wrecking Ball on iTunes here: (https://itunes.apple.com/us/album/wrecking-ball/id691238659?i=691239109).

Now Playing – Big Freedia – Y’all Get Back Now

Because she is royalty, let’s give the Diva the last word. Big Freedia recently told the Daily News:

Twerking—and it’s a lot more than twerking—comes from a long history of music and dance in New Orleans. Twerkin’ happen around the world for a long time now, so I’m very excited that it’s coming into the public eye, as long as it’s respected.”

We could say more on the matter and likely will.

But wouldn’t you rather be dancin’ and watchin’ all up on this anyway? Let’s free you up to do that. And let’s keep it real: how many times have you had to switch to your “kitty pics” screen-saver so you wouldn’t get caught watching “Peanut Butter” on loop? Oh—that was just us? Oh, okay. Right.

 

LZ Granderson: The Myth of The Gay Agenda

“…I have taught myself to sew, cook, fix plumbing, build furniture – I can even pat myself on the back when necessary…. There’s nothing I need from anyone except for love and respect. And anyone who can’t give me those two things has no place in my life.”

– Arnold from “Torch Song Trilogy.”

Visit Bing or Yahoo. Google or Duck Duck Go.

(Don’t worry, we’ll wait.)

Now: search for the words “Gay Agenda.”

(We’ll be right here, so be sure to come back. Better yet, open up another window or tab. There you go.)

Here’s what you’ll find: you’ll discover and learn more about us here at GayAgenda.com (please do that!).

You’ll also see many, many other “interesting” finds. Most notably, you’ll encounter a lot of people who have coined the hateful term and idea of the “gay agenda,” words we happily reclaim.

Among the search results you’ll find will be CNN reporter-journalist LZ Granderson’s world renowned, fact-filled, heartwarming and humorous TED Talk, “The Myth of the Gay Agenda.”

Remember that “Gay Agenda” search engine quest from before? LZ really, really went there too—in fact, he went into some extended search action…!

The results he found included a wealth of hate-monger speech and ignorance-laden articles and updates about the “dangerous gay lifestyle,” and the “dangerous gay agenda.”

On thumbing through result after result of anti-gay propaganda, Granderson reflects: “If I’m gay and I’m doing something that’s going to destroy civilization, I need to figure out what this stuff is. And, I need to stop doing it right now!” [The audience laughs.]

“I took a look at my life—a hard look at my life,” he goes on, “And I saw some things very disturbing. And I want to begin sharing these ‘evil’ things that I’ve been doing with you, starting with my mornings.

[The audience continues laughing along with LZ.] He continues the in-joke: “I drink coffee. Not only do I drink coffee. I know other people who drink coffee.”

Granderson directs us to the first slide of a PowerPoint presentation with the laughable title, “The Super Duper Evil Gay Lifestyle,” emblazoned with the rainbow flag.

He walks us through his happily partnered life and the daily goings on of being a busy parent. He then goes on to masterfully, ironically illustrate his points. “Run for your heterosexual lives, people!” Granderson humorously “threatens” during the conference, dismantling the hateful rhetoric that anti-gay bigots just so happen to throw around.

At the end of the day, LZ Granderson’s presentation fights for, in his own words, “Love and respect….trying to find your place in the world.” It seems so simple—the real “agenda” has to do with those who seek to complicate it. To destroy rights that have already been granted, and to prevent acquisition of others.

Finding and enjoying “love and respect:” in essence, this is everyone’s “agenda.” Granderson brilliantly brings these and other heartening ideas to the fore.

When he talks about love, his family, adoption and marriage equality, your eyes will get misty, your lips will quiver, you’ll be reminded of your own humanity. His talk is quite lovely and forever relevant.

LZ Granderson, who writes a weekly column for CNN.com, was named journalist of the year by the National Lesbian and Gay Journalists Association. He is a senior writer and columnist for ESPN the Magazine and ESPN.com. He spoke at TEDx Grand Rapids in May 2012. TED is a nonprofit organization dedicated to “Ideas worth spreading” which it makes available through talks posted on its website. (http://www.tedxhappyvalley.com/lz-granderson-the-myth-of-the-gay-agenda/)

You can tweet your reactions and support to LZ  @Locs_n_Laughs.

Click here to watch the video—with choreographed light saber moves and all the belly laughs you can stand included. (http://www.youtube.com/watch?v=CstD6O95L-o)

So what did you think of LZ Granderson’s TED Talk ?